12th November 2021

It's a Friday night and we're round Simon's for some impromptu evening gaming.

“I beg your pardon,” said the Mole, pulling himself together with an effort. “You must think me very rude; but all this is so new to me."

Well, Everdell is new to me, mixing various game mechanics and lush anthropomorphic artwork.

What's in a game?
Everdell is a game that has a big footprint and a lot components.

• Game board: Everdell's board is a curious circular shape and the central area is called the 'meadow'. Around the meadow with numerous spots to place the game's resources. There also various worker locations dotted across the maps, including some blank worker spaces that will be populated with randomly determined worker locations during the game setup. There also some location for 'events'. More on events later.
  Most of the worker locations earn players some combination of the game's resources and/or cards. E.G., 2 twigs and a card or 1 resin and a card.
• Tree: The game comes with a tree made of gameboard that can be constructed, placed on the board and used to hold various components.
• Basic event tiles: These score point when acquired.
• Resources: Everdell uses 4 main types of resources, berries, twigs, resin and pebbles. These are represented by shaped 3d plastic tokens.
• Meeples: Each player has up to 6 workers they can use, these wooden tokens are shaped in the style of different type of anthropomorphic animals.
• Cards: Broadly speaking, the game uses several different types of cards.
  Critter & construction cards: These are the core of the game and as the name suggests, come in 2 types. In the top left corner is the requirement or cost to play them, just below is the card type and at the bottom of each card it displays what benefit it confers such as victory points and more. There is a wide variety of different benefits available, this may even include extra places to put workers and sometimes these are modified by other cards.
  Special event cards: These cards are a variation on the event tiles above and as such will score when player's meet their requirements.
  Forest cards: These are used on the board to provide randomly generated worker spots in each game.
• Victory point tokens: Standard card tokens.

No doubt about, Everdell has fantastic production values.
The components are well made and the attention to detail for the most part is excellent. In particular, the resources look great as do the individualised meeples. We didn't use the tree but it's a nice touch
Even if the anthropomorphised artwork is not to your taste, it's hard to fault the quality of the artwork and rich, warm colour palettes used throughout on the board and all the cards.
​Iconography is where the game could be improved though. Sometimes, the text used on the critter and construction cards is perhaps a little too small as are the symbols and sometimes, to maintain the game's aesthetic, you'll encounter a small around of tiny writing surrounded by a lot of unused space. Having said that, it's a quibble, not a gamebreaker and doesn't really detract from the game's quality

How's it play?
Setup

• Meadow: Shuffle the critter & construction cards into a face-down deck, then draw and place 8 of them face-up into the meadow on the board.
• Forest cards: Shuffle the forest cards and deal out the allotted amount as per player count face-up on to the blank spots on the board. This means that some of the worker spots are randomly generated each game.
• Events:
  Event tiles: Put out the basic event tiles on to their allotted spaces on the board.
  Special event cards: Shuffle these cards and deal 4 face-up on to their allotted spaces.
• Cards: Determine the starting player; then each player should draw cards from the deck, starting with the 1st player who gets 5, then 2nd gets 6 and thus forth.
• Meeples: Each player takes only 2 meeples in their colour, the remaining 4 will be acquired before the game's 3 later turns. 

Now we're pretty much ready to go.

On to play
The objective in Everdell is to construct the best city, that is the city that scores the most victory points. Players achieve this by playing critters and constructions into their tableau.
​When somebody becomes the active player, they can perform 1 action from a choice of 3 and then player progresses to the player to the left. Players continue performing actions until they have to or choose to stop; in which case the season has ended for them. Everdell is played over 4 seasons.

