31st July 2022 It's a Sunday night and we're logged into Board Game Arena for a evening of gaming entertainment. Chrome: A reference to colour (Not the browser!). Ino: The last syllable of 'domino'. Chromino: Colour domino! And that's exactly what Chromino is - dominos with colours instead of numbers. Caveat: We've only ever played Chromino digitally. What's in the game?
There's very little to be said about the components here. No artwork is used, only 5 colours: blue, green, purple, red and yellow. These are bright plain colours too with no symbology to help colour blind players distinguish between them, which seems like a bit of a omission by today's standards. Only 1 icon is used in Chrominos - which is the 'wild' symbol that always appears on a white background in the centre space. How's it play? Setup
On to play In Chromino, players take turns playing tiles from their hand with the intention of emptying their hand first and thus winning. On their turn, the active player will perform 1 of the following actions.
Endgame When a player has only 1 tile remaining in their hand, they must shout "Uno!", or more sensibly just announce this is their last tile to all other players and then turn that last tile face-up for all to see. Play then continues normally. A new rule is introduced when a player has a only 1 tile left; which is that the last tile a player puts down cannot be a wild tile. If this would be the case, they must draw a new one instead. Then, when a player places their final tile, the current round is concluded and any players who have placed all their tiles are declared winners. Overall
From the brevity of the rules description, it's apparent that Chromino is a light game, which is no bad thing, it makes the game easy to learn and accessible to non gamers. It is after all, dominoes. For me though, this level of simplicity makes the game unengaging. I know there's a touch of strategy to be found from watching other players, possibly seeing which colours they're having trouble matching and trying to put those colours out to stymy them. Also, when a player reveals their last tile, opponents will get an idea on how to block it but truth be told, it will also rely on luck to use these strategies. This brings me to my main issue with the game: It's just very heavily dependent on luck more than anything else. They'll be times when someone won't be able to play anything and will just have add a tile to their hand. This becomes even more frustrating when you watch an opponent then play a tile, this now means there's now a 2-tile difference between you and them - which in Chromino can be quite a lot. And this seemed borne out in play. Often there would be a player - who through no fault of their own would have 2 or 3 more tiles than their opponents. Usually it meant they would never be in the running to win. So unengaging and frustrating is how I would summarise Chromino. I'm not sure who would like it, fans of heavier games will shy away from this and more casual players will probably gravitate to more traditional games. However, if you want a lightweight game a bit like dominoes... well you could just play dominoes.
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26th July 2022 It's Tuesday! That means it's time to meet up with the Woking Board Gaming Club at the The Sovereigns. Time to steal the idol... and escape, Indiana Jones has nothing on this real-time, cooperative dice game, well at least until those crappy rolls inevitably turn up! What's in a game?
Escape: The Curse of the Temple has good quality components. The tiles all feel suitably thick and sturdy. The acrylic gem tokens are kind you see in a lot of games which use them to depict gems, they are a sparkly, pleasing shade of green though. The bespoke dice and meeples are wooden which is always a nice touch. There's not much art to speak of, the tiles show flagstones and that's about it. It's clear artwork that does not get in the way. About half a dozen icons are used throughout the game, luckily they most relate to the dice and there's never a need to refer to the rules - which is a good thing since this is a real time game with a countdown. How's it play? Setup
On to play In Escape: The Curse of the Temple players are collectively attempting to explore a lost temple to find the exit and escape before becoming trapped. It's not so simple though; not only must they find the exit, they'll also need to activate the gem tiles and spaces to make their escape possible. The game is played over 3 rounds and does not use a typical turn structure. Instead, turns are actually synchronous, in other words, players perform all their actions at the same time and in real time! This involves all players rolling their dice and resolving their actions simultaneously. How is this all done? Read on.
Endgame When the 3rd and final round begins, all players must get to the exit tile and successfully perform the escape action.
