19th November 2022

It's a Saturday morning and we're at Bisley for Wogglecon 5 'It's a alive!' - a day of gaming goodness and a bit of charity.

Have you ever fancied travelling South American highlands with nothing but a cart of goods to keep you company, going from place to place, hunting for fish, chopping down trees, trading and so forth. If the answer is yes, then maybe Altiplano is the game for you.

How's it play?
Setup

• Game area: Set the central playing area up.
  • Location boards: Randomly arrange the 7 location tiles in a ring shape.
    • Tokens: Sort all the tokens as per player count and add them to their pertinent location tiles. Only food and money do not go on to a location tile.
    • Cards: Add the boat, house and order cards face-up to their pertinent location tiles.
  • Extension strip: Put the extension strip in the centre of the ring.
    • Extension tiles: First sort the extension tiles as per player count, then sort them by type (A, B, C and D.) and shuffle each type into face-down stacks. Finally arrange them into a single face-down stack, with the A stack at the top, going down to the D stack at the bottom.
    • Place extension tiles: Draw and place 5 tiles from the stack along the 5 spaces on the edge of the extension strip.
• Players: Give each player an action board, warehouse board and bag.
  • Meeples: Give each player the meeple, cube and container in their colour. Each player's cube should go on the '0' space on the road location.
  • Role tile: Randomly assign a role tile to each player. The tile should be placed adjacent its location on the player's action board.
    Each player should then take their starting resources as indicated on the tile, goods and food should be placed them into their bag. Money should be put to the side in a personal supply.
    Finally each player should take a brown cart cube from the village location and place it in the topmost space in the movement track on their action board.
• First player: Determine a starting player then each player places their meeple on any one of the 7 location tiles. Now we're ready to play.

On to play
In Altiplano players will be making plans to travel around the location tiles and use their goods to carry out the actions specific to those locations.
This is done over 4 phases:

• Drawing phase: This phase is carried simultaneously with all players drawing tokens from their bag and placing them on their planning spaces.
  At the start of the game, players can only use 4 planning spaces, thus only draw 4 tokens from their bag. However, by moving their cube up the road location, players will unlock more planning spaces which mean they can draw and use more goods tokens.
  Empty bag: If at any time a player needs to draw 1 or more tokens from their bag and it's empty, then they tip the contents of their container into the bag, give it a good shake and continue drawing.
  Taking tokens back: Obviously, this does not apply during the first round but before drawing tokens, a player can choose to take tokens they have previously placed on action spaces but not resolved off of those action spaces. However, these tokens must be placed on planning spaces which consequently lessen the number of tokens they can draw. Money retrieved in this manner is returned to the player's personal play.
• Planning phase: This phase is also performed simultaneously. In this phase players take goods from their planning spaces (Or money from their personal supply.) and place them on action spaces on the board. This includes the movement track and also extension tiles a player may have acquired.
  All actions require specific goods to activate them.
  Most locations have 1 or 2 spaces, except the village which has 3. Some actions require 1 good (And thus may be performed more than once.) while many actions require 2 goods.
  A player may choose not to place all the goods on their action spaces but this would mean they draw less tokens in the following round.
  When placing goods and money, players do not need to complete the action to place them. If an action requires 2 tokens, they can place just one of them even if it won't complete the action. It's a useful way to keep planning spaces free.
• Action phase: This phase represents the bulk of the game's activities and thus has many elements.
  • Turns: Unlike the previous 2 phases, starting with the current first player, actions are carried out in turn order one action at a time. The active player resolves one action, then play progresses to the next player.
    Passing: If a player cannot complete an action, they must pass. Additionally, a player may choose to pass even if they could complete an action. In either case, when a player passes, they are no longer involved in the action phase for the current round.
  • Movement: Movement does not count as an action but can be performed as part of an action.
    Timing: Movement may be performed before or after an action.
    Moving: Each player starts the game with 1 cart cube. A player can slide it to the 'used' side on their movement track to move their meeple up to 3 location either way around the circle of locations.
    Additional movement If a player has put food on to other movement track spaces, they may 'spend' it to move during another action. However they can only move 1 location unless they have acquired additional carts, in which case they can move 3 locations.
  • Actions: There are lot of actions a player can perform and several rules associated with them.
    Location: A player's meeple must be at the action's location in order to perform that action, this includes extension and role tiles.
    Paying tokens: Actions require players to pay the required tokens to resolve them. Other than money, anytime a token is 'spent' the token(s) are not actually spent instead they are put into the player's container and will ultimately end up going back into the player's bag. Only money is actually spent and returned to the central supply.
    Acquiring goods: When acquired, most goods tokens immediately go into a player's container. The exceptions are money which goes into the player's personal supply and corn, which is explained below.
  • Resolving actions: Each location has one or more actions which can be resolved by players.
    • Farm: cloth, food and wool can be acquired here.
    • Forest: cloth, food, glass and wood can be acquired here
    • Harbor: Fish and food can be acquired.
      Boat cards can also be acquired here which allow players to add tokens to their container. A player may choose any available boat card.
    • Market: The market has several actions.
      Sell goods: Some goods can be sold for 1-3 coins each, as with all actions, goods that are sold are actually put into the player's container.
      Buy extension: A player can purchase 1 extension tile per round. The total cost is the cost on the tile plus the cost from it's position on the extension strip. If a extension is bought, it is not replaced until the last phase.
      Order cards: These can be bought here too, which allows the player to choose any available order card.. A player may only have 1 unfulfilled order card at a time.
      Deliver goods: This action allows the player to move goods placed here on to an order card. When a order is completed, it will earn the controlling player VPs during the endgame, generally it will also give the player a corn token, more on these later. 
    • Mine: Silver and stone can be acquired here.
    • Road: Completing the road action may have 1 of 2 effects. Either it unlocks a planning space for a player or it provides them with a corn token, again, more on corn below.
    • Village: The village also has several types of action.
      Buy cart: Players can buy a cart and place it on an available space on their movement track.
      Buy house card: A player can buy any available house card. House cards increase the VP value of the displayed good during the endgame.
      Store goods: This action allows the player to move goods off of the action spaces and into their warehouse. There are however, several restrictions here.
      • No food: Food tokens cannot be placed into the warehouse.
        Same goods: A row can only have 1 type of good in it. Thus if the 1st good in a row is a fish token, all the subsequent tokens in that row must be fish tokens. Additionally, there can only be 1 incomplete per type of good. A row of fish must be completed before a second row can be started.
        Bottom-to-top: When a good is placed in the warehouse, it must be in the lowest available space, either in a new row or an existing one.
        Left-to-right: A good must also be placed into the leftmost open space in the row it is placed into. A row is considered complete when the rightmost space has been filled.
      • Corn: There are several rules regarding corn.
        Store immediately: Regardless of how a player gains a corn token, when they gain it, it must immediately be stored in the warehouse.
        Wildcard: Corn can be used as any type of good for a row that has already been started. E.g., if a player has started a row of fish, it can be added to that row and even complete it.
        If there is no incomplete row to add the corn token to, then it starts it's own row!
        Corn rows takes priority: When storing corn, if there is a row that was started with corn, then corn tokens must go into that row before any other until it's completed!
• End of round phase: Once all players have passed, the game goes to end of round and several events occur.
  New first player: The first player marker is passed on to the player on the left who will be the new first player.
  Reset carts: All carts are put back to their initial positions.
  Manage extension strip: If any extension tiles we bought during the action phase, remaining tiles are slid downwards to fill the gaps and new tiles are added to the gaps now at the top.
  If no extension tiles were brought during the action phase, the bottommost extension tile is discarded, the other tiles are slid down and a new tile is added to the top.
  Now a new round begins with the first phase.

​Endgame
Play continues until one of the following 2 criteria are met.
Any one location becomes fully emptied of all tokens, cards, etc.
Or, a space along the extension strip cannot be filled, i.e., the extension tiles supply has emptied.
In either instance, the current round is completed and 1 further round is played, then the game goes to scoring.

VPs will come from a variety of sources.

• Goods tokens: Tokens can score 0-4 VPs each depending on the type. Tokens on a player's action board, warehouse, in their bag and container all count.
  Tokens on order cards are not counted.
• Warehouse: Each completed row in a player's warehouse will score it's associated VPs.
• Cards: Boat and house cards earn their respective VPs. Completed order cards also earn their VPs.
• Bonus VPs: If a player has house cards, they will earn bonus VPs for the corresponding goods.

Points are tallied, highest score wins.

Overall
As you can see from the write up so far, there's quite a lot going on in Altiplano and a lot for players to think about.

There's a recognisable quandary going on with the bag building mechanic.
Players will naturally be looking to acquire tokens to carry out actions but invariably there will be times they end up getting pulled from the bag when they're not needed and unneeded tokens can 'water down' a player's strategies.
Unwanted tokens can of course be left on planning spaces but most players will find that irritatingly suboptimal. Alternatively, they can placed on spaces for action that a player does not immediately want to perform but they will eventually end up coming back  to again though. Another option albeit fairly situational, is to put them on to order cards, although removes the goods from the remainder of the game.
Finally, they can be put into the warehouse, this means those tokens have greater scoring opportunities but again, permanently removes them from a player's container/bag which may or may not be a good thing. layers will have judge the merits of storing tokens contextually - except when dealing with glass tokens. The thing with glass tokens is that they don't produce any other type of token, all they do is produce the most VPs per token, storing them in the warehouse where they contribute to more VPs and declutter a player's bag is a no-brainer and usually I consider no-brainers a bad thing for a board game but I feel this is a deliberate decision on the part of the game - more on that below.

If you've been paying attention (And I'm sure you have!) you will also have noticed that several goods such as a cacao, alpacas and even something that seems that it should be common such as fish cannot be produced from the action board.
So how are these acquired?
There's a couple of opportunities to get them, namely boat cards, extension tiles and possibly role tiles.
However, this brings me to a bit of a bugbear I have with this scarcity mechanic. It means there can be a race by experienced players to get those hard-to-produce goods, particularly cacao which produces glass which can be worth so many VPs. In fact I feel the whole of the forest location is especially strong location since cacao alone is used there for 3 separate actions in the same location. A player who can produce cacao and concentrates on doing so can soon be producing lots of goods at the forest.
Having said that, the game is a bit of a point salad with various avenues to scoring VPs, it's just that I feel going for glass is the strongest way and experienced players will end competing in that tactic.

While the bulk of the game's activity takes place during the action phase, the planning phase is where players will do most of their well... planning. They'll look to optimise there actions to get the most out of their available tokens.
Because players will generally need to move around to perform multiple actions, efficient use of the movement track is important, especially so in the early game when food tokens will be scarcer. A player can move their meeple before or after an action may make it seem unimportant but sometimes players will need to think ahead about where they need to be at the start of the next round.
As well as having to think about movement and balancing their goods with their bags, players will also have to think about gaining extensions, house and order cards, as well as boat cards if they are needed. 
Add to this increasing their planning spaces and acquiring corn to fill out their warehouse and players have lot of ways to approach the game
​
In this regard Altiplano does that thing which presents players with lots of options but frequently not enough opportunity to do everything they want, forcing them to make tricky decisions, which I consider a good thing in games.

Altiplano is a mid-to-heavy game with a longish playtime, it's probably not for beginners and perhaps could be criticised for being a bit over-elaborate although personally I didn't find it that much of a problem
In conclusion; the mechanics blend together to give players choices and essentially problems to solve in optimising their actions. If bag-building style games and resource management are your thing, Altiplano is worth a try.

9th October 2022

Another Sunday, another session of gaming goodness on Board Game Arena.

Travel around North America, fulfil tickets, draft cards, create routes in Ticket to Ride. 

• Cards: Ticket to Ride uses 2 types of cards:
  Train car cards: These cards come in 8 different colours that correspond to the connection colours on the board and each colour also displays a different type of train car such a freight or passenger car.
  There also 14 'locomotion' cards, which are 'wild' cards.
  Destination cards: Each one of the destination cards shows the same map of North America as shown on the game board, 2 of the destinations on the card will be highlighted. Finally, each destination card has a associated victory point (VP) value.
• Train meeples: Should these be called 'treeples'? Hmm maybe not, could be confused with trees!
  ​There are 45 trains in each of the game's 5 player colours. The trains are sized so that 1 train meeple fits on 1 segment in a route.

I suppose that you could call the art on the board muted but I would say it's functional and unobtrusive. The board is quite busy as it is with all the routes crossing back and forth, overly elaborate art would just obfuscate important information, so it feels like a good decision to me.
Each colour of train card has it's own unique illustration which helps with accessibility issues. The illustrations are perfectly good if a little plain.
The destination cards essentially replicate the art on the board.

There's no notable iconography in Ticket to Ride and the game is straightforward to comprehend. There's just the 9 types of train car to remember and that's easy and intuitive. I imagine the biggest hurdle to overcome in the game's presentation is finding destinations on the map and the iconography does a lot to make that as easy as it can.

How's it play?
Setup

• ​Game board: Put out the game board.
• Train car cards: Shuffle the cards into a face-down deck, deal 5 cards face-up adjacent to the board.
• Destination cards: Also shuffle these into a face-down deck.
• Players: First give each player all the train meeples in their player colour.
  Train car cards: Deal 4 to each player, this is their starting hand.
  Destination cards: Deal 3 destination cards to each player. Everyone decides how many to keep. A player must keep 1-3 destination cards.
  Destination cards should be kept secret players until the end game scoring, only then should they be revealed.
• First player: Determine a starting player.

On to play
In Ticket to Ride, players broadly speaking have 3 objectives, these are; build as many routes as possible, create a connection between the locations on their destination cards and finally, create the longest contiguous set of connections.
All of these will contribute VPs towards their final score.
This is done by drafting cards which in turn allows players to create routes.
Ticket to Ride uses the typical turn structure of the active player taking their action before play progresses to the player on their left.
In their turn, the active player can perform exactly 1 of the 3 following actions.