• Place worker: The active player may place a worker on a available spot. This will allow them to gain a mix of resources, cards or victory points depending on which spot it is.
  Some spots only allow for the placement of a single worker but some allow multiple players to make use of them. Furthermore, some cards that may get played have spots to place workers and acquire whatever benefits the card confers. This means a player may end up placing a worker in another player's tableau!
• Play card: The active player can play a card as their action, cards provide lots of actions or abilities which can be performed, too many to list here.
  Broadly speaking, cards come in two categories; critters and constructions which can also be common or unique. Cards also have a type such as Tan Traveller or Green Production which affect what function the card performs.
  For example Tan Traveller cards have a once-only benefit, but Green Production cards produce something whenever a production phase is triggered.
  Playing a card requires spending the relevant resources, having said that, the game has some synergy between cards and some critters can be played for free if the linked construction is already in the player's tableau.
  Players can play card types in sets to acquire event tiles/cards; e.g. the Grand Tour event can be earned if the player puts 3 destination cards into their tableau.  
• Prepare for Season: Players can continue taking actions until they run out of workers and cards that can be played, when this happens, the player must prepare for the next season.
  This involves taking back their workers plus an additional worker or two from the supply, players may be able to re-activate production cards in their tableau or take cards from the meadow, all depending on the season.

When all players have prepared for season, then the current season is over and play moves to the next one.

Endgame
When the 4th season is completed, then the game is over.
Victory points can be scored from a variety or sources, including cards, tokens and events.
Points are tallied, highest score wins.

Overall
It's obvious that a lot of thought and care has gone into the game's presentation and charm. It's one of the best looking games I've seen in a while and I always appreciate the extra effort committed to a game.

Hmmm, what else to say about Everdell; for the most part, it's initially a pretty solid, straightforward game, although it feels a like a bit of a slow burner.
While the game's cards provide players with a variety of approaches choices and plays to make. Having said that, the game's action-economy is actually quite tight, almost too harsh. E.g, in the 1st season, players will only have 2 workers to gain resources in order to play cards, it means players will have to pay close attention to optimising their plays and actions. card synergy can make a big difference.
It gave me the feeling that players will need to know what they're doing from their first action in order to play Everdell competitively.

Additionally, in comparison to other tableau building games, it feels like the tableau in Everdell provides much more limited benefits that lacks the satisfaction putting together a good tableau.
​At best, production cards are reactivated once every other season - or round - but because players have multiple actions in a single season, it means a lengthy gap before those reactivations. This is something players will need to consider when playing cards.
All of this makes the choices in Everdell important - which is the sign of a good game.

Ultimately though, I just found it a little unexciting and unengaging and while it wouldn't be my first choice, I'd have no qualms about playing Everdell again.

6th October 2021

Time for some midweek gaming! It's a Wednesday and we're round Simon's.

Valor & Villainy: Minions of Mordak is the game of the evening; an open-world styled, fantasy-themed, RPG-inspired exploration game with one player assuming the role of big-bad Mordak and the others taking on the mantle of heroes.

What's in a game?
Valor & Villainy is fairly involved game that features a lot of components.