The soundtrack has a total countdown across all 3 rounds of 10 minutes. If one or more players are still in the temple when the countdown has finished, then they collectively lose the game. If all the players have escaped before the time runs out, then the players collectively win! Overall
I'm going to start by saying that I'm a bit ambivalent towards real time games. I've played some good ones and can see how they have their place in gaming but for me but broadly speaking, it's not why I like and play board games. I like to think out my decisions and choices at least a little bit. Add to the mix a push-your-luck dice mechanic and you've a game of a lot of quick frantic rolling. You really don't want to roll those dice off the table! Having said all of this, I think Escape: The Curse of the Temple is a solid game and there's a lot to like about it. Firstly, rules and theme mesh together well. Chucking dice as quickly as you can to escape feels good. The synchronous dice rolling is a clever little system. Generally real time games are always trying to impress upon players that they're up against the clock, this can be a little jarring in a game where players are having to wait for another player's time to run our and get their turn. By having synchronous actions, it heightens the sense of urgency as everyone is in it together. Being able to provide assistance another player on the same tile is equally clever. It's an elegant mechanic that also feels organic and makes sense. This means it would seem like a good idea to have players explore the temple as a group, it would make shifting gems and unlocking dice easier... But there's a couple of rules that throws a spanner into that strategy. Firstly; exploring as group can slow down that exploration. Players can't escape if they don't shift enough gems or find draw exit tunnel from the stack. Secondly; players will want to avoid creating single long corridors, they will need to return to the starting tile twice and the further away they are from it, the further it is to get back. This will force players to split up or go in pairs or stick close by if they have the option, at least for the first 2 rounds. This can change contextually when certain tile are revealed or have to be put in play in a certain way or a player get too many locked dice and so on. Players will have to think quickly and decisively as well as adapt to emergent events. Escape: The Curse of the Temple obviously has a quick playtime - 10 minutes! That feels a little strange because the setup and explanation time almost feels longer than a single game. It's reasonably easy to learn, I can't imagine novice gamers struggling to learn the concepts here. It also not a game to be taken too seriously and leans heavily on luck which is not unusual for cooperative games. Although, even accepting this, a bad run of rolls can sour the experience. But treat Escape: The Curse of the Temple as a cooperative, silly, fun, filler of a game and it will be a enjoyable time. So long as your luck is better than mine... much better! So this is a sort of First Play! Love Letter: Adventure time, like Love Letter: Batman is a reskin of the original Love Letter. I'm not going to go into any particular detail here and will only list the notable differences. if you want to know more, the blog on original can be found here. Unsurprisingly, all the art featured throughout the game is sourced from the cartoon and the characters will be recognisable to fans. If you're not a fan, it's quirky and very cartoony-styled gentle parody of the original artwork with a bright palette, a style I find perfectly acceptable. Annoyingly though, some of the cards have been renamed; 'The Prince' becomes 'Hero', 'Handmaid' becomes 'Companion' and so on. I know that it's probably a better fit with the show's narrative and theme but it still means that even players who know Love Letter well will be referring to the rules! Instead of standard hearts or cubes, Love Letter: Adventure Time uses bright, multicoloured acrylic 'gems' to track scores and I have to admit they are pretty nice. With a couple of exceptions, the rules are broadly speaking, identical to vanilla Love Letter. Luckily, these additional rules don't break the game like some other reskins do but by the same measure, nor do they add anything to it and truth be told, can be easily ignored. Which is something I would do since I've always found the original Love Letter to have the best implementation of the rules. So is it worth getting Love Letter: Adventure Time? If you've already got some version of Love Letter; unless you're a completionist or a fan of the cartoon then you can skip this. However, if you're a fan and don't have a copy of Love Letter, it's a fantastic game and you should definitely get one and this version is a good as any. In fact if you don't have a copy of Love Letter, you should get one regardless! 12th July 2022 Another Tuesday is here and it means we're at the The Sovereigns with the Woking Board Gaming Club for an evening of gaming fun. In Vino Morte (In wine there is death!) is a much more depressing phrase than in vino veritas but is this a more depressing game? Well... since it's about poisoning your friends to death, I'll let you decide... What's in a game?
The cards are a standard quality you'd expect from a modern game. Like all games from Button Shy Games, this comes packaged in a wallet. The 2 pieces of artwork used for In Vino Morte have a sort of flat colour illustration style, it looks bright and pleasant. There's no iconography or text in the game and it's only 2 images contain a bunch of grapes or a skull & crossbones. It's all self explanatory. How's it play? Setup
On to play Each round, cards representing wine will be dealt out to all players and may or may not contain poison. The objective is to avoid drinking the poison and stay alive and last player standing is the winner.
Endgame Play continues until only 1 player remains and they are declared the winner. Overall
There's not much I can say about In Vino Morte other than it's probably the most unalloyed, unfiltered bluffing game I've played. It's simplicity and accessible rules make it a game of guessing and second guessing, players must try and anticipate what their opponents' motives will be. However, there's definitely a peculiar quirk and asymmetrical gameplay at work here. When a player is the the dealer, they'll have the opportunity to notably alter the playing time. E.G., The more poison cards the dealer doles out, the more players will be eliminated. A bold dealer could give out poison to all other players and see where it goes for example! I imagine it will present dealers with some intriguing propositions. In Vino Morte also has player elimination which is something I'm not fond of and usually consider a bad thing. Luckily, the game is almost a spectator sport and even when you're knocked out, it's still fascinating to watch how the remaining rounds will play out. It helps that it's also a pretty fast game to get through. With a quick play time and easily understood rules it can make a great little filler or party game, especially since it plays up to 8 - provided of course that the players like this type of game. If you don't like bluffing games, then this is one to avoid; but if you do, then you'll probably love In Vino Morte and it's definitely one to try. 5th July 2022 It's a Tuesday and we're at The Sovereigns with the Woking Board Gaming Club for an evening of gaming. The world of Victorian anthropomorphic railroad magnates is a cutthroat one in this game of acquiring train lines and towns. Buy low and sell high to become the... Raccoon Tycoon! What's in a game?