• Draft train car cards: This action allows the player to draw 2 of the standard 8 types of train car cards. This can be done by taking it from the 5 available face-up cards or drawing blindly from the deck.
  Locomotion cards: A player can only claim 1 locomotion card as their enntire drafting action.
  Shuffling: If at anytime there's 3 or more locomotion cards in the face-up line of cards, then all 5 are discarded and 5 new cards are drawn. Additionally, if the train car card deck becomes empty, the discard pile is shuffled into a new deck.
• Claim route: A route is a line of oblong spaces between 2 destinations. A route may a have a colour or may be 'grey'.
  To claim a route, the active player must discard train car cards of the matching colour and equal number of spaces to the route. A grey route can be claimed with cards of any colour provided they are all of the same colour.
  Locomotion cards: These can be used as train car cards of any colour.
  Place train meeples: Once a route has been claimed, the active player places a train meeple on every space on the route.
  ​This also means that no other player may claim this route.
  Some adjacent destinations will have 2 routes running in parallel, in games with 4+ players, the 2nd route can be also claimed. In 2 or 3 player games, 2nd routes are not in play.
  Scoring: When a route is claimed, it is immediately scored on the tracker. Routes run 1-6 spaces in length and correspondingly score 1-15 VPs.
• Draw destination cards: As their action, the active player may draw 3 cards and keep 1-3 of them, providing them with additional scoring opportunities (Or not as explained below!).
  Discarded cards are returned to the bottom of the destination deck.
• Next player: Once the active player has completed their action, play progresses to the player on their left.

Endgame
When the active player has 2 or less train meeples remaining, the end game is triggered. Every player including the active player has 1 more turn then the game goes to scoring.

Players will add points from destination cards to their running total from the game and the player with the longest set of connections gains bonus VPs.

Destination cards are now revealed:

• Completed destination cards: Players earn the listed VPs for every destination card that they have completed (That is; any destination card where the owning player may trace a connection of their routes between the 2 destinations.).
• Incomplete destination cards: Every incomplete destination a play has will deduct VPs from that player's total.

Finally, whichever players has the longest contiguous set of routes earns a bonus 10 VPs!

Points are tallied, highest score wins.

Overall
Ticket to Ride is a very popular, well regarded game and it's easy to see why. Lightweight rules that are genuinely elegant, almost minimalist that're easy to learn, a game that's intuitive to play with a theme anybody can understand. Ticket to Ride is definitely a game with crossover appeal, is a good game for casual play and introduction to board games.
It also has a fairly random distribution of destination cards throughout a game which provides a good level of variety to games.

This pared down set of rules means that Ticket to Ride also provides players with clear meaningful decisions to make.
Basic tactics are pretty straightforward: Players are in a race to connect their personal destinations before they risk getting blocked by other players. They'll need to balance getting cards they need to draft and claiming routes.
Since a player's routes do not need to connect, any player essentially can claim any route, anytime if they have the appropriate cards.

Completing destination cards can be quite satisfying and they add an extra wrinkle to the gameplay. Being able to acquire more of them during play can be a game changer, earning more VPs but conversely, is also risky, getting a card that is not completed obviously costs VPs.
What makes this even more interesting is during the late game this risk/reward mechanic becomes even more pronounced.
Acquiring a destination card late in the game can be very risky because the player may not have the required time to complete the connection. However, late in the game is when a player's train network is at it's biggest, consequently it's possible to gain destination cards which have already​ been connected.

There's also a higher level of play in Ticket to Ride. Watching what opponents are doing and successfully anticipating what connections they're trying to make can allow a player to block or slow their progress down by claim routes they might want. If you look at the map, you will see that that there are numerous routes which are only 1 or 2 space grey routes that are very easy for a player to claim, e.g., a 1 space grey route can be claimed with any train rail card. It's obvious this is by design.

This brings me to my main contention with Ticket to Ride: It's a game that promotes negative gameplay. What do I mean by that?
Claiming a route another player needs will force them to spend additional turns acquiring train car cards and then taking longer to claim routes around the block.
In terms of action economy, a player wasting 1 action to make an opponent waste 5 or 6 can be pretty advantageous.
Preventing an opponent completing a destination card may earn that player no VPs but for their opponents, it will cost them points.

Many Eurogames have mechanics which have sort of a balance to them where if a player screws over an opponent, they will also frequently screw themselves over and only occasionally can they screw an opponent over while advance themselves.
Ticket to Ride is not like that!

Although, in part this will be down to the type of people playing.
Dedicated players will learn and exploit blocking at every opportunity and why not? Games are for winning and getting a score of 1 while opponents get 0 is still winning.

More casual players may not care about higher level tactics. Early games will be light and fun but even so, after a while they'll end up realising (Probably by accident!) how powerful blocking can be.

Remember, earlier I said how connecting destinations can feel satisfying, well getting blocked can feel equally unsatisfying.

There's a lot that's good about Ticket to Ride and I wanted to like it but the negative aspect can just be too frustrating. I understand why the game has a lot of fans, I'm not one of them.

26th September 2022

It's a Monday and we're round Simon's for Firefly: The Game.
It 'aint' the time to misbehave, it's actually time to play a Sandbox board game in the world of the cult short lived sci-fi show, Firefly.
Now with the requisite joke quote out of the way, it's time to get down to business.

• Cards: Firefly: The Game uses cards to power the game play and a lot of them too, about 400 cards in fact! Mostly in 13 decks at my counting!
  • Story cards: Objectives and winning criteria will vary from game to game and the story card selected at the game start will determine the objectives.
  • Starter Cards: There are 2 types of starter card and each player will have one of each
    Leader cards: These are captains that each player will be given. Leader cards are illustrated and are also similar to crew cards, they have professions, skills and special abilities.
    Drive Core cards: Each player will also have one of these which are placed in the respective slot on their ship board. The drive core determines how far a ship can move.
  • Supply cards: There are 5 decks of supply cards, 1 deck corresponds to a specific sector on the maps. Supply cards are broken down into 3 types.
    Crew: These are characters that can be hired by players. Crew have various stats, including profession, skills and special abilities. Crew can be 'moral' (Or not.), they also have a hiring cost.
    Gear: These can be weapons or other items which can be assigned to crew.
    Upgrades: These cards can be assigned to the player's ship to improve it's capabilities or add new ones.
  • Contract cards: There are another 5 decks of contract cards, again 1 each for each of a specific sector. Contracts represent 'jobs' or 'missions' that players can undertake. Usually this is a delivery of some sort or committing a criminal enterprise.
  • Nav cards: There's a mere 2 decks of nav cards! One deck for Alliance space and the other for border space.
    When player's move their ships through space, they will draw a card from the relevant deck and resolve it. Mostly these have no effect but sometimes they will be an encounter or problem to overcome. Sometimes it'll move the Alliance ship (Bad news.) or the Reaver ship (Really bad news!).
  • Misbehave cards: This is the final deck! Players be frequently directed to 'misbehave', this involves drawing and resolving these cards. They represent crimes or capers that players will need to successfully complete. Usually players will be presented to 2 different capers which will present a different task each to achieve.
• Tokens: Firefly: The Game also makes use of a lot of tokens.
  • Cargo/Contraband: These square cardboard tokens each fit on to 1 space in the ship's hold and can be shipped or smuggled.
  • Passenger/fugitive: Again these are square tokens that fill 1 space on a ship board.
  • Fuel: These card tokens are oblong and half the size of square tokens, thus 2 can fit in 1 space in a hold. Fuel is spent to power a ship's drive core.
  • Parts: These are also oblong tokens and are spent to fix problem with a ship.
  • Disgruntled tokens: These round card tokens feature a unhappy face and are used to track crew when they become unhappy.
  • Goal tokens: These are also round tokens. Story cards will have multiple goals that must be completed. Whenever a player completes one of the goals, they acquire a goal token.
  • Warrant tokens: When a player commits crime or misbehaves badly, they may acquire one of these round tokens. It means that the authorities have noticed the player and may make life hard for the ship or crew.
• Models: There are no meeples here, instead there are little plastic models to represent space ships.
  • Firefly ships: There's 4 firefly ship models on stands, 1 in each of the player colours.
  • Reaver ship: Used to represent Reavers who prowl Border Space, these models are also on stands.
  • Alliance ship: This model is relatively and suitably huge compared to the others and represents an Alliance cruiser.
• Money: Firefly: The Game uses paper money! That's both unusual for a modern game and also pretty cool.
• Dice: There are 2 dice that come with the game. They are normal six-siders except the '6' has been replaced with a firefly ship logo, although it still counts as a '6'.

I don't usually talk about this because it has no impact on the game itself but Firefly: The game has a huge footprint, i.e., it takes up a lot of table space.

How's it play?
Setup

• Board: Put out the game board and complete the following steps.
  • Ships: Put the Alliance and Reaver ships in their respective starting spots.
  • Supply cards: Sort the supply cards into their 5 types and shuffle each into a face-down deck. Finally draw 3 cards from each deck to form a discard pile for each supply deck.
  • Contract cards: Also sort contract cards by type and shuffle them into 5 face-down decks. Again draw and discard 3 cards from each deck for create their  respective discard piles.
  • Nav decks: Sort the nav decks by type, then shuffle the remaining cards into face-down decks.
  • Misbehave deck: Shuffle the misbehave cards into a face-down deck.
  • Story card: Shuffle all the story cards into a face-down deck and draw one. This will be this game's objective.
    Alternatively, players may collectively decide on a story card to use.
• Players: Put out the starter cards and shipboards. Players then roll off with a die to determine the order in which they choose their starter cards and ship boards.
  Then in reverse player order, players choose where to place their ships on the game board.​
  The player to last put their firefly model on the board starts the game as the first player.
  Next, give each player 3,000 credits, 6 fuel tokens and 2 parts tokens. The tokens should all be placed on cargo spaces on each player's ship board.
  Finally, all players draw 1 contract card from each contract deck, giving them 5 contract cards. Players are allowed to keep up to 3 contract cards in hand and may have up to 3 active contracts at a time.

On to play
Firefly: The Game doesn't have set objective, instead it has differing story cards, one of which will be used during a game. Each story card will have a series of goals that must be completed and whoever does them all first, wins!

Firefly: The Game follows the usual turn structure with the active player taking their turn before play progresses to the player on their left.

• Actions: During the active player's turn, they can perform 2 actions as described below. They may perform 2 different actions or repeat the same action twice.
  • ​Move: There are 2 types of movement a player can chose when moving their ship.
    Mosey: The player can move their ship 1 sector, this is slow but safe movement. If a player is adjacent to their destination, they'll probably mosey there.
    Full burn: Now this is more like it. This requires the player to spend a fuel but allows them to move their ship a number of sectors equal to the range of their drive core.
    There's a consequence for doing this though...
    Every time their ship enters a sector, they must draw a card from the nav deck for the region of space they entered.
    Nav cards mostly have no effect and allow the active player to continue moving but some will give them encounters to resolve or problems to address, usually in the form of a skill roll (More on skill rolls below.) or may force them to full stop which means their movement for that action ends. Sometimes it will allow the active player - or another player move the Alliance or Reaver ship a space and sometimes it will pull the ship directly on to the players sector, in which case they must deal with it.
    The Alliance ship will search the player's ship but won't do much to a player unless they're carrying contraband/fugitives or there's a warrant on the ship or crew. In this they'll lose the contraband/fugitives and may lose outlaw crew, they'll also have to bribe the Alliance to get rid of warrants.
    Encountering Reavers is much simpler, if deadlier. They Reavers will kill all passengers/fugitives and kill some of the crew too! However, if the player has the right crew and fuel, they can evade the Reavers.
  • Buy: If the player's ship is in a sector with a supply deck, they may buy stuff!
    Players may look through the pertinent supply deck discard pile for cards they want or draw from the deck until they have 3 cards, then they may buy up to 2 of them. returning any unbought cards to the discard pile.
    Additionally, the buy action also allows the active player to purchase fuel or parts.
    ​If for any reason, any of the crew has disgruntled tokens, the active player may spend credits to remove them with shore leave.
  • Deal: When the active player is in sector with a contract deck, they may use an action to look at 3 cards from either the discard pile or drawn from the deck and keep 2 of them to complete at a later stage of the game.
    Players can also buy or sell contraband if they have a 'solid' reputation i.e., good reputation in that sector.
  • Work: The active player may spend an action to work, there are several types of work that can be undertaken.
    Cash: If they active player is in a sector with a planet, they may spend an action to earn some credits.
    Job: Each active job a player has will require several steps that need completing in order to finish that contract. An action may be spent to complete a step, sometimes this requires a skill roll.
• End turn: Once the active player has completed their 2 actions, player progresses to the player on their left.
• Other rules: There are a whole bunch of situational rules, some of which are touched upon below.
  • Skill rolls: Many tasks and actions will require a skill roll to complete. Some tasks will offer a choice in how to resolve it with differing difficulties and outcomes. Some tasks may also require certain prerequisites before rolling.
    Difficulty: A skill roll's difficulty is determined by a number, the higher the number, the harder it is to successfully complete.
    Bonuses: A player may gain bonuses from various sources, predominantly, this will come from characters. Every point a character has in the relevant skill will be added to the roll. Gear cards may also add to a skill roll.
    ​​​​​Roll the dice: When a skill roll is attempted, the active player rolls a single die. If the result (Plus any applicable bonus.) is equal or higher than the difficulty, they succeed. If the active player rolls the firefly icon icon it counts as a 6, then they get to roll the die again and add it to the result of the first roll (Which will be a 6.), thus, no matter the difficulty, there's always the possibility of succeeding at the roll.