• Map tiles: Valor & Villainy uses a variety of map tiles, most of which are randomly placed. These tiles depict the landscape, they also detail encounters that the heroes will come across.
  Starting tiles: These 5 tiles depict; as you'd expect the game's starting area and will be the map's central tiles.
  Region tiles: These tiles are ranked from tier I to tier III on their backs. When the map is created, the lower tiered cards will be closer to the centre.
  Each tile also contains icons depicting what will be found on that tile, which can be minions, ambushes etc.
• Hero boards: There is one of these thick card boards for each of the game's heroes. They are double-sided and on the back, each character's backstory is displayed.
  The front contains a portrait, as well as health and action point tracks. There are also a number of recessed tracks and spots in each board, into which various smaller components can be dropped and represent the characters increase in skills and training. Character's have tracks for melee, ranged and magic actions.
  The board also lists each character's unique ability and at the bottom has spaces for gear and equipment.
• Standees: Each hero also has their own standee.
• Mordak board: The Mordak player also has their own board which is very similar to the hero boards with a health and action tracker and recessed tracks to represent Mordak's increase in ability.
  Mordak possesses 1 extra ability; corruption.
  Procession of horrors tile: This tile slides into place next to the Mordak board and over the course of the game, allows Mordak to accrue power, it also serves as a round counter.
• Mordak standee: Not to be outdone by the heroes, Mordak has his own standee.
• Spell cards: Spell cards come in 3 types as explained below
  Arcane spell cards: These blue spells focus on attacks and tricks.
  Divine spell cards: These yellow spells provide support and healing.
  Void spell cards: These purple spells are used by Mordak and typically for the big-bad, they bring mayhem and ruin.
• Treasure cards: Can be earned by players by defeating minions.
• Loot stash cards: There are used to track minions that have defeated and treasure that's been earned by the heroes and by the Mordak player to track heroes that have been defeated!
• Minion cards: These are different types of enemy that the heroes will fight, they come in 3 classes, Chump, Elite and Boss, each getting progressively tougher.
  Minion cards contain information such as movement, attacks, damage and health levels, each one is also double-sided and can be flipped to the other side to display different stats for a minion when they get wounded instead of outright killed. Some minions will get weaker when hurt, a few will get tougher.
  Like the heroes and Mordak, minions have actions and stats.
• Covers: Each type of minion has it's own cover, used to hide what card is at the top of each minion card.
• Dice: These six-siders come in 3 different colours and are not numbered from 1-6. Instead the colours represent different levels of ability: White is novice, yellow is adept and red is mastery, each colour has a different number distribution, with white having the lowest, ranging to red with the highest.
• Ability tokens: These come in 3 colours that directly relate to skill dice. Players acquire these tokens for their abilities which in turn determine what dice are rolled by that player.
• +1 tokens: Can be acquired by players through rolling well and used for one-off bonuses.
• Initiative token: This double-sided first player token has Charge on one side and Hold on the other.

Valor & Villainy also has various other tokens for specific circumstances and situations including woeful sheep tokens!
The components are all high quality, tiles and tokens are suitably thick and sturdy, as are the standees. The cards are all well made and the rounded plastic dice feel weighty enough but the standout components are the chunky recessed hero boards which feel solid and also fairly practical.

Artwork throughout the game is excellent. The landscapes on map tiles are well produced, clear but also colourful. Character illustrations are bold and slightly-cartoony, it's a style that gets used quite a lot in fantasy-themed games, but it looks good in Valor & Villains.

As you'd expect for a open world game like, Valor & Villainy uses a variety of icons and symbols, particularly on spell cards - which essentially are all different. For the most part, the iconography is intuitive and pretty straightforward to understand.

How's it play?
Setup

• The Map: The 5 starting tiles are put out face-up in same position for every game, then, a number of map tiles are randomly drawn from each tier, although certain tiles (The 3 shrines.) must be included, then tiles in each tier are shuffled, some are randomly drawn and placed face-down around the starting tiles, the tier I tiles go closest to the starting tiles and the tire III the furthest away.
  Once all the tiles are placed, there will be a 5x5 grid of tiles, although in games will a lower player count, they'll be slightly less tiles.
• Heroes: Give each player a hero board and associated standee, along with the requisite components to track health and action points, as well as a +1 token.
  Players' whose characters can cast spells should draw cards from the relevant deck.
• Mordak: The Mordak player should take the Mordak board and set it up in a similar manner to the hero boards.
  The procession of horrors tile should be placed next to the Mordak board and the Mordak standee put on it.
• Card decks: Shuffle the 3 magic decks into 3 face-down stacks, do the same with the treasure deck.
• Minion decks: Shuffle the 3 minion decks into 3 face-down stacks, because these cards are double-sided, the relevant cover should be placed on the top of each minion deck. This ensures the Mordak player draws minions blindly.
• Initiative: Give the initiative token to the starting player.