Raccoon Tycoon has excellent production values. Wooden tokens are used for commodities and first player token which is a good move, they always have a quality to them and also look cool. The cards (And paper money) have a sturdy feel to them while the tiles are satisfyingly thick. The game's art direction is also equally high. Anthropomorphic art is used throughout the game and I've found that it's a divisive style which most people do or don't like. Regardless of your view on this, it's undeniable that the quality of the art is high. The standouts are the railroad cards which use a oil painting style to display whimsical characterful animals in Victorian clothes. Curiously, the building tiles use a completely different style, instead displaying line illustrated buildings and subjects with mostly flat and barely shaded colours. It's a striking contrast that should theoretically be jarring but actually fits quite well. Icons used to represent commodities on cards are easily understood. Most other game information is relayed via text which is usually very clear. How's it play? Setup
On to play Players are trying to earn VPs in Raccoon Tycoon, this can be done by collecting sets of railroad cards, acquiring town cards to pair with railroad cards and gaining building tiles which are not only worth VPs but can provide avenues to scoring more VPs. All of this requires money and commodities, players will need to manipulate the commodities market to maximise the profit gained from selling their own commodities while trying limit the profit of other players. Racoon Tycoon follows a traditional turn order with the active player resolving their action before play moves on to the player on their left.
Endgame Play continues until one of the following 2 criteria is met.
VPs come from a variety of sources. Sets of railroad cards. Town cards paired with railroad cards. Building tiles earn 1 VP each. Bonuses from building cards may also provide additional VPS. Points are tallied, highest score wins. Overall
Even without the anthropomorphic artwork, Raccoon Tycoon would be something or a quirky game. It packs quite a lot of mechanical systems into a single game albeit to a fairly simple level. A little bit of stock market manipulation, a touch of set collecting, a dash of auctioning and a sprinkling of engine building. It could be a recipe for disaster but in the case of Raccoon Tycoon; the whole is greater than the sum of the parts. A large part of this I feel is due to the building tiles. Their unique bonuses both provide some asymmetrical gameplay elements and can also give players a bit of strategic direction. Raccoon Tycoon is a bit of a balancing act between acquiring cash for railroad cards/building tiles and commodities for town cards. It's hard to work towards both at the same time. Adaptation is important here, as is planning ahead. Players could look to finding ways to raise commodity values to increase profit when selling them later This brings me to commodity manipulation. There isn't too much interaction between players other than auctioning and commodity manipulation, Watching what opponents are doing can prove useful and is something of a higher level of play. I.e., if 2 players are accumulating the same commodity, there's a possibility that one of them will sell it, causing that market to crash. Beating a opponent to the punch so to speak, can cost them lots of cash! Raccoon Tycoon is fairly rules light and I think seasoned gamers won't have any problems grasping all the systems at work here. For less experienced gamers, the curve will be steeper, I don't feel it's a gamebreaker but I imagine it could be off putting. While there's enough gameplay to give players thoughtful and meaningful decisions to make and a fun experience, I also found the game to be a little unengaging and uncompelling, I never felt like I was building railroads or towns and despite the unique art style, it didn't feel like it stood out from the crowd. here's nothing wrong with Raccoon Tycoon but it wouldn't be my first pick for a game, although I'd have no problem playing it if someone else wanted to. The gaming totals for June '22 are below. Played slightly more games in June compared to May but lightly less first plays! Total games: 48 Different games: 36 First plays: 9 Wednesday 1st Simon's
Forgotten Waters - 5 Thursday 2nd on Board Game Arena Loco Momo - 8 Fruit Picking - 2 Splendor - 18 Azul - 4 Sushi Go! - 13 Lucky Numbers - 24 Friday 3rd Simon's Arcadia Quest - First Play! Sunday 5th on Board Game Arena Fruit Picking - 3 Stella - Dixit Universe - 8 Carcassonne - 8 Space Base - 12 Railroad Ink - 28 Lucky Numbers - 25 Tuesday 7th at The Sovereigns with the Woking Gaming Club Merv - 2 Thursday 9th Aldershot Isle of Cats - First Play! Chariot Race - First Play! Sunday 12th on Board Game Arena Jump Drive - 7 Fruit Picking - 4 Barenpark - First Play! Martian Dice - 14 Lucky Numbers - 26 Tuesday 14th at The Sovereigns with the Woking Gaming Club Hidden Leaders - First Play! For Sale - 8 Deep Sea Adventure - 7 Thursday 16th Aldershot Love Letter - 57 Machi Koro 2 - 3 Sunday 19th on Board Game Arena Barenpark - 2 Dice Forge - 10 Jump Drive - 8 Cloud City - 13 Loco Momo - 9 Lucky Numbers - 27 Tuesday 21st at The Sovereigns with the Woking Gaming Club Terminator: Dark Fate The Card Game - First Play! Port Royal - 21 Thursday 23rd Aldershot Welcome To - First Play! Port Royal - 22 Village Green - First Play! Saturday 25th on Board Game Arena Fluxx - 4 Race for the Galaxy - 14 Martian Dice - 15 Sunday 26th on Board Game Arena Hanabi - 2 Can't Stop Express - 3 Via Magica - 10 Azul - 5 Railroad Ink - 29 Thursday 30th Aldershot Burger Boss - First Play! Tiny Epic Galaxies - 7 |
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