Endgame
Firefly: The game works hard to replicate the feel of the show and to a certain extent, it does this very well. It successfully captures the feel of hustling round a system, wheeling and dealing, dodging authorities and making profit.
All of this though, is only half of what the TV show was, the show was also about the family you make and the stories they collectively create, stuff that's quite hard to replicate in a game and is missing here since players are each playing separate crews. Having said that, there's definitely a bit of emergent gameplay and some elements of storytelling going on here but his brings me to one of my bugbears about the game.

When you're playing it feels a bit like a single-player game that happens to have other players in it. There's a little bit of interaction here and there that comes from sending the Alliance or Reavers after other players or trading and crew poaching but it doesn't feel significant.

Firefly: The Game is sandbox game that appears to offer a lot of choice, is a lot of game with a lot of rules and rules exceptions and also a lot of components which I feel will be off putting to more casual gamers. A fan of the show who isn't a gamer will probably find Firefly: The Game hard going at the start.

Despite the breadth of rules, the game is fairly straightforward in what it asks players to do.

One of my other bugbears is that players will often find themselves delivering something, this might be legal or illegal or performing a crime/misbehaving. All of this will involve travelling around and risking running into the Alliance or Reavers or other obstacles and so on.
The consequence of this is that because the game is so single-player driven that ultimately, it's a race to complete the goals as efficiently as possible and even though it's meant to be have open sandbox gameplay, players are being somewhat funnelled through the game by those goals. I.e., the game-winning goals are all the same, it's how those goals are achieved that will differ between player.

The game also has a fairly long playtime, we played a beginner story card with a low player count and it still took 2 hours. Although, to be fair, that's not really uncommon with this style of play so it comes with the territory but be prepared to commit a few hours to a playthrough.

If you're a fan of the Firefly TV show and are prepared to prepared to invest some effort learning the rules time to play, you'll probably enjoy this.
Personally, I'm not sure how I feel about Firefly: The Game overall, it was a fun experience and my decisions generally felt meaningful, it also fairly involved and having players run around dong their own thing also felt a little unengaging. However, if someone else wanted to play it, I wouldn't object.

8th September 2022

It's a Thursday evening, it's Aldershot, it's time for some gaming goodness.

​Channel your inner Laurence Llewelyn-Bowen and Kevin McCloud as you attempt to build your... Dream Home in this drafting, set collecting game.

What's in the game?

• Game board: This is not really a game board but more of a drafting board.
  There are 2 rows of 6 card spaces each, the first space of each row is dedicated to placing the game's 2 deck of cards.
  Thus the top row is the resource card row and the bottom row is the room card row.
• Home board: These are actually player boards. Each one depicts a 3 level idyllic suburban home.
  The bottom floor depicts a porch or entrance (Which essentially uses up 3 spaces) along with a 'garage' (Which is actually the basement) and consists of 2 card spaces. 
  The middle floor has 5 card spaces.
  Finally, the top floor also have 5 card spaces - giving a total of 12
• Cards: Dream Home uses 2 decks of cards.
  Room cards: These cards all show various rooms you would find in a typical house, bathrooms, kitchens and so on. Room cards are used by players create their home and are colour-coded according to type. There are normal rooms, basement rooms and unique rooms.
  Many types of room cards can be placed adjacent to cards of the identical type. 
  At the bottom of each room card it will display 1 or more numbers, which indicate both the maximum 'size' that room can reach and also victory point (VP) value of that card for reaching the that size if other cards of the same type are placed adjacent to it.
  Resource cards: This type of card provides players with benefits or bonuses, which may be once-only, ongoing or game end VPs.
  There are roof cards, décor cards, tool and helper cards.
• Tokens: These are décor tokens, each one is uniquely shaped according to the resource card it corresponds to and will also display a VP value.
• First player token: I don't usually write about the first player token but this is a fairly chunky wooden styled in the shape of a house.

​Component quality is the usual good standard found in most modern board games. The cards are fine, the board and tokens are constructed from sturdy cardboard. The first player token is chunky and made from wood, it's obviously a bit of a gimmick but it's the kind of gimmick I'm a sucker for!

Dream Home has fantastic artwork throughout. The Illustration used on the home board is good, however, the standouts are the cards and tokens which feature excellent colourful and distinct depictions of home spaces. Interestingly, many cards will feature children hidden among the furniture. This is more than just a aesthetic choice which will be explained below.

Most information is conveyed via text and there's no iconography that needs learning.

How's it play?
​Setup
This is the setup for 4-player games, in game with lower player counts, some cards will be discarded after being placed on the game board.

• Game board: Sort the cards by type and shuffle them into 2 face-down decks.
  Resource row: Place the resource deck on to the leftmost space on the top row.
  Next, leave the 1st space to the right of the deck empty, it's used to indicate the first player token, a resource card never goes here.
  Finally deal 4 face-up cards on to the 4 remaining spaces in the row.
  Rooms row: Put the room deck on the leftmost space on the bottom row, deal 5 face-up cards on to the 5 spaces in this row.
• Player board: Give each player a player board.
• First player: Determine a starting player and give them the first player token.

On to play
Dream Home is played over exactly 12 rounds and players will be putting room cards on to their personal game board to build their home and gaining resource cards.
This is done by drafting pairs of cards from the same column, that is, 1 resource and 1 room card - except for the leftmost space, in which case they acquire a room card and the first player token.

Turn order is slightly different to the usual here: The player with the first player token goes first and play progresses to the left until all players have taken their turn. However, it's possible that the first player token will change hands during a round, consequently, in the following round a new turn order would be established.

During their turn, the active player takes the following actions.

• Take cards: The active player must choose a column and take the resource and room card from that column.
  First player token: If the active player chooses the first column, they only get a room card, however, they also gain the first player marker and will go first in the next round.
• Place room: The active player must place the room card they just drafted with the following restrictions:
  Basement: Basement cards must go on to 1 of the 2 basement spaces.
  Build up: All other room cards must be placed on top of the porch or on top of another room card, this can a basement card or be another room card in the case of placing room cards on the top floor.
  ​Size limit: Players will want to put cards of the same type adjacent to each other to maximise VP scoring but a room cannot exceed it's size limit. E.g., a bedroom can consist of 2 adjacent bedroom cards, a 3rd bedroom card cannot be placed adjacent to that room.
  ​Can't play: If for any reason, the active player cannot play a card, they can place it face-down as an empty room which will score 0 VPs. Empty rooms follow the same placement rules as explained above.
• Resource cards: There are 4 types of resource card.
  Décor cards: When one of these cards is taken, the active player also takes the corresponding décor token. The token must immediately be placed on a room that matches the token and can provide bonus VPs at the game end. When this is done, the room is considered finished, that is, no more room cards can be added to that room.
  If a décor token cannot be placed on a matching room, it is discarded.
  Helper cards: These cards generally provide some sort of bonus scoring criteria during the game end.
  Roof cards: These come in several different colours and when a player acquires a roof, they turn it face-down and place it on their home board's roof.
  These cards cannot be looked at again until final scoring at game end!
  4 Roof cards can score bonus VPs at the game end and more if they are of a matching colour. This means players will need to memorise those colours.
  Tool cards: These usually provide some sort of benefit during the game.
• Next player: Once the active player has resolved the cards they took, play progresses to the player on their left.
• Next round: Once all player's have taken their turn, play progresses to the next round and the following occur.
  Clear board: All face-up cards remaining on the game board are discarded out of play. 4 new resource and 5 new room cards are drawn and placed as per the setup rules.
  Turn order: Whoever has the first player token will be the starting player in the new round. If the first player token did not change hands because nobody chose the left most column, then whoever retained the token will be the starting player again in the new round.

Endgame
Dream Home is played over 12 rounds and after the last round, the game goes to scoring. There are various avenues to earning VPs.

• ​Room cards: These score points according to their type and size. E.g., a living room consisting of 3 cards will score 9 VPs.
• Décor: These tokens will score points as listed on them.
• Functionality: Players earn points for having certain type of rooms in their home. A home with a bathroom, bedroom and kitchen will earn VPs for example.
• Roof: Players can now look at their roof cards. If a player has at least 4 roof cards on their roof, they score 3 points. If a player can have set of at least 4 roof cards of the same colour then they earn 8 VPs.
  Windows: Every roof card that has a window scores and additional VP.
• Additionally; certain cards can also provide VPs.

Points are tallied, highest score wins. In the case of a tie, the player with home board showing the most children on the cards wins!

Overall
Dream Home strikes a balance between ease of play and depth. Players will be faced with the conundrum of having to build outwards before building upwards.
It might not seem like much but it's unlikely that players will get all the cards they need at the time they need them.
The larger room sets will score more points per card but unless a player gets the right cards at the right time, it's likely that they will have to leave gaps when collecting bigger sets, which can make it tricky to build upwards.

The drafting mechanic also provides players with a meaningful choice. Again, it's unlikely that players will always get the 2 cards they want, often they will need to compromise on which resource and room card to take as well as adapt to circumstances as they are occur.

Finally, the first player mechanic is also interesting. Gaining the first player token feels costly because the player only gets a room card but it can play dividends in the following turn. There will times when going first can be extremely useful.
Conversely going last can be painful as the last player will only ever have a choice of 2 columns to pick from.

None of this is ever too complicated, the sets are never too big and intricacies that can arise from syncing resource cards such as décor cards with room cards is never too complex.

Dream Home also doesn't outstay its welcome. Being played over 12 rounds keeps it moving along briskly and provides a fairly concise experience, unless you're playing with a sufferer of analysis paralysis!

It's fair to say that Dream Home is a lightweight and accessible iteration of the 'draft-and-place' multiple components, set collecting mechanic seen in quite a few games.
This accessibility along with it's top-notch presentation means that it's probably a good game to play with younger participants or more casual gamers.

For me though: While I feel that Dream Home does provide a good experience for younger and more casual gamers, I'm not sure it has long term appeal to more dedicated gamers. I enjoyed the game but it's fairly simplistic nature means I'm not sure how often I'd like to play it.

28th August 2022

It's a Sunday evening and we're logged into Board Game Arena for some gaming goodness.

Burgle Bros is a cooperative tile based bank heist/caper game: Can you sneak through the building, dodge the guards, disarm the alarms, find and crack the safes.
Time to find out in... Burgle Bros.

Caveat: We have only played this digitally.

What's in a game?

• Room tiles: These represent rooms/encounters players will have, there is a wide variety and some will prove useful while many will create obstacles for players. Each one features a black and white line art illustration representing its room. Tiles also have a splash of colour to indicate what kind of encounter they will be. e.g., red means a trap or alarm.
  Numbers: Finally, all room tiles except safe tiles are numbered 1-6, these are used to create the safe combination which must be cracked when trying to open a safe.
• Cards: Burgle Bros uses several different decks of cards.
  • Character cards: There are numerous different burglar characters in the game and each one has a unique ability. Additionally, burglar cards are double sided with a basic and advanced version of each character.
  • Event cards: Certain actions (Or lack of to be precise.) can cause a event card to be drawn and resolved. Event cards can be beneficial or detrimental.
  • Loot cards: This is what the game is all about - getting loot. However, carrying loot always causes a problem of some sort kind!
  • Patrol cards: Pesky security guards patrol the building you're robbing. Patrol cards display a red space on a 4x4 grid which is used determine where guards wander to! The standard game is played of 3 floors and each floor has its own individual patrol deck.
  • Tool cards: When picked up by players, tools can be very helpful to players.
• Tokens: Burgle Bros also makes use of several types of token to represent various situations such as alarms being triggered, door becoming unlocked. etc.
  3 types of token are a little different.
  • Alarm Tokens: There are various types of alarm and each type has their own tokens that get placed on the playing area when the respective alarm is triggered.
  • Stair tokens: These are used to indicate whether stairs go up, down or both - depending on what floor the tokens are on.
  • Stealth tokens: These are vital for players, if a player loses all of them... it's bad news.
  • Wall tokens: These long straight tokens are used to as the name suggests, represent walls on each floor, they determine how players and guards move and may also block line of sight.
• Meeples: It wouldn't be much of a heist game without burglars and of course, guards. The physical game comes with a meeple for each burglar character and 3 guard meeples - one for each of the 3 floors.
• Dice: Burgle Bros uses normal six-siders, which come in 2 colours and each has a different use.
  Red dice: These are used to track both guard patrol routine and the speed they move at.
  Green dice: Players will frequently be called upon to make dice rolls, especially to open safes.

The art direction for Burgle Bros has some unusual choices.
Room tiles have detailed, realistic looking line art illustrations while on the  other hand, characters are depicted with highly stylised and exaggerated cartoony art that looks like it's out of the opening titles of a sixties crime caper movie - which is appropriate.
It's a weird clash of styles but in this instance it actually works quite well.

There are a few icons that are used throughout Burgle Bros but they're all fairly easy to learn, a lot of the game's information is conveyed via text.

How's it play?
Setup

• Playing area: The building is the main playing area of the game and in standard difficulty the building has 3 floors. This means setting out 3 sets of cards - 1 for each floor to create the building.
  Floors: Remove all the 'Safe' and 'Stairs' room tiles from the room tiles deck. Now shuffle the remaining cards and deal them into 3 face-down decks.
  Next add 1 safe and 1 stairs to each deck and then re-shuffle them into a deck again. Finally put out each deck into a face-down 4x4 grid. Thus, you should have 3 sets of 4x4 cards,
  Walls: Put out 8 wall tokens between cards to form walls for all floors as directed by the rules.
• Patrol decks: Sort the patrols decks by floor and shuffle them into 3 face-down decks. Some cards may have to be randomly removed according to player count.
  Dice: Place 1 red die adjacent to each patrol deck. Set the value of each die to 2-4 depending for floors 1-3 respectively. This value determines how many spaces a guard moves during their action.
• Events, tools & loot cards: Sort these into their respective types and then shuffle each into a face-down deck
• Players: Each should randomly draw a character card and decide whether to use the standard or advanced side. give each player the corresponding meeple for that character.
  Stealth tokens: give 3 stealth tokens to each player.
• Guard: Flip over the top card of the patrol deck for floor 1, place the guard meeple for that floor on that tile - do not reveal the tile.
• Burglars: Flip over any 1 room tile on floor 1. This is the entry point for the burglars, a 'goes downstairs' stair token should be placed on that tile. All players should also place their meeple on the entry space.
• Destination: Flip over a 2nd patrol cards for floor 1. It will indicate the room tile that the guard is heading for.
  Red die: Place the red dice (Showing a 2 for floor 1.) on the destination tile. This indicates the speed at which the guard moves.
• First player: Determine a starting player.