The game is now ready to begin

On to play
In Valor & Villainy, the hero players are trying to discover the 3 shrines hidden somewhere amongst the face-down tiles to weaken Mordak and the Mordak player will be trying to make it hard for the heroes to find them until he arrives on the map after the 6th round.
Heroes always act first with the starting player beginning, then going left. The Mordak player may then act after the hero players. The Mordak player essentially gets 2 turns to act, 1 for Mordak himself (Although Mordak doesn't have much to do in the early game.) and 1 for minions.
When players take their turns, they will have a number of actions points they can spend to move or act as they see fit, there are also some free actions that can be performed

• Initiative: Who has the initiative token is the first player, they may choose to act first or last, in which case they flip the token to the Hold side.
• Hero actions: Heroes may perform actions, these include the following:
  Scout: This is a free action. When a hero chooses to scout, they flip all adjacent face-down map tiles to their face-up side, this may reveal enemies, loot or trigger ambushes.
  Looting: If a player's character is in a region without enemies, they may loot any treasure as a free action. Treasre is not immediately acquired, instead it is placed on the pertinent loot card and divvied up at the end of the round.
  Movement: For an action point a hero may move to a adjacent tile that is already face-up. Characters may only orthogonally.
  Actions: All hero actions are performed using one of their 3 stats, generally this involves combat.
• Mordak actions: In the early game, there's little Mordak can do to directly confront the heroes, although he can make life hard for them.
• Minion actions: If there are any minion cards on the board, the Mordak player can use them to attack and harass the players. Minions move and attack in much the same way as players.
• Combat: Combat plays a big part of Valor & Villainy:
  Melee: Melee occurs when enemies are on the same tile:
  Ranged: A character who decides to attack at range can only target enemies in adjacent tiles.
  Magic: Characters may spend their spell cards to cast spells.
  Defeat: Combat will generally result in one of the involved parties being defeated.
  Minions: When a minion is defeated, it is out of the game and added to the players loot stash
  Hero: When a hero is defeated, they are out of the current round and the Mordak player adds their standee to their loot stash. The standee is returned after the level-up phase has been completed
• Level-up: Once all players have had their turns, the game proceeds to the level-up phase.
  Throughout the round, any loot players acquired or minions that were defeated are added to the hero loot stash. During the level-up phase, they earn the hero players experience points, the loot can then be divvied up between them as they decide and equipped.
  Similarly, the Mordak player will earn experience points for each hero that was defeated.
  Then players may spend XP to increase their skills by adding ability tokens to their boards, they may also spend XP to increase their action points.
• Next round: The Mordak player moves their standee one space along the procession of horrors and the standee of any defeated hero is placed in the centre starting tile, ready for the next round. The initiative token is passed to the player on the left.

There's a bunch of other, mostly situational rules in Valor & Villainy, I'm not going to go into in further detail, since they don't always apply.

Endgame
Once 6 round have been completed (Or all 3 shrines have been discovered.), the game goes into The Final Battle!
During the final battle, Mordak himself will appear on the map and directly engage the hero players in combat.

Mordak has a large amount of health; 70-100. If the hero players reduce Mordak's health to 0, they win the game.
Conversely, if the Mordak player manages to defeat 3 heroes during the final battle, then the Mordak player wins the game.

Overall
There's a lot of charm to Valor & Villainy's presentation, especially the bold, chunky artwork for characters and minions.
Mechanically, the game is actually quite straightforward, unremarkable even (At least it is for the hero players.), although it does contain a fair amount of exception driven and situational rules. Using cards for minions makes it a little fiddly to move them around and handle, it also looks a little dull and flat (sic) but conversely, it makes it easy to track minion health and combat initiative.

Valor & Villlainy has several quibbles in my opinion
One of the most significant is the game's one-vs-many mechanic, these types of mechanic rarely work well in my opinion. Obviously the game will have been balanced to try and take this into account, but few games can balance the difference between 1 human brain versus 4 human brain and the hero players will always have this to their advantage. It almost feels like the game is set up to advantage hero players over the Mordak player.

The game also has a weird tonal shift thanks to this one-vs-many mechanic. For most of the game, the Mordak player will be a thorn in the players' sides,  a source of constant minor irritation. Then, during the endgame, it becomes straight up, directly confrontational PvP as Mordak appears on the map. It feels weirdly more aggressive.

For the heroes, the game is mostly about managing encounters as they appear, recognising and prioritising threats, then dealing with them using the most efficient method, allowing them the maximum opportunity to explore the tiles.
For the Mordak player, it's about exploiting any opening or weakness that the heroes present, not only defeating heroes but stymieing and thwarting them whenever possible.

Valor & Villainy is a open-world RPG-esque experience where a varied band of heroes, explore, fight monsters, acquire treasure and level up. The ingredients of an RPG are all there, but it doesn't feel quite right and I think there're a couple of reasons why.

There's a lack of storytelling to the game and variety to the encounters, there's randomness when setting up a map and not all tiles will appear in any single game, but they're just encounters, they feel a little bland and there's no sense of travelling, journeying or adventuring.

The normal map (For 4+ players) will have 20 face-down map tiles to scout, to explore all of them will require turning over 3-4 map tiles per round. Scouting tiles is actually a bit of a balancing act and one of the challenges the hero players face. if the heroes scout too slowly, they risk not finding all the shrines, if they do it too quickly, they risk revealing more minions than they can handle at once.
This will require players to head off in different directions and in an RPG you should never split the party!

In relation to combat, it seems the most efficient way for the Mordak player to accumulate experience points is to relentlessly pick on one player until they are defeated, then choose another player to pick on. It feels particularly un-RPG-like where combat tends to distributed amongst all heroes.
Even then, when a hero is defeated, on the next turn, the hero will reappear in the centre tile like it's a videogame spawn point.

All of this adds up to make Valor & Villainy feel disconnected from RPGs.

But for me, by far the biggest problem the game has, is its run time. We played with 5 players in total and a game took somewhere between 2-3 hours to play out. If felt like each player took about 4-5 mins to complete their turn and don't forget that the Mordak player essentially gets 2 turns in a row, 1 for themselves and 1 for their minions which makes a round 25-30 minutes long and that's before adding in The Final Battle. It also meant players had about 20 minutes of downtime between turns.
It's too much, if Valor & Villainy was an exceptional or engaging game, it wouldn't be such an issue, but it's not. It's not a bad game either, it's just slightly bland and slightly average. 

There's nothing wrong with an average game, so long as it doesn't outstay it's welcome.
The effort Valor & Villainy requires to play doesn't quite justify the experience it provides.

26th September 2021

Sunday evening gaming on Board Game Arena continued with Cloud City.

Travel around Cloud City and defeat Darth Vader and his stormtroopers... oh wait... what? This is an entirely different Cloud City!

Be an architect and build up tower blocks in your model city to create walkways between them in this 3D tile laying game.

Caveat: We've only ever played this game digitally.

What's in a game?

• Tiles: There are 48 tiles in Cloud City, including 4 starter tiles.
  Every tile displays 2 building symbols, either adjacent to each other or diagonally opposite each other. Each building symbols is either blue, green or brown.
  The starting tiles are numbered 1-4.
• Buildings: Cloud City makes uses of building meeples (Beeples?), these also come in 3 heights that correspond to the 3 colours. The blue are the shortest, green are at the middle height and the browns are the tallest.
• Walkways: As with the other components, the walkways come in the same 3 colours and are used with the building meeples of the matching colour.
  There are 31 walkways in each colour and their lengths vary from 1 to 8 (1, 2, 3, 5 & 8.) and they are marked as such, this is also their victory point value.

There's virtually no art in Cloud City, it's plain but functional and to be honest, I can't where you'd put it.
The games iconography is similarly minimal but easily understood.
I will add that since we've only played Cloud City digitally, it's hard to gauge how it would look with physical components, which could be quite good, judging from the photos I've seen.

How's it play?
Setup

• Cloud tiles: Shuffle the cloud tiles (Not including the starting tiles.) into a face-down stack and deal 3 face-up next to the stack.
• Walkways: Put out the walkways according to colour and length.
• Starting tiles: Determine the starting player and give them starting tile 1, give player 2 tile 2 and so on.
  Each player should put their starting tile down in their own play area, then take and place the matching building meeples on their spaces on their tile.
• Hand: Deal 3 tiles to each player.

On to play
In Cloud City each player will create a 3x3 grid of tiles, buildings and walkways. Points are scored from walkways which are worth points according to their length, thus walkways score 1-8 points each.