On to play
​The objective in Burgle Bros is to find and crack all 3 safes, gain 3 loot cards, then escape to the roof, all without being caught by the security guards.
This is done by the use of action points (APs).

In Burgle Bros, the active player spends their APs to perform certain actions.
Then the security guard on their floor moves along their patrol route.
Then play progresses to the player to the left of the active player.
A turn is broadly speaking, broken down into 3 phases.

• Player action: The active player has 4 APs they can use to perform the following actions.
  • Peek: The active player may spend 1 AP to flip a orthogonally adjacent face-down tile face-up, revealing what it is. This may seem like a waste of an AP but blundering into unknown rooms is a high risk proposition.
  • Move: An AP can be spent to move the active player's meeple to a orthogonally adjacent tile, regardless of whether it is face-down or face-up, a face-down tile is immediately flipped face-up.
    Once a meeple has entered a new tile, its action must be resolved. There are a variety of effects that can occur. Sometimes nothing will occur, or an alarm may be triggered, a meeple might be forced to stop or make a roll to enter the tile and so on.
    Alarm: This isn't a player action per se but whenever an alarm is triggered, 2 events occur.
    Firstly, the red dice is moved to the tile which triggered an alarm, secondly a alarm token is also added to that tile.
    Note: A meeple obviously may not move through a wall token.
    Going to a new floor: If the active player's meeple moves to a new floor. Flip a patrol card from that floor to reveal the starting position of that floor's security guard, then flip a 2nd patrol card to provide him a patrol route.
  • Hack: Some room tiles contain computers a which can be hacked to remove alarm tokens (More on alarm tokens below.). If the active player is in a computer room, they may spend an AP to add 1 hack token to that room. There are different hack tokens that correspond to the different alarm types.
    Later, when an alarm is triggered, a hack token can be removed to remove a matching alarm token.
  • Add dice to safe tile: If a safe tile has been revealed and the active player is standing on it, they may spend 2AP to place a die on the safe tile. A safe tile may hold up to 6 dice.
    These will be used to crack the safe - which is explained below.
  • Crack safe: If the active player is on a safe tile, they may attempt to open (Or work towards opening.) the safe. The following occurs
    Discover combination: Each safe has a 6 digit combination. Look at the 3 cards in the same row and the 3 cards in the same column to get the numbers for this combination. This may include doubles.
    Roll dice: For the cost of 1AP, the active player now rolls all the dice that have been placed on the safe tile.
    For each result on the dice that matches a number in the combination, that number is 'covered'. A single die result that matches multiple numbers in the combination, covers all of them.
    When all 6 numbers in the combination have been covered, the safe has been opened!
    Note: A safe does not need to be opened in a single roll and the assigned dice can be re-rolled at the cost of another AP.
    The following occur after a safe has been opened
    Tool: When the active player opens a safe, they draw a tool card from it's deck. Tools provide some benefit to the player that holds it.
    Loot: The active player also draws a loot card. Generally, loot cards are a hinderance to the players but are also vital to victory.
    ​Guard: Finally, increase the value on the red guard die for that floor. Thus; if the safe on floor 1 is opened, the red die goes up from 2 to 3. It also means that the guard on floor 3 will have a basic speed of 5 after that floor's safe has been opened!
• Check for events: If the active player has only used 1 or 2 APs during their turn, then they must draw a card from the event deck and resolve it.
  Event cards may prove beneficial to players... or may prove detrimental.
• Move guard: Once the active player has finished their actions and possibly resolved and event card, play moves over to the security guard. There are a number of factors to remember when moving the guard.
  1 guard only: Only 1 guard moves, which will be the guard on the same floor where the active player ended their turn. All other guard do not move.
  Speed: The security guard will move at least a number of spaces equal to the value for the red die for the floor.
  Alarms: Alarm tokens increase the speed of a guard, the more tokens, the more movement they have!
  Destination:​ The guard always takes the shortest route towards the red die.
  If the guard reaches their destination, they will deactivate any alarm tokens there.
  If they still have movement left after reaching their destination, flip a new patrol card, move the red die to the new location and begin moving the guard towards it.
  Catching players: If a guard moves on to the same tile as a player's meeple, that player's burglar has been spotted. The player must discard a stealth token. A player must also discard a stealth token, if they move their meeple on to a space with a guard for any reason. Essentially, this allows the burglar to somehow avoid the guard.
  What happens if a player cannot discard a stealth token? Let's just say it's bad news for that burglar!
• Next player: Once the guard has acted, play progresses to the player on the left of the active player.

Endgame
Play continues until 1 of 2 ending conditions are met.

If a player has to discard a stealth token and they cannot because they've already used them up, then the burglar has been caught, players immediately and collectively lose the game.

If the players manage to open all 3 safes, get the loot and all of the burglars off the top of floor 3, they collectively win.

Overall
First thing to say is that we played Burgle Bros digitally and I felt there was a bit of a disconnect with the game because of this.
In the physical copy, all 3 floors are laid out next to each other but the digital copy required visually switching between them. It means the digital copy can never feel as intuitive as the physical one.

Anyway, on to the game.
Players will need to balance the need to be cautious with the need explore and turn over tiles. Avoiding or neutralising the many alarms is good but so is reaching the objective as quickly as possible.

That's because the real challenge in Burgle Bros is managing the movement and behaviour of the guard. This requires thinking ahead and I mean really thinking ahead! There's almost a puzzle-like logic to it but there's also the potential for a lot of randomness too!
Players will need to anticipate where the guard will go (And when!) and at times try to manipulate the guard by deliberately triggering an alarm and the like.

This is compounded by the fact that the more players there are on a floor; the more a guard may move.
E.g., in a 4-player game, a player may think their meeple is 'safe' but if all players'  meeples are on the same floor (And they will be in the early game.), the security guard will move at least 8 spaces before that player gets to act again, that's enough to cross an entire floor twice! It can become very hard to predict where the guard is going whenever a new patrol tile is flipped over - which can happen often when the guard moves a lot.
I guess the solution to this is for players to get their meeples to other floors ASAP and this will slow down individual guards.

From a gameplay perspective though, this feels a little counterintuitive. It turns what is meant to be a cooperative challenge into 3 sub-games with a only tenuous cooperative link between players.
From a player perspective, it also feels somewhat counterintuitive. For players, the instinct will be to cooperate; opening a safe can be hard and adding dice to it is vital but also expensive in terms if AP. Multiple players will naturally want to quickly contribute as many dice as possible dice to a single safe to help each other open it sooner rather than later.
This is certainly how we played Burgle Bros and in retrospect, that was probably a mistake, it seemed to be that the game punished players for playing this way.

Personally I found it the intricacies of having to deal with so many alarms paired with just too unpredictable guard actions a little futile and frustrating to be enjoyable.

I suspect that Burgle Bros probably plays best at a 2-player count and could be a good couples game if puzzle type gameplay interests you.

27th August 2022

It's a Saturday night and were logged in Board Game Arena for some gaming fun.

Now that I think about it; a crossover game of Dungeons & Dragons and Twister would be pretty interesting.
Unfortunately, that's not what Dungeon Twister is about. Instead we get a 2-player sort of chess-like game about manipulating dungeon tiles and running around them.

Caveat: We have only ever played this online.

What's in a game?

• Tiles: There are several types of tiles.
  • Room tiles: The game comes with 8 large square tiles. Each one depicts a dungeon 'room', although it looks more like a intricate series of corridors and passageways than anything else. There are also items and obstacles such as portcullises and rotation gears.
    On the back of each room tile is a number, this determines the maximum number of tokens that can be placed on that tile during setup. More on this below.
  • Starting line: This long tile is the width of 2 room tiles and they are placed at either end of the playing area to form starting areas. There are spaces to place 4 characters on each tile.
• Screen: The physical game comes with a dungeon master style screen for each player to hide their standees and tokens.
• Tokens: Dungeon Twister uses several types of tokens.
  • Equipment tokens: Players have 6 tokens for their respective equipment.
  • Character tokens: Players have tokens for all of their 8 characters.
    These are generally the classic characters you might find in a fantasy themed game and include, wizard, fighter, thief and so on.
    Different characters has a combat and speed value, additionally, each character also has unique abilities they can make use of that are themed to the character. E.g., the thief character can pick locks and disarm traps.
  • Tracking tokens: There are also a number of tokens used to track certain actions.
• Standees: As well as tokens, The physical game also comes with 8 standees for each player depicting each of the 8 characters a player has on their team.
  Standees can be used in place of their corresponding tokens.
• Cards: Each player has their own deck of 16 cards which consist of the following.
  • Action cards: These confer 2-5 action points (APs) when played.
  • Combat cards: During combat, these are played to grant a bonus of 0-6 combat points.
  • Jump cards: These allow a character to errr... jump! Mostly used to circumvent pit traps.

Dungeon Twister has bright and colourful artwork. The room tiles don't feature much in the way of illustrations but do have clearly delineated features. Artwork on the tokens and standees is that sort of chunky and cartoony fantasy style that has been used on a lot fantasy themed games over the last few years, it's a little bit of an unoriginal art direction - but to be fair, it's a style I quite like, so for me it's good.

There isn't too much in the way of iconography in Dungeon Twister and I don't imagine it would provide any obstacle to playing.

How's it play?
Setup

• Board: Create the playing area by shuffling the room tiles into a face-down stack and while keeping them face-down deal them into a 4x2 grid.
• Starting line: Each player should take a starting line tile and place it along the short edge of the playing era. These are the 2 'ends' of the board.
• Players: Give both players the cards, screen, standees and tokens in their colour. All the tokens and standees should be placed behind the player's screen.
• Starting team: From their selection of 8 characters, both players choose 4 to be their starting team.
  Take the 4 tokens for these characters and place them face-down on the 4 starting spots on the starting line. The standees are not used at this time and each player's selection remains secret to their opponent for the time being.
• First player: Determine a starting player.
• Populate board: Beginning with the first player, each player should alternately put one of their 6 equipment tokens or 4 remaining character tokens on to the face-down room tiles.
  These can go on to any tile, provided it does not increase the number of tokens on a room tile higher than the number shown on the back of that room tile.
  Continue placing tokens until both players have put down all their tokens.

On to play
The objective in Dungeon Twister is to accumulate 5 Victory Points. A player can achieve this in 2 ways; by defeating opposing characters or by getting their own characters out of the opposite end of the dungeon from their starting side.
Players take alternate turns becoming the active player, playing action cards and resolving them. This is done over 3 phases.

• Play action card phase: When an action is played, it is done so face-up and in a stack, so only the last played action card is visible.
  The active player receives a number of APs equal to the value of the action card they played. APs are then spent to carry out actions, APs can be split between characters as the active player sees fit.
• Use APs phase: APs can be spent on the following.
  • Movement: Each AP spent allows a character to move a number of spaces equal to that character's speed, all movement is orthogonally.
    Additionally, there are some restrictions on how a character move or end their turn.
  • Reveal room: If a character is adjacent to a face-down room tile which they can enter, the active player can then spend 1 AP to flip that room tile face up.
    Flipping a room involves sliding it out and flipping it back into position but face- up.
    The active player then places any tokens that were put on the face-down tile during setup on to spaces or their choosing. However, they cannot place tokens of their own colour, instead the opposing player does that!
  • Rotate room: Each room tile will have a rotation gear. If the active player has a character on the same space a rotation gear. they can spin the tile! Each AP spent can spin the tile 90', the room tile will indicate whether this goes clockwise or anticlockwise.
    The corridors on the room tiles have been put there in such a way that they can trap characters or create new passageways when a room tile is rotated. Rotating room tiles can even be used as short cuts.
    Any tokens on a room tile that is rotated, also rotate along with the tile.
  • Combat: If an active player's character ends movement adjacent to an opposing character, the active player can choose to trigger combat by spending 1 AP. A fight can include more than 2 characters if more are also adjacent.
    Combat is resolved by each player playing a ingle combat card face-down. When this done, both are revealed.
    Each player totals the combat value of all their characters who are participating in the fight with the value on their played cards to get a final combat value.
    These 2 final values are then compared, if it results in a tie, there is no effect. Otherwise, whoever has the highest value wins the encounter.
    All participants on the losing side are wounded.
    Wounds: The combat value of a wounded character drops to 0, furthermore, a wounded character no longer take any actions. Healing can reverse all of this.
    A wounded character who receives a 2nd wound is instead killed and removed from play.
    Cards: Finally, the combat cards used during the fight are discarded out of play, except for the +0 card which is always returned to the player's hand.
  • Use ability: Some character abilities require the active player to spend 1 AP to activate them.
  • Use Item: As with abilities, some items require the active player to spend 1 AP to use them.
    • Other rules: Without going into detail, there are rules for picking up and using items, carrying wounded characters and the such. Encountering pit traps and using jump cards to avoid them.
    • Point scoring: There are 2 avenues for scoring points. The first is eliminating the other player's characters which earns 1 VP per elimination. The other is for a player to get their characters out of the other side of the dungeon, this earns 1 VP per escaping character, bonus points can be earned for getting certain characters/items out of the dungeon.
• Recycle phase: When a player has used their last action card, they draw off them back into their hand.
• Next player: Once the active player has completed all 3 phases play moves on to the other player.