• ​Play tile: The active player must play one of the tiles from their hand and it must be played adjacent to a tile that has already been played - which in the 1st round would the starting tile.
  When playing a tile, the player's city cannot exceed the 3x3 limitation, in the early rounds there will be a lot of freedom on where to place tiles but towards the end, locations become limited.
• Place walkways: The player may choose to take walkways from the supply and connect 2 buildings of the same height, they are free to connect them as they are built or later. Furthermore, they can take as many walkways in a turn as they can use.
  There are however, some restrictions; a walkway cannot cross over an empty space without a tile and a building cannot be connected by more than 2 walkways, so no T-junctions or crossroads.
  If the supply has run out out of the walkways a player needs, then it's too bad.
• Draw: The active player must fill their hand back up to 3, they may take one of the 3 face-up tiles available or draw blindly from the stack
• Next: Play progresses to the player to the left.

Endgame
Play continues until all players have completed their 3x3 grid, which always takes 8 rounds. Each player's victory points is equal to the value of the totalled numbers on all the walkway tokens they played.
Points are tallied. Highest score wins

Overall
In some ways, Cloud City is a standard tile-laying game: Put down tiles to create links and score points from them.
However, because Cloud City adds a extra dimension (Sic.) to gameplay, the game has that sweet spot of simplicity of rules but depth of choice. Players can choose to try and create single long paths that score big on walkways or zigzagging small paths that score little but often. Players will also want to utilise all the empty space that their tiles inevitably generate. Managing to have walkways pass over or under others is an efficient way to rack up points. It lends Cloud City a almost puzzle-like quality.
The rule limiting walkways to 2 per building is excellent, a good example of less is more, it prevents players from relatively easily creating a web of walkways and forces them to try and anticipate the direction they will need to take when putting down buildings, getting it wrong can cost points. Ideally, players will want to have a single snaking walkway that goes from building to building.

That brings me to the game's other central mechanic; drafting.
Cloud City employs 2 instances of drafting.
Most obviously, is the tile drafting. Players can choose which tile from 3 to take to replace one they've played or draw blindly. This is a common implementation of drafting in tile placement games.
It's the other type of drafting that's more interesting. Cloud City's rules mean that player's do not need to immediately connect buildings with walkways and this can present players with a conundrum:

If a player does not immediately place walkways on their buildings, they can be taken later and placed in way to optimise scoring. There's a risk though, since there's a limited number of each walkway, particularly the 8 pointers, of which there are only 3 in each colour. Once they're gone, they're gone and to get one later can make a player lose out.
Conversely, players can take and place walkways immediately, this is safer in one regard, but the risk here is that the tiles placed later may provide alternate better ways to score.
This is something that players will always need to bear in mind.

Cloud City mostly presents players with meaningful decisions to make and I found the urge to try and create the perfect network of walkways fairly compelling. It was a enjoyable experience that was easy to learn and played fairly quickly.

21st September 2021

It's a Tuesday and I'm at The Sovereigns in Woking with the Woking Gaming Club.

In honour of Talk Like A Pirate Day, the first game of the evening was Jamaica, a game of pirate racing.

However, before we move on:
"My wife's gone to the West Indies."
"Jamaica?"
"No, she went of her own accord!"

With that out of the way, let's continue.

How's it play?
Setup

• Game board: Put all the treasure tokens on to their allotted spaces on the board, then shuffle the treasure cards and remove 3, place the 9 remaining cards in a face-down deck on to their space on the board.
  Put out the dice on their spaces.
• Player decks: Give each player a player deck and put the corresponding ship on to the start/finish space.
  Each player should shuffler their decks into a face-down deck and draw 3 cards.
  Give each player a player board.
• Start player: Determine the start player, who becomes the Captain.

Now we're ready to to begin.

On to play
​In Jamaica, the Captain rolls the dice and assigns them to the game's 2 different phases per turn. Each player then chooses 1 of their 3 available cards to play and then performs the day and night actions on those cards. how effective those actions will be are determined by dice rolled and allocated to day and night.

• Captain rolls: The player who is The captain rolls the 2 normal six-siders, then they assign 1 die to the 'day' phase and the other to the 'night' phase, they are free to consult their hand of cards before doing so.
• Play cards: Once the dice have been allocated to the 2 phases, each player must play one of their 3 available cards face-down in front of them. Once this is done, all cards are revealed.
  Actions: Starting with the captain, who becomes the active player, all players perform their 2 actions. The day action is fully completed first, then the night action is completed.
  There are 2 types of action - movement and loading with a total of 5 different actions.
• Loading: There are 3 loading actions for the 3 types of resource - food, gold and gunpowder, they all function identically.
  The active player loads a number of resources into their hold equal to the dice for that phase. If they are loading food as the night action and the die for the night phase is a 3, then they load 3 food tokens.
  Holds: There are however, some restrictions on loading. Resources must be loaded into empty holds, if the active player has no empty holds then they must discard all the resources from a hold to make room, furthermore, the resource being discarded cannot match the resource being loaded.
• ​Movement: There are 2 types of movement.
  Forward arrow: The green arrow pointing right represents forward movement, this allow the player's ship to move forward a number of spaces equal to the dice on the pertinent space. E.g., if the die on the morning space is a 4 and the played card has a green arrow for the morning action, then they can move forward 4 spaces.
  Back Arrow: The red arrow that points left represents backwards movement. The player must mover their ship backwards a number of spaces equal to the relevant die!
  Stopping: Once a ship has ended its movement, the player must deal with the space they have stopped at, this can be detrimental if player's aren't careful. There are 3 types of space.
  Port: If a player's ship ends movement on a port space, they must pay the cost shown in gold.
  At sea: If the player's ship ends movement on a space where they are at sea, indicated by the squares, they must pay the cost in food.
  Can't pay: In either instance above, if they active player cannot pay the cost of the space they have ended movement on, they must move their ship backwards until they land on a space where they can pay the cost, or on to a pirate lair where there is no cost, see below for more info.
  If a ship does not move this turn because they played a card with 2 load actions, then they do not have to pay any cost.
  Pirate lair: If player stops at a pirate lair and there's a treasure token there. They can discard the token to draw a treasure card. If the token here has already been taken then nothing happens. In both situations there's nothing to pay.
  Combat: What happens if a ship moves on to the same space as another ship, glad you asked; see below.
• Combat: When a ship moves on the same space as another ship, then combat ensues!
  The player who moved on to an already occupied space is considered the attacker, the player who was already there is the defender.
  The attacker decides how many gunpowder tokens they want to commit, rolls the combat die and adds the 2 values together, this is their combat strength.
  The defender then decides how many gunpowder tokens to commit and rolls the combat die, adding the 2 values together to generate their own combat strength.
  Whoever has the highest combat strength; wins (See below)! In the case of a draw, nothing happens.
  Star: If the star result is rolled, it can dramatically change the outcome of combat.
  If the attacker rolls the star, they immediately win the combat, the defender doesn't even get to roll!
  If the defender rolls the star, then they win the combat regardless of the attackers combat strength.
  The winner: The winner of combat may chose 1 of the following 3 actions.
  Take resources: They winner may take all the contents from one of the loser's holds.
  Plunder treasure: the winner may take one of the loser's face-down treasure cards.
  Curses: The winner may give one of their cursed face-down treasure cards to the loser, curses indeed!
• Next player: Once the active player has completed their 2 actions, play progresses to the player to their left until all players have completed their actions. All players draw another player card and the compass token moves 1 player to the left and a new round begins.

​
Endgame
Play continues until a ship reaches the start/finish, upon which the current turn is completed and the game goes to scoring. There are 4 sources of scoring.
Players score points according to where their ship finished, the start/finish scores 15 and points go downwards from there. If a ship failed to pass the -5 space, then they lose 5 points.
Every gold token a player has on their player board scores a points.
Treasure cards score their points and cursed treasure cards deducts from the player's score.
Points are tallied, highest score wins.