Endgame
When any player earns 5 VPs, the end game is triggered. It is possible for the inactive player to score VPs in the active player's turn by winning combat which means the inactive player can potentially trigger the endgame.
In any case, the active player finishes their current turn and the game goes to scoring.

Points are tallied, highest score wins.

Overall
​Dungeon Twister is a fairly straightforward game but despite this I feel the game is a little cumbersome, there's quite a bit of exception-driven rules here.

For example:
No character can stand on a pit trap space except the thief or except a character with a rope token.
If a thief standing on pit trap is wounded, they are killed, except any character carrying rope will not be killed, except if an opposing character comes and takes a rope - in which case the wound character is then killed.

These are not gamebreakers by any means but they feel counterintuitive and may be obstacles to play. Until players are familiar with the rules, they'll be hunting through the rulebook to get clarifications, it's also likely players may forget some rules even exist!

Players will need to employ quite of lot of tactics in Dungeon Twister and generally that's a good thing. Since there are 2 ways to score points, players will need to constantly assess the viability of both approaches.
It means playing close attention to the positions of all characters, every one of which will have their own strengths and weaknesses. Characters that are strong in combat will tend to slow at movement. Players will need to exploit the strengths and special abilities while minimising exposure of weaknesses. This is especially true of combat.

This neatly brings me to the game's main schtick, that is; rotating room tiles. Well planned use of rotating the tiles can be a game changer, it can trap or free characters, create blockages or short cuts, it can be used to move gear or move a correctly positioned character across the board, etc.
It keeps the gameplay fresh and to a degree, unpredictable. It can be tricky to see the outcome of rotating of all tiles to all position.

The rule where a player gets to place their opponent's tokens is quite interesting, it allows canny players to exploit the situation to trap opposing tokens but they will need to remember that a twist of the tile can change everything.

Dungeon Twister provides players with meaningful decisions when choosing their actions and tactics.

​Yet somehow, I found it unengaging. Despite fairly extensive rules and a clever premise, Dungeon Twister felt a bit like a simplistic grid based wargame that involves direct confrontation and to be honest, it's not what I look for in a board game.

Obviously, you mileage may vary, maybe a fantasy themed 1-on-1 combative game is right up your street but Dungeon Twister is not for me.

18th August 2022

Broadsword! It's a Thursday and we're in Aldershot for some gaming fun!

According to Wikipedia, HeroQuest was originally published in 1989, which makes me feel very old.
The version that we are playing though, is the 21st iteration.

So grab your staff and pull on your loincloth as we set into vaguely generic fantasy world of HeroQuest in search of treasure.
Alternatively, take on the role of Zargon and oppose the heroes.

What's in a game?

• ​Game board: The game board depicts was is essentially a underground dungeon. It displays rooms of varying size differentiated by colour which are boarded by a perimeter corridor, 4 more corridors go north, south, east, west and sort of divide the rooms into 4 areas along with a large central room.
• Miniatures: HeroQuest is a miniatures heavy game and comes with several types of all plastic miniature.
  • Heroes: There is a miniature for each of the game's heroes; barbarian, elf, dwarf & wizard.
  • Monsters: Enemies abound in HeroQuest and include goblins, orcs, skeletons, zombies and more.
  • Furniture: As well as closed and open doors, there's dungeon dressing for tables, altars, bookcases and so forth.
• Tiles: card tiles are used to represent hidden doors, traps and dead ends among other things.
• Cards: There's also a variety of cards in the game.
  • Hero cards: Each hero has their own card that details their stats, which are
    Attack
    Defence
    Body
    Mind
    Also listed are their movement dice and starting equipment.
  • Monster cards: Each type of monster also has its own card. Monster basically have the same set of stats as the heroes.
  • Spell cards: There are 5 sets of spell cards, 1 set of 15 (Dread Spells) is for the Zargon player. The remaining 4 sets of 3 cards each (Based on fire, earth, water & air.) are for the wizard and elf players.
  • Treasure cards: This is a deck of cards that contain both treasure and booby traps such as wandering monster and the like.
  • Equipment cards: This deck contains various pieces of equipment that can be purchased with the cash the heroes acquire and will improve their abilities and stats.
  • Artefact cards: These cards represent items that are particularly powerful, they cannot be bought but only found in specific dungeons throughout the campaign.
• Game master's screen: This is a 3-panel card panel of the kind that could be found for RPGs and is used by the Zargon player to hide their stuff.
• Quest book: HeroQuest has a 14-part campaign that is detailed in the quest book. There's also space for industrious players to create their own quests.
• Dice: 2 types of dice are used in HeroQuest.
  • Red dice: There are 2 red dice, these are typical six-siders.
  • Combat dice: These are not the usual six-siders. Instead 3 faces show a Skull, 2 faces show a White Shield and the remaining face shows a Black Shield.
• Character pad: A pad of character sheets to be used by players to track the stats and wounds of their characters.

HeroQuest's components are all generally good.
The board, tiles and cards are of an acceptable quality.
The dice are also fine and in a move that pays homage to the original HeroQuest, there still aren't enough of them to split conveniently between the hero players and Zargon player! The game really could do with a few more combat dice!

Probably the biggest components are the miniatures. All the heroes and monsters miniatures come in single colour plastic according to type, heroes are red, goblinoids are green, undead are beige and so on.
I'm pretty certain the sculpts are all new as well, the games has undergone cosmetic changes due to licensing issues regarding the original.
Speaking of sculpts, I found their quality to be... OK. If I were assessing the miniatures exclusive of the game, they wouldn't be good but since they are meant to be part of a game; and in that context they're pretty cool. Especially since I feel that they're designed to hark back to the original style and design, which I think they do a good job of doing.

The scenery and dressing is also a bit of a mixed bag. The scenery in this version is all made of plastic and is much more durable than the original scenery which in part was made of cardboard.
However, that cardboard scenery with its printed artwork was a lot more colourful. The modern scenery in comparison is a just drab, monochrome, grey plastic.

HeroQuest's art is good wherever it appears, mostly on cards and has a brash, chunky cartoony aesthetic that suitably fits the style of the game.

There are a few icons in the game that are easily learned, the Zargon player has to learn a bit more due to having to comprehend the scenarios in the quest book but again, it's not an obstacle.

How's it play?
​Setup
Before any play can begin, one player must decide to take the role of Zargon who is essentially the 'Games Master' in RPG parlance and controls all the enemy forces that oppose the players. Whoever plays Zargon will probably be doing so for all 14 quests presented in the quest book.
Up to 4 other players will assume the role of heroes adventuring through the campaign. Generally, once players have chosen a hero, they will stick with that hero until the end of the campaign. Having said that, there's nothing to stop players swapping or switching around heroes if they so desire.

• Zargon player: The Zargon player should familiarise themselves with whichever quest is being played from the quest book. It will tell them how many doors they need, how much scenery, what and how many monsters, which dread spells to use and so on.
  The Zargon player should gather all the required items and place them adjacent to the central playing area.
  Monster cards: Place these face-up adjacent to the central playing area so they are visible to all players.
  Treasure cards: These should be shuffled into a face-down deck adjacent to the central playing area.
  ​Screen: The Zargon player should keep the quest book hidden behind their screen.
• Hero players: Players should decide which of the available heroes they are using between them.
  Copy stats: Each player should take a sheet from the character pad and copy the stats and information from the hero card for their chosen hero on to the sheet.
  Spells: Whoever is playing the wizard should take 3 sets of spell cards, that is a total of 9 spell cards. The elf player should take the final set of 3.
  The wizard and elf players are free to decide who gets what sets.
• Game board: Place the game board in the central playing area. The Zargon player should place the stairs tile in its appropriate spot as dictated by the quest book. All players should put the miniature representing their hero on the stairs tile.
  Then the Zargon player should read out the quest's flavour text to the other players.

On to play
In HeroQuest, all the hero players will each take their individual turns and then the Zargon player will finally take their turn.
Generally this is done with the player to the left of the Zargon player going first with turns progressing to the left until eventually the Zargon player goes last.

The general flow of play will involve the heroes exploring the dungeon game board (Which is unpopulated at the game start.) and in response, Zargon revealing what the heroes encounter, be it doors, dead ends, traps or monsters and so on.
Once the heroes have had their turns, Zargon can act. This means they can move any visible monsters to attack the heroes. Thus if no monsters are visible on the board, Zargon basically does nothing.

• Heroes: The hero players can move and perform one of the following actions.
  • Move: A hero can move before or after performing an action. They cannot split their movement.
    Roll dice: The active player rolls the 2 normal red dice and the result is how far they can choose to move in their turn. There are some limits though.
    Orthogonal movement: Heroes cannot move diagonally.
    Other heroes: A hero may move through a space containing another hero but cannot  end their movement there.
    Monsters: Heroes cannot move through spaces occupied by monsters.
    Trap: When a hero steps on to a space with a trap, their movement immediately end and the trap is triggered.
  • Actions: One of the following actions may be performed by a hero.
    • Attack: A hero may attack a monster, this can be melee or ranged.
      Melee: To engage a monster in melee, a hero must generally be orthogonally adjacent to it (No diagonals allowed!), there are some weapons such as staffs that allow heroes to attack to attack diagonally adjacent enemies.
      Ranged: A hero with a ranged weapon can pretty much attack any enemy they can see and is in line of sight. More on line of sight below.
      Roll the dice: The attacking player rolls a number of white combat dice equal to their attack score and each skull result deals 1 wound to a monster.
      Monster defends: When a monster takes 1 or more wounds, the Zargon player rolls combat dice equal to targeted monsters defence. Each black shield result blocks a wound! Any wounds which are not blocked by the defence roll are inflicted on the targeted monster and they lose an equivalent amount of body points.
      Weaker monsters tend to have only 1 body point and will be eliminated by any damage.
    • Cast spell: The wizard and elf may cast 1 spell. Depending on the spell, this can target themselves, an ally or a hostile monster. If cast on a ally or monster, line of sight rules apply.
      Each spell card will describe its effect and once it is resolved, it is discarded from player and cannot be used again in the current quest.
    • Search for treasure: When a hero is inside a room (Corridors cannot be searched for treasure.) and there are no monsters present in that room. The active player may search for treasure, this will have one of several results:
      Draw treasure card: The active player draws a card from the treasure deck. This may result in them receiving gold or potions. It may also result in encountering a wandering monster, which must be fought or triggering a trap.
      Quest treasure: As per the quest book, some rooms will contain a specific item or treasure, usually as part of the scenario.
      Artefact: Also as per the quest book, searching certain rooms will grant a specified artefact card to the active. Artefacts are generally better than mundane items.
    • Search for secret door: Provided there are no monsters in sight, the active player may search for hidden doors. This can be done when the hero is in a room or corridor and searches the entire room and in the case of a corridor all the corridor which is in line of sight.
      If there is a secret door in a room or corridor, the Zargon player must reveal it to the hero players and place a secret door tile on the relevant space on the board:
    • Search for traps: This is fundamentally identical to searching for secret doors except it reveals traps.
    • Disarm trap: If a hero has a tool kit they may attempt to disarm a trap that has been revealed by moving on to the trap space on the board.
      The dwarf hero as his special ability may disarm traps without a tool kit.
      Roll the die: A combat die is rolled, the result will determine if the trap is neutralised or trigged - in this case whoever was attempting to disarm the trap suffers whatever effect it deals out.
• Zargon player: For a large part of the game, the Zargon player will be reacting to player actions in their turns. Revealing doors, traps, monsters and dead ends as they are encountered by the players.
  • Monsters: Monsters are only active during the Zargon player's turn and even then only revealed monsters become active.
    Movement: No dice are rolled to move monsters, instead they have a set number of squares they can move before or after acting. The fastest monsters move 10 spaces which will nearly always outpace heroes!
    Attack: Functionally, combat for monsters is identical to how it works for heroes except as far as I know, monsters do not get ranged attacks. When monsters are adjacent to heroes they can attack them. The Zargon player rolls a number of combat dice equal to the monsters attack value and each skull potentially inflicts a point of damage to a hero.
    Hero defends: Heroes can defend damage by rolling dice equal to their defence value and each white shield result blocks 1 point of damage. Any unblocked damage is dealt to the hero's body points.
    Dread spells: As per the quest book, some monsters may be equipped with dread spells which can be used against the heroes. As with all spells, the caster of a dread spell must have line of sight on their target. Once a dread spell is resolved, the card is discarded out of play.
• Other rules: There are some other rules which also apply in HeroQuest.
  • Line of sight: Both heroes and monsters can see as far as a straight line could be drawn. Thus they can see all the way down a straight corridor but not round a corner.
    For the purpose of targeting ranged attacks, allies do not block each other's line of sight but opponents do block line of sight. Thus a hero cannot target the 2nd monster in a line of monsters and vice versa.
  • Looking: This is a free action and can be used at any time in their turn even in between moving spaces and as often as desired.
    When a hero player decides to look, the Zargon player must reveal any features, traps or monsters which are in line of sight.
  • Doors: Doors always closed when encountered and can be opened as a free action.
    Once opened, doors cannot be closed again
  • Treasure: When the heroes acquire any kind of treasure (Other than that found on a card.) it should be recorded on one player's character sheet.
    Gol coins can be collectively spent at the end of a quest,
  • Traps: Various types of traps are featured in HeroQuest, there are spike traps, pit traps and so on. Generally inflict 1 wound as well as a some other effect (Such as falling down a pit.). Triggering a trap generally ends a hero's movement.
  • Death: Monsters die when they reach 0 body points and the same is true of heroes. If a hero reaches 0 body points, they are killed and their controlling player is eliminated from the current quest.
    Fortunately, new heroes can be recruited in between quests.
  • Potions: Players can discard potion cards out of play to gain their benefits.
    Using a potion is a free action and can be done at any time. They can even be used in Zargon's turn and in fact can be used by a hero player after they reach 0 body points. Needless to say, potions can be lifesavers.

Endgame
Play continues until the hero players complete quest objective, in which case, they collectively win! Otherwise, if all the heroes are instead killed, then the Zargon player wins.
Additionally, if the hero players retreat (By returning to the stairs tile.) for whatever reason then they also lose.

That's not the end!
Once a quest has ended, players can spend their hard won loot and cash to buy equipment. Weapons can increase a hero's attack score and armour can increases defence scores, while daggers and crossbows offer ranged attacks and so on.
When buying equipment, the player who will use it takes possession of the card. Furthermore, once all copies of a certain item are bought from the equipment deck , then that item can no longer be bought. Conversely, consumable items such as potions and daggers are returned to the equipment deck when used.

End Endgame!
If the hero players manage to succeed at all 14 quests, they have won the campaign.

Overall
There's quite a lot to write about here and my thoughts will probably wander, so please indulge me - and let's get started!

HeroQuest was a pretty ground-breaking game in 1989. Published by a mainstream games producer, it offered people who had never played an RPG an accessible slice of the RPG experience and introduced some game concepts to people who had never encountered them before.
It's also a window into how games played 35 years ago and what player expectations were like back then.

For example, a modern game with similar themes to HeroQuest probably wouldn't employ a roll-and-move mechanic.
Another example are rewards and the game's equivalent of levelling up: As explained below, HeroQuest rarely rewards to players - which come in the form of equipment upgrades. These upgrades occur quite infrequently but are quite significant statistically, i.e., going from 2 combat dice to 3 is a big jump.
A modern game would try and find a way to do the opposite and drip-feed players constant but low-impact rewards in what would be called a gameplay loop or moment-to-moment engagement.

HeroQuest occasionally also trolls player, forcing them to deal with multiple traps and putting no reward on the other side.

Mechanically, HeroQuest is actually a fairly straightforward game.
While heroes have 6 actions they can perform, 3 of those are almost identical actions and 1 is very situational. Players will find themselves moving and searching, opening doors and defeating monsters behind them, searching, then moving on.
Rinse and repeat.
While there are definitely some tactics that players can adopt and repeatedly employ, the random placement of challenges - particularly monsters who form the majority of heroes' encounters - means that players will need to adapt to situations and respond effectively.
There's also some randomness to player actions - the roll-and-move mechanic means that heroes may not reach their opponent when they need to and also may not be able to escape enemies when they need to.

The combat system is also straightforward and runs smoothly enough, it does feel quite swingy and unpredictable though but that might just be me grumbling about dice rolls!
We found that the tougher monsters are very hard to wound. Once their defence is high enough, they're generally guaranteed being able to absorb 1 wound from an attack. This means the heroes will need to rely on luck to get 2 wounds in an attack or use at least 4 dice to attack and have a passable chance of getting 2 wounds.
How do the heroes get higher attack scores?

This brings me to equipment. Generally, we ended up equipping the 2 front line fighters (Primarily the barbarian but to a lesser extent also the dwarf.) with weapons above anyone else as well as providing the elf with a crossbow. Getting an attack stat up to 4  and gaining ranged attacks were real game changers.

Getting the right equipment or getting equipment and using it the right way can enhance or change tactics, improve the odds of surviving, winning fights and so on.
What's also interesting is that at the end of a quest, the hero players have the opportunity to buy equipment. However, because the cost is so high, in practice it means they will only get to buy something once after every 2 or 3 quests. It means that the heroes will get maybe 6 or 7 pieces of equipment throughout the entire campaign and will need to choose wisely. 

Some equipment such as consumables seem very expensive for what they provide. During our playthroughs, we never seriously considered buying things like throwing daggers or holy water.

Thematically, HeroQuest is a bit of a strange beast.

It has obvious elements derived from tabletop RPGs such as having a games master, combat screen, dungeons to explore, character classes and stats, scenarios, campaigns and narratives, rolling dice for combat etc but there are also some key differences.

There's no experience points or levelling, instead character improvements happen via buying better equipment.
Also, a key difference for me is the role the Zargon player has, they are part games master but also part antagonist and opponent to the heroes which is different to the majority of RPGs. Why is this significant? Let me explain.

The HeroQuest campaign has 14 quests, it took us a total of 15 attempts to complete all of them, in other words we only failed 1 of the quests, the other 13 were completed successfully at the first try.

I think that in part this is due to the fact that we're all experienced gamers and it feels the game is targeted at the early teenage market so we mostly breezed through it.
(A little more about this below.)
I also think this because the game utilises a 'one vs many' system and I've always felt that it's very hard to balance this type of game fairly, 3 or 4 human brains will always have the advantage over 1 human brain.

This is compounded by the fact that HeroQuest has a campaign.
It means that if the heroes fail a quest, they will invariably have to repeat it again, why is this significant? The purpose of a campaign is to advance through the multitude of quests until the final one can be completed and it can be tedious repeating failed quests, especially if more than once.
When the surprise of knowing what is behind a door is gone, the game can become an exercise in rolling dice over strategy.

Returning to difficulty: I read that it was originally envisioned that the hero players would behave competitively and cooperation between them would make the game too easy.
This of course contradicts the RPG nature of the game and it contradicts the rule book too, which states the players should cooperate and they will collectively win or lose.
Finally, it also contradicts player sensibilities; without cooperation, the wizard in particular for example, has a fairly low chance of surviving a dungeon.

All of this leads me to suspect that either deliberately or accidentally, the game is skewed in favour of the players.
It sort of makes sense because it gives the campaign momentum and keeps events moving forward.
The problem though, is that it can become a frustrating experience for the Zargon player, who in essence has to lose over and over.
It may have been better to do away with having a antagonistic games master role and have a more traditional games master. I get the feeling though that it was done that way to make HeroQuest seem a little more like a 'traditional' board game.
It would have been even better if the game master role could have been automated entirely. I imagine though, that it would've increased the game's difficulty significantly.

Ultimately, I found HeroQuest just about engaging enough to keep my attention, you could never afford to become complacent. Not paying attention was a sure-fire way to get your hero into trouble.
​The campaign does have a narrative, however it's fairly generic and also fairly forgettable.
For me, the pleasure I think, came from the opportunity to play a game cooperatively along with friends.

If you want a light and accessible RPG adjacent experience that's easy to manage without much prep time, you could do a lot worse than HeroQuest.

If you're a parent or adult looking for a way to introduce youngsters to some more elaborate game mechanics and concepts or introduce them to a beginner RPG, then HeroQuest is definitely worth a look in.

16th August 2022

It's a Tuesday and were at The Sovereigns with the Woking Board Gaming Club for some gaming goodness.

​Have you ever watched the classic Jaws movie and decided, 'y'know I wanna be the shark going round chomping on hapless swimmers'?
Then this might be the game for you!

Jaws is a asymmetrical game of 2 halves where up to 3 players take on the roles of film's 3 protagonists and 1 player becomes the shark. 
At first the protagonists will seek to defend Amity Island from shark attacks before finally engaging it in a deadly cat-and-mouse game.

Jaws is played over 2 acts (Essentially 2 different games in reality.) and as such, has a lot of double-sided components mostly relevant to each act.
For the purposes of this blog, I'm mostly going to write about each act separately.

Act 1
What's in a game?

• Game board: This is a double-sided board.
  Amity Island: For act 1 on one side is depicted Amity Island, the fictional setting for the film. It looks like Amity Island is modelled after Martha's Vineyard - which is cool as Martha's Vineyard was used for location filming.
  The island is divided into several different areas, Many of which are numbered 1-8 as well as beaches denominated as N,S,E & W. These areas also include features suck as the docks or mayor's office.
• Meeples: Jaws uses quite a few meeples. They are all wooden tokens
  There are meeples not only for Brody, Hooper and Quint but also their boats which have room to hold their respective meeples! - Except for Brody, he has some binoculars to make up for it instead!
  Obviously there's a big meeple for the shark.
• Cards: Only 1 type of card is used for Act 1.
  Event cards: Each event card will list some of the sections on the map where swimmers will appear. E.g, if an event card states NN3, 2 swimmers will in section N and 1 swimmer will appear in section 3. They may also list a special move that becomes available to the 3 crew or hero protagonists.
• Player boards: Player boards are also double sided.
  Each of the 3 crew (Brody, Hooper & Quint.) gets their own player board. These boards list the moves and abilities of each hero, many of which are similar but some of which are unique to each hero.
• Shark board: That's right, the shark gets their own double-sided board.
  The side used for act 1 allows the shark player to track how swimmers they've eaten. It also has spaces to track barrels attached to the shark.
• Tokens: Jaws has several types of card tokens.
  Crew tokens: To go along with their boards, the 3 crew get tokens. Quint gets 2 barrel tokens, Hooper gets a... fish finder token and Brody gets binoculars and 'beach closed' tokens.
  Swimmers: There 16 swimmer tokens in the game, all of them can be tasty treats for the shark.
  Shark tokens: There are 4 'power tokens' that the shark player can use once per game to give them an edge during act 1.
• Action log: This allows the shark player to secretly track their hidden movement, usage of power tokens and also track what information they have to give to the other players.

That's it for the Act 1 components, now on to...

Act 2
What's in a game?

• Game board: The other side of the game is used for Quint's boat, 'The Orca'.
  The Orca: This side of the board shows open sea and has 8 spaces to place the 8 tiles that form Quint's boat in this act. There are also spaces to place the 'Resurface' deck, 3 cards and a discard pile. More on resurface cards below.
• ​Orca tiles: There are 8 tiles used to represent Quint's boat which appears in act 2. They are double-sided, with one side showing the boat undamaged and the other wrecked. 
• Meeples: Act 2 uses the meeples for the 3 crew and the shark, the boat meeples are not used.
• Player boards: The other side of the player boards provide information on the actions that players can perform in Act 2. It also has a tracker for their hit points.
• Shark board: The shark board for act 2 displays the moves the shark player can perform and tracks the shark's (Very High!) hit points.
• Cards: Act 2 uses several of types of card.
  Gear cards: There are general gear cards as well as specific gear cards for each of the 3 crew. Generally they will be weapons and will show many dice are rolled to inflict damage. Although they are also attachable weapons and accessories which negatively affect the shark.
  Resurface cards: These cards will show areas where the shark might resurface to attack The Orca. It also shows how may dice the shark player rolls to attack and how hard it is for heroes to hit the shark back.
  Shark powers: The shark player will have a number of these that they can use to surprise the hero players.
• Tokens: There are tokens for both the crew and the shark.
  Targeting tokens: There is 1 round card targeting token for each player.
  Resurface tokens: There are 2 sets of 3 resurface tokens, each token in a set is labelled A, B or C. They are also round and made of card.
• Dice: There are 3 red six-sided dice that come with the game. They are not typical six-siders, instead of numbers they show 0, 1 or 2 'hit' icons.

Phew, I think that's it for rules!

Component quality for Jaws ranges from average to very good. Things like the cards and tokens are your pretty standard cardboard affair, which is fine.
The dice seem to be made of acrylic and although they're not as nice as wood, they feel quality with engraved icons instead of printed ones.
The wooden meeples are the standout component, particularly the wooden boats for Hooper and Quint, as well the shark meeple inspired by the films iconic artwork and I think they're cool.

As far as I can tell, the Jaws game has a relatively restrained use of photo art sourced from the film which only appears on a number of the event cards and even then it is used sparingly. It's wise decision in my opinion, as too much can make a game look cheap. The game also seems to reference artwork used for the shark from the film but because it's actually art, it looks good.
Otherwise, art used throughout the game is good, the swimmers tokens and player boards all look good.
The best artwork is found the Amity Island side of the game board though, it's an excellent illustration with lots of pretty detail.

There isn't too much iconography and what there is, is easily understood. Most of the rules information on components comes as written text.

Act 1
How's it play?
​Setup

• Choose players: 1 player should be the playing the shark and the other players will be taking on the roles of the 3 crewmates. If there are less players than heroes, then they should split the roles between them.
  Player boards: Give all players their relevant boards, meeples and tokens.
  Brody gets his board, as well as his binocular and beach closed tokens.
  Hooper gets his board, meeple, boat and fish finder token.
  Quint get his board, meeple, boat and 2 barrels.
  The shark player gets their shark meeple, power tokens and action log.
• Player board: Put out the player board.
  Brody: Put the Brody meeple on the Amity P.D. space.
  Hooper: Put the Hooper meeple on his boat and put the boat on the western dock.
  Quint: Put the Quint meeple on his boat and place it on the eastern dock.
  Put all the remaining barrels on the shop space.
• Shark: The shark player should put their marker on the 0 space on their swimmer tracker. They should keep their 4 power moves face-down and hidden from the other players.
  The shark meeple IS NOT placed on the board at the game start.
• Event cards: Shuffle the event cards into a face-down deck.

On to play
During Act 1, the shark player will be attempting to eat as many hapless swimmers as possible!
Meanwhile, the crew players will be using barrels both to try and locate the shark and to attach them to the shark. The more swimmers the shark eats, the more advantage the shark player has during Act 2.
The round is broken down into several phases and follows a more or less traditional turn order with each player having a number of action points they can spend to achieve their actions.
Phase occur as follows.

• Event phase: 1 card is drawn from the event deck, it will distribute swimmers to various locations throughout Amity Island's beaches. It may also confer a special rule for this round
• Shark phase: The shark player has 3 action points to spend in this phase and basically has 2 types of actions they can perform:
  • Move: All shark movement is hidden and tracked by noting it in the movement log. For 1 action point, the shark can move a space.
  • Eat: For 1 action point, the shark may eat a swimmer. This is hidden from the other players (For Now.) and also logged in the action log.
  • Power tile: The shark player may play on their power tiles, which they do by playing it face-down. Power tiles are once-only special abilities such as extra movement or extra stealth. Once used, they are removed from play.
  • Declare: Once the shark player has finished their actions, they must declare certain information to the other players. This can be done in any order the shark player sees fit.
    They must how many swimmers they've eaten and at what beaches is was at.
    They declare and name regions they passed through that contains a barrel.
    Finally, they must declare if they used a power token but not which one was used.
• Crew phase: The hero protagonists each get 4 action points to spend in this phase and the player can choose the order in which the 3 crew act. However, a hero must complete all their actions before play progresses to another hero.
  There are a number of similar but also unique actions available to the hero protagonists.
  • Move: All the hero protagonists can spend action points to move. Brody doesn't have a boat and must stay on land, while the other 2 must stay in their boats on the sea.
  • Pick up barrels: Brody can carry and deliver 1 barrel from the shop space. Hooper and Quint can pick up multiple barrels from the sea or docks. Hooper can also deliver barrels to Quint.
  • Rescue swimmer: All the hero protagonists can spend an action to remove a swimmer at their current space from the board.
  • Use binoculars: Once per turn, the Brody player can spend an action use their binoculars while at a beach. If the shark player is at the targeted space, they must reveal their position and put the shark meeple on the board.
  • Close beach: Another Brody ability. If the Brody player is at a empty beach, they may spend an action point to put their 'Beach Closed' token on that beach.
    The next time an event card would place any number of swimmers on the closed beach, flip the token to the 'Opening Soon'. Then if a following event card would add swimmers to that beach, instead return the token to the Brody player. Thus, this action protects a beach from 2 event cards.
  • Fish finder: Once per turn and for an action point, the Hooper player may put their fish finder token into their current location.
    Then the shark player must respond in one of the following ways.
    If the shark is in the same space as the fish finder, they must put their shark meeple on the relevant space on the board.
    If the shark is on a orthogonally adjacent space, the shark player must declare 'nearby'.
    If neither of the 2 above conditions it met, then the shark player must state 'neither'.
  • Launch barrel: Once per turn and for action point, the Quint player may fire a barrel into their space or a orthogonally adjacent sea space.
    If the shark is in the space that was targeted by the Quint player, they must declare the barrel has hit them and add it to their shark board.
    If no shark was in the space, the barrel remains there and acts as a sensor to detect shark movement during the remainder of Act 1 or until it is picked up again.
• Next turn: Once all the crew have taken all their turns, play progress to the next round, beginning with the event phase.

Act 1
​Endgame
Act 1 will immediately end if 1 of the following 2 criteria is met:
Barrels: 2 barrels are attached to the shark by the Quint player.
Swimmers: The shark player has eaten 9 swimmers.

On to play
During Act 2, the shark player will be attempting to either totally destroy The Orca or deal enough damage to the crew to what amounts to eating them. Meanwhile, in turn, they will be attempting to deal enough damage to the shark to defeat it.
Play takes place over a number of phases.

• Resurface options: The shark player draws 3 resurface cards and places them in their allotted spaces on the game board.
  Each card has information on the location of where the shark might attack as well how many damage dice will be rolled, how hard it will be for the crew to attack the shark and finally, if the shark will 'shake off' any attached objects.
• Shark player choices: The shark player now decides on an action.
  Resurface token: From the 3 available resurface options, the shark player chooses which one to use and places the corresponding resurface token face-down in front of them.
  Shark abilities: The shark player may play one of their shark ability cards face-down in front of them. Each one of these cards provides the shark player with a bonus or surprise special move of some sort.
  Once played, a shark ability card is discarded out of play.
• Crew Preparation: Now it's the turn of the crew players to make plans.
  Move: Each hero can move up to 2 tiles on The Orca unless they are in water, in which case, they must spend their entire movement to get aboard The Orca.
  Prepare gear: From their hand, each hero chooses a weapon to use, there are slightly different rules for the 3 weapon types which is explained below.
  Crew players may also use a 'chum' card that forces the shark player to reveal one of the 2 resurface tokens they didn't use which narrows the choices down for the crew.
  Use targeting token: Each crew player now puts down their targeting token on to a space, obviously choosing one of the spaces shown on the resurface cards. There are some rules for this though.
  Ranged: When using a ranged weapon, crew player can put their targeting token anywhere on The Orca.
  Melee weapon: While using a melee weapon, a crew player can only put their token on their own space or a orthogonally adjacent space.
  Attachable weapons: Targeting for these weapons is identical to melee weapons.
• Shark reveal: The shark player now reveals the resurface token they chose and places their shark meeple there.
• Crew attacks: Any crew players who correctly targeted the space that the shark resurfaced in, can attack it.
  The weapon that the player is using determines the number of dice used, sometimes it includes a bonus. The amount of 'hits' results rolled becomes the damage done to the shark. However, the resurface card will have a 'evade' value which is deducted from the damage dealt. If 4 damage is done and the evade value is 2, only 2 damage is done, it's possible to reduce damage to 0 this way.
  Attachable weapons are a little different, they automatically hit the shark and have a ongoing effect until the shark player manages to shake them off with a shake off action on a resurface card.
  To be honest, we found the attachable weapons to be of little value as the shark player generally managed to shake them off almost immediately.
  
• Shark attack: Once the crew have had their attacks, it's the turn of the shark! 
  The shark player can attack a part of the boat that they are adjacent to or a member of the crew that is in the water.
  In a similar manner to the crew players, the shark player rolls a number of dice as shown on the resurface card they chose.
  If it is dealt to a crewmate, then that's the damage they take.
  Attacking the boat is a little more complex, each tile 2 numbers, one is the attack value needed to damage the tile and the second larger number is the value needed to outright destroy the tile. Damage does not accumulate and must be applied in a single roll to have an effect.
  Damaged tiles: These are flipped to the other side and have a new value to beat to destroy.
  Destroyed tiles: Are removed from play.
  In either case, any crewmates on a affected tile are put into the water.
  Finally, as a bonus action, the shark player gets a free attack at crewmates who are in the water adjacent to them.
• Next turn: Once the shark player has had their attack, they remove their meeple from the water surrounding The Orca and take back any resurface tokens that were used. The resurface cards are then discarded
  The crew players take their targeting tokens.
  Then a new round begins.

​Endgame
Play continues until 1 of 3 criteria are met.

If the shark's damage exceeds its tracker, it is defeated and the crew collectively win.
If The Orca is totally destroyed, the shark player wins, or, if the damage on all the hero protagonists exceed their tracker, they are all eaten and the shark wins!

Overall
It's been a long time (And I do mean a long time!) since I watched Jaws but I feel the game does for the most part a good job of thematically emulating the movie.
Having Brody rushing around the island kicking pesky swimmers off the beaches and closing them only to have them open and fill with swimmers again felt like the movie. On the other hand, having Brody run around collecting barrels for Quint was strange.
While the shark popping up to attack swimmers before vanishing was cool, Hooper and Quint in their boats playing a cat and mouse game with the shark while trying to rescue swimmers seemed a bit strange. Especially considering the heroes are the cats and the shark is the mouse, which is a bit of a reverse of how the film plays out.
Having said all of that, Act 2 does a excellent job of emulating the protagonist's final confrontation with the shark.

So overall... This is more of a comment than a criticism on the game's theme.

Now, on to game play.
Act 1 presents an interesting cat-and-mouse challenge to the players which will change contextually according to how swimmers are distributed by event cards.
The shark player needs to eat swimmers but avoid spaces that the crew players might target and if possible, avoid the barrels that detect the shark.

Astute crew players will need to balance their efforts between trying to protect beaches with lots of swimmers and also covering lesser used areas. While the busier beaches might provide a target-rich environment for the shark, the shark player may anticipate the crew players protecting those beaches and avoid them for smaller 'quieter' targets.

I get the feeling that if the shark gets a lot of kills or very few, it will have a big influence on who will win in Act 2. Certainly, the shark getting 5 kills (Which is exactly in the middle.) led to a very close finish.

Act 2 also presents a sort of cat and mouse scenario with differing dilemmas for the shark player and the crew players.
The shark player will generally be faced with deciding whether doing damage or avoiding it, often the resurface cards will not allow the shark player to do both. The shark player will may also have the opportunity to target the crew instead of the ship. Eliminating one of the crew can be very beneficial as it lowers the number of attacks the shark may have to face but generally, it's harder and will take longer to kill a crewmate than it is to destroy one of The Orca tiles.

The crew players also face a dilemma. They know the 3 locations where the shark might resurface so with 3 protagonists could target all 3 locations, but this means spreading their firepower and it'll be a tall order defeating the shark this way. So the crew will need to try and anticipate which option the shark player will choose and this require assessing a bunch of contextual elements such as how much damage the shark will do, how high it's evade is and how damaged that part of The Orca is. 

All players will need to adapt to the random circumstances provided by the resurface cards and will probably have to trade off one strategy for another.
It presents the players will meaningful decisions to make, which is always a good thing.

However, there are somethings I definitely do not like about the game.
Firstly, Jaws is a one-vs-many game and I'm not a fan of this game type. Generally the mechanics of one-vs-many games can never balance for the fact that multiple human brains will have an advantage a single human brain. For the most part, it's fairly inherent that 3 players will see more strategies and opportunities than a single player.
Also; when someone is playing the 'one', games can be become a lonely experience since all the other players will be against them.
I can't help but wonder if the shark could have been automated and have the game be fully cooperative.

Secondly, because this is such a asymmetrical game, it means that one set of rules must be learned by the crew players and another by the shark player.
That's not the end of it!
Because there are 2 acts, it means that there are actually 4 sub-games that must be learned.
Luckily, none of the rules are particularly complex or hard to comprehend but even so, it feels like a lot of effort to play a game, then have to learn a new set of rules to continue. More effort than the entertainment the game delivers.

Normally I don't bother blogging about marketing or sales but I have to wonder who this is aimed at? Dedicated games, movie fans?

Most dedicated gamers are with good reason wary of licensed games. They tend to be quick cash-ins with lacking game.
To be clear I don't think that's the case for Jaws, while the rules are light-ish, there's depth of gameplay to found in the cat-and mouse mechanics that pits players against each other. I just didn't find it particularly compelling.

Jaws is a great, classic movie and I'm sure there are collectors of Jaws memorabilia and merchandise but will they care enough about the game to play it. I'm sure it will end up in the collections of those fans but will they be compelled enough to make make the effort to learn and play the game?

If you're really after a Jaws experience and are happy with the game's 2 act structure and cat-and-mouse gameplay. This is by no means a bad game and worth a try.
For me this didn't hit the spot and I have no desire to play it.

5th July 2022

It's a Tuesday and we're at The Sovereigns with the Woking Board Gaming Club for an evening of gaming.

​The world of Victorian anthropomorphic railroad magnates is a cutthroat one in this game of acquiring train lines and towns. Buy low and sell high to become the... Raccoon Tycoon!

What's in a game?

• Game board: The game board background depicts a idyllic rural landscape with the beginnings of a burgeoning industrial age.
  The board is broadly speaking divided into 2 halves. The top half has 6 tracks for the game's 6 commodities while the bottom half features spaces and tracks for railroad cards, town cards and building tiles.
• Cards: Raccoon Tycoon has several types of cards:
  Price & Production cards: Each of this type card has 2 halves. The top half with a blue background is for price and pushes up the value of the variously depicted commodities while the bottom half with a red background displays various commodities that the player can produce/acquire.
  ​Railroad cards: These cards feature anthropomorphic artwork, cats, dogs, bears, foxed and of course raccoons.
  In the bottom-right corner is the card's initial price (Railroad cards are acquired via auctioning) while the centre-bottom shows a series of numbers. These are VPs related to set collecting, thus the more copies a player has of a certain set of railroad cards, the more VPs that set is worth.
  Town cards: These cards have smaller illustration that usually depicts some part of the countryside.
  At the bottom of each town card are 2 purchasing costs, 1 is a cost for a specific commodity while the other is for any commodities. The cost for buying a town card with any commodities is always greater that using the required specific commodity.
• Building tiles. These chunky square tiles depict various different types of businesses and industries. They come in 2 types (Basic and Advanced.) are double-sided and one side is the initial version of a building while the other shows the upgraded, improved version.
  In the bottom-right corner on both sides is the cost, initially to buy the tile, then to flip the tile to the upgraded side. Each tile has a special ability of some sort and the upgraded version is always a improved version of the initial building. Bonuses might include gaining extra commodities or selling more of them, discounts to certain costs etc.
  Additionally, some tiles are marked with a 'B' or a 'P' and basically only one of each can be used in a turn.
• Commodity tokens: Raccoon Tycoons uses 6 types of commodity and each has it's own token and colour.
  Coal: These black tokens are shaped in a minecart filled with coal.
  Iron: These are grey anvil shaped tokens.
  Luxury goods: These tokens are green bottles, filled with wine I guess? Wine is certainly a luxury good!
  Manufactured goods: Red cubes are used to represent manufactured goods.
  Wheat: Yellow tokens shaped as bundles of wheat.
  Wood: Brown tokens depicting piles of logs.
• Money: Paper money! Whooo! I like it!
• First player meeple: I don't usually bother to mention any first player tokens when blogging (Because they're just first player tokens.) but this one is a unnecessarily big token. Basically a gimmick and something I wholeheartedly approve of!

Raccoon Tycoon has excellent production values.
Wooden tokens are used for commodities and first player token which is a good move, they always have a quality to them and also look cool.
The cards (And paper money) have a sturdy feel to them while the tiles are satisfyingly thick.

The game's art direction is also equally high.
Anthropomorphic art is used throughout the game and I've found that it's a divisive style which most people do or don't like. Regardless of your view on this, it's undeniable that the quality of the art is high.
The standouts are the railroad cards which use a oil painting style to display whimsical characterful animals in Victorian clothes.
Curiously, the building tiles use a completely different style, instead displaying line illustrated buildings and subjects with mostly flat and barely shaded colours. It's a striking contrast that should theoretically ​be jarring but actually fits quite well.

Icons used to represent commodities on cards are easily understood. Most other game information is relayed via text which is usually very clear.

How's it play?
Setup

• Board: The number of cards and tiles used on the board is dependant on player count.​
  • Railroad cards: Shuffle these into a face-down deck on its allotted space on the board and deal 2 face-up cards on to their spots.
  • Town cards: These cards are arranged into a face-down deck by VP value with the lowest value at the top and highest at the bottom. Thus the lower value cards appear earlier in the game.
    Place the deck on it's spot and deal 1 card face-up.
  • Building tiles: Shuffle the basic tiles and put out the allotted amount into the relevant track and discard any remaining basic tiles. Next; shuffle the advanced tiles into a stack.
  • Commodities: Put out the commodity tokens and use 1 each on their pertinent tracker to display their starting value.
• Price & production cards: Shuffle the cards into a face-down deck and deal 3 face-down to each player.
• Cash: Give each player $10 starting funds.
• First player: Determine the starting player. Following on from this each player claims starting commodities in turn order. The first player takes any 1 commodity of their choice, 2nd player taking any 2, etc, all the way up to the 5th player taking 5 in a 5-player game.

On to play
Players are trying to earn VPs in Raccoon Tycoon, this can be done by collecting sets of railroad cards, acquiring town cards to pair with railroad cards and gaining building tiles which are not only worth VPs but can provide avenues to scoring more VPs.
All of this requires money and commodities, players will need to manipulate the commodities market to maximise the profit gained from selling their own commodities while trying limit the profit of other players.

Racoon Tycoon follows a traditional turn order with the active player resolving their action before play moves on to the player on their left.

• Actions: During their turn, the active player may perform 1 of the 5 following actions.
  • Building tile: The active player may purchase one of the building tiles by paying its cost, which is then placed into their playing area.
    A new building tile is drawn to replace it.
    Note: This action is also used to upgrade a building tile by paying its upgrade cost on the other side and flipping the tile.
  • Price & Production card: The active player may play 1 of these cards from their hand.
    Production: This allows them to acquire exactly 3 commodities from the supply, the icons in the production half of the card indicate which commodities the player can choose from and how much of it they can take.
    Note: Players have a limit of 10 commodities that they can own.
    Price: The value of the indicated commodities rise on their relevant trackers by 1 step.
  • Railroad card auction: The active player may begin an auction on either of the 2 available railroad cards. Their opening bid must be at least equal to the value shown on the relevant card. Others players may then bid or pass on the auction. Once everyone bar 1 player has passed, they win the card. A new railroad is drawn to replace it on the track
    Note: If the active player did not win the card, they can perform another action, this may include another auction.
    Thus the active player's action is not squandered if they did not win the auction.
  • Sell a commodity: The active player may sell exactly 1 type of commodity, however, they can sell any amount of tokens of that type. They earn the listed value on that commodity's tracker per token sold.
    Price crash: Once the commodity has been sold, the value of that commodity drops a number of steps equal to the tokens sold!
  • Town: The active player may purchase a town card, each one has 2 listed costs and the player can choose which one to pay - either the specific commodity cost or a more costly mix of any commodities.
    A new town card is drawn to replace it.
• Next player: Once the current player has resolved their action, play moves to the person on their left.

Endgame
Play continues until one of the following 2 criteria is met.

• The last railroad card is auctioned.
• The last town card is bought.

If either instance, the current round is completed and the game goes to scoring.
VPs come from a variety of sources.

Sets of railroad cards.
Town cards paired with railroad cards.
Building tiles earn 1 VP each.
Bonuses from building cards may also provide additional VPS.

Points are tallied, highest score wins.

Overall
Even without the anthropomorphic artwork, Raccoon Tycoon would be something or a quirky game.
It packs quite a lot of mechanical systems into a single game albeit to a fairly simple level.
A little bit of stock market manipulation, a touch of set collecting, a dash of auctioning and a sprinkling of engine building. It could be a recipe for disaster but in the case of Raccoon Tycoon; the whole is greater than the sum of the parts.
A large part of this I feel is due to the building tiles. Their unique bonuses both provide some asymmetrical gameplay elements and can also give players a bit of strategic direction.
Raccoon Tycoon is a bit of a balancing act between acquiring cash for railroad cards/building tiles and commodities for town cards. It's hard to work towards both at the same time. Adaptation is important here, as is planning ahead. Players could look to finding ways to raise commodity values to increase profit when selling them later

This brings me to commodity manipulation. There isn't too much interaction between players other than auctioning and commodity manipulation, 
Watching what opponents are doing can prove useful and is something of a higher level of play. I.e., if 2 players are accumulating the same commodity, there's a possibility that one of them will sell it, causing that market to crash. Beating a opponent to the punch so to speak, can cost them lots of cash!

Raccoon Tycoon is fairly rules light and I think seasoned gamers won't have any problems grasping all the systems at work here. For less experienced gamers, the curve will be steeper, I don't feel it's a gamebreaker but I imagine it could be off putting.

While there's enough gameplay to give players thoughtful and meaningful decisions to make and a fun experience, I also found the game to be a little unengaging and uncompelling, I never felt like I was building railroads or towns and despite the unique art style, it didn't feel like it stood out from the crowd.
here's nothing wrong with Raccoon Tycoon but it wouldn't be my first pick for a game, although I'd have no problem playing it if someone else wanted to.

9th June 2022

​Gaming night Aldershot continues with Chariot Race.

As you might have guessed from the title, this game about managing railway companies in the 19th Century on a hex-based map of North America. NO WAIT, THAT'S NOT RIGHT!

Chariot Race is about chariot racing in ancient Rome. That name is sure is confusing!

What's in a game?

• Game board: This oblong board depicts a oval race track with 3 lanes in a sort of coliseum setting. Each of the corners also shows a 'safe speed' which differs for each lane, the outer one having highest safe speeds. The board also displays 6 starting spaces.
  The board is double-sided and on the 'B' side contains some obstacles to be avoided, providing some more challenge to the game
• Player board: There are player boards in every player colour and each one has 3 columns.
  The left and right columns track damage and speed respectively, while the centre column is 'segmented' and each segment displays a differing number of dice, starting with 1 die at the top and going down to 5 dice at the bottom.
  Finally, at the top is a horizontal 'fate' track that goes from 0-6.
  Additionally, each board also comes with 3 'pointer clips' to track all of this.
• Dice: The game uses non standard wooden six-siders with rounded corners and instead of numbers they depict symbols which represent the following.
  • Speed change: This result makes the player alter their speed by +1/-1/
  • Extreme speed change: This result makes the player alter their speed by +2/-2, however it also inflicts a point of damage on their chariot.
  • Change lane: Allows the player to move their chariot to a different lane. This symbol appears twice on each die.
  • Attack: Allows the player to drop caltrops or throw a spear at another player! Well this is Roman chariot racing.
  • Fortuna: Gives the player a point of fate.
• Standees: The game's chariots are standees constructed from 2 thick card tokens which slot together.
• Caltrops: These are little grey wooden cubes, they don't look much like caltrops but since they're little wooden cubes, I approve!
• Lap tokens: These little double-sided tokens are used to indicated which lap a player is on.

The components for Chariot Race are pretty good, the tokens and boards all feel suitably sturdy while the wooden dice are a nice touch.
Having chariots made of 2 pieces or card seems a little bit of a weird choice perhaps but it's not like it's a dealbreaker or anything and was probably done to keep the cost down.

There's very little artwork to write home about in Chariot Race which may be why I'm blogging about instead?
There are illustrations on the chariot standees but they'll hardly be noticed since they're quite small, especially when placed on the arena/game board.
There's some artwork on the game board as well and it's a fair depiction of a crowd watching the races. Otherwise Chariot Race looks fairly clean and minimalist in a unfussy kind of way, perfectly acceptable in my opinion.

The only iconography that can be found during the game is on the dice, those symbols are self-explanatory and I can't imagine they'd be an obstacle to any players.
Although, I will say that it feels a little odd and counterintuitive that the damage track is labelled 'damage' instead of something like 'health' since 12 on the damage track is completely undamaged and 0 is wrecked.

How's it play?
Setup

• Player boards: Give each player the standee and player board in their colour, along with 3 pointers.
  All players should start with 12 damage, 4 speed and 3 fate.
• Game board: Put out the game board on either the 'A' or 'B' side and determine starting order. Each player should then put their standee in the relevant starting spot.

On to play
In Chariot Race, players are attempting to complete 2 laps of the track, avoid being wrecked and of course, finish first.
This is done by each player in their turn rolling dice and resolving the results.
Chariot Race does not use the usual turn order. Instead it's determined by position on the track round-by-round, whoever is 1st on the track goes 1st, 2nd on the track goes 2nd and so forth.
When the player in last place has gone, the round is over and play returns to the player in the lead at the start of a new round. Of course it's likely the turn order will now have changed.

In their turn, the active player will have several phases they can act in.

• Repair: The active player may spend 3 fate points to repair 3 damage.
  Get wrecked: If, at anytime a player's chariot reaches 0 damage, they are immediately wrecked and eliminated from the game.
• Adjust speed: A chariot's speed score can never exceed its damage score.
  If a chariot took damage during other players' turns (Which is likely.) or overcooked a corner in the previous turn (Also likely!) and the damage drops below the chariot's speed, the speed is lowered to match the damage during this phase.
• Roll dice: The active player now rolls dice, the number they roll is determined by what their speed is on the tracker on their player board in relation to the segments in the centre column. Thus at speed 5, they would roll 5 dice, at speed 8 they would roll 3 dice, all the way to speed 12 where they roll only 1 die!
  ​Re-roll: The player may set aside and/or re-roll any number of their dice once only.
  Spend fate: The active player may spend fate points to re-roll any number of dice - including ones already set aside or change a die to a side of their choice except for the fortuna side.
• Fortuna: In this phase, any dice showing the fortuna icon increase the player's fate score respectively. This occurs after using re-rolls, which means fate points acquired this turn cannot be used to affect this turn's dice results.
• Movement: In this phase, all dice showing the 3 movement icons are resolved and several events may occur.
  +/- speed: Dice showing the speed change icons must be resolved and the player must alter their speed either up or down (Their choice.) as dictated by the dice. As an aside, there's nothing to stop a player using a + result from 1 die and the - result from another to negate each other.
  Regardless of this, once the speed score has been adjusted accordingly, the active player must move their chariot that many spaces.
  Change lane: During movement, the active player may change their chariot's lane a number of times equal to the change lane results they got on the dice.
  Cornering: If the active player's chariot enters a cornering space, that is; a corner with a number, there's a chance the chariot can take damage.
  If the chariot's speed is equal to or less than they number, the chariot is unaffected.
  If the chariot's speed exceeds the corner's speed, then the chariot takes an amount of damage equal to how much they exceeded the corner by.
  Caltrops: If the active player's chariot passes through a space with a caltrop, then the chariot takes damage.
  Ramming: If during movement, the active player's chariot passes through a space with another chariot, then both chariots takes damage.
  The active player cannot end their movement in the same space as another chariot.
• Attack: The active player may use a die with this result for 1 of 2 actions.
  Throw Javelin: Once the active player has finished their movement, they can throw a javelin at another chariot. Javelins have a range of 2 spaces and inflict 1 damage.
  Drop caltrop: The active player may drop a caltrop on to any empty space which their chariot has moved through in this turn.
  Caltrops inflict damage to any chariot that passes over them and are removed from the board when they do so.

This pretty much covers all the rules.

Endgame
Chariot Race is played over 2 laps and there are several criteria which can determine the winner.

If a player's chariot completes their 2nd lap and no other chariot crosses the finish lap, they win the race.
If 2 or more chariots finish the race in the same round, then the chariot that went the furthest past the finish line wins.
Finally, a wrecked chariot cannot win, even if it crossed the finish line first or got furthest past it.

Overall
Chariot Race is a fast playing and mechanically speaking, actually a fairly straightforward game; roll the dice and carry out the resulting actions displayed.
The decisions that players get to make are also fairly straightforward, although their consequences can be significant - which is good. Meaningful decisions are always good.

Player decisions take the form of choosing which dice to keep and which to re-roll, players must choose what to try and prioritise, this will of course be contextual and change from round to round.
The other area where player's will probably be making the most is going to be about speeding up and slowing down. It's obvious that players will want to be fast in the straights but manage their speed through the race's 4 corners.
Managing speed is the game's best mechanic, I like that the faster a chariot goes, the less dice the player gets to roll and consequently, the less options they have.
It feels suitably thematic, not only does it represent having less thinking time at speed but also that this a horse race and players are never entirely in control of them.
Players can find themselves hurtling through corners and taking damage, the question is how fast for how much damage? There's only 4 corners,  so this means it's ok to take damage... right?

This brings me neatly to damage. There's definitely a combative edge to Chariot Race which makes it an usual racing game. Damaging opponents has its benefits.
Firstly; it lowers their maximum top speed, hindering them and secondly, it can lead to their elimination for the game.
It's vital to keep an eye on damage, in the early game players will probably be congenial, but in the late game, that will all change. Having low damage points can make a player a big target, especially if that player is ahead and which others will look to exploit this to put them out of the race.

It does mean that Chariot Race can have a lot of direct conflict and there may well be some 'pick-on-the-leader' tactics going on as well. If this isn't your cup of tea, it's one to probably avoid.
The game also has player elimination as a mechanic, which is something I have little fondness for but fortunately, this is a quick playing game so there isn't too much downtime.

In conclusion though; while it won't set the world alight, it is quick to learn and quick to play, Chariot Race is a fun light game If you like your racing theme with some extra competitive zing and a generous dollop of luck, then this might interest you.