Overall
In Jamaica, players must balance the need to load resources with the need to move along the game track, doing too much of one or the other will probably be detrimental. They'll need to judge when it's the right time to move with the right amount of resources. The rules limiting how players fill their holds forces players to make decisions about what they carry on their ships.
Players will also need to mitigate bad rolls and unfavourable cards, e.g., playing a red arrow backwards move when the die shows a 1.

At the same time it's also a good idea to keep an eye out for other players. If another player is 3 spaces away and one of the dice rolled a 3, there's always the risk that opponent will end moving on to your space, provoking a fight, which could prove costly. Perhaps it might be a good time to load some gunpowder...

Obviously, all of this is to some extent is influenced by the dice rolls, having all the gold in the world wont help if a player can't reach a port! It means players will need to adapt to this randomiser and change strategies when the dice - and sometimes the captain don't give player the results they need.

Jamaica is a cheerfully colourful game with fairly light programming game where players 'only' have to think 2 moves ahead, with a theme that fits well with the mechanics. Jamaica also has elements of resource management and a touch of player interaction and conflict. It's an easy to learn programming game that is fun to play, particularly if you like a little bit of jostling between players and generally presents them with meaningful choices to make.

7th September 2021

Tuesday evening is here and we're at The Sovereigns with the Woking Gaming Club.

The first game of the night was Merv.

What's in a game?

• Game board: Merv is a busy game and consequently has a busy board loaded with information, spaces and tracks!
  City: The central part of the board is dominated by a 5x5 grid, this is the city of Merv. The grid is considered to have a north, east, south and west side. It's also surrounded by 'wall spaces'.
  Caravansary: This is a 'caravan of camels' where players can go to buy spice.
  Influence track: As players complete certain actions, they move along this track which allows them to acquire different types of spice.
  Library: This is where players can acquire scrolls and as they do so, they will also acquire benefits or bonuses called breakthroughs.
  Marketplace: Players can travel to other settlements to buy various goods. The marketplace contains 4 inner cities and 4 outer cities.
  Mosque: Players can move along this track to acquire benefits and bonuses.
  Palace: Players can send courtiers to the palace to earn victory points - at a cost.
  Favour track: Used in conjunction with the Palace.
• City tiles: These are used in the city.
  Camel market: This double-sided tile sits in the centre of the 5x5 grid.
  Building sites: There are 24 of these other tiles that populate the rest of the city. Players will be able to construct buildings on these sites.
  When activated, building sites provide resource cubes in their colours as well as 1 of 6 actions.
• Caravan cards: This deck of cards is used to represent the 4 different types of spice available to purchase, however the distribution of spices is not equal on the cards, some are rarer. From most common to rare, they are; cinnamon, ginger, juniper & pepper. Caravan cards confer 2 bonuses'
  Doubles: Whenever a player completes a pair, they get a bonus depending on what type of spice it is.
  Set collecting: During the endgame, sets of cards score victory points.
• Contract cards: These represent business or trade contracts which players can complete for victory points and other rewards.
  Completing a contract usually requires a mixture of resources, goods and scrolls. Players will also require a minimum level of influence in order to complete contracts.
  Unusually, goods and contracts are not spent when completing a contract, they are simply placed on the card, which prevents them being used for other contracts.
  There are 6 types of contract card.
• Goods tiles: There 24 common and 24 rare goods tiles.
• Scroll tiles: These represent the world of academia in Merv
• Breakthrough tiles: Earn enough scroll tiles and a player will acquire a breakthrough tile, these tiles confer a bonus or benefit of some kind.
• Upgrade tiles: Used to upgrade buildings that are constructed.
• Scoring tiles: These score points at the end of every year and are acquired from the mosque track.
• Camel meeples: Wooden meeples.
• Resources: Little wooden cubes, now you're talking. They come in 5 colours and represent the game's 4 different types of errr resources? The white cubes are considered wild.
• Wall tokens: These wooden tokens are shaped in the style of city walls.
• Buildings: There are 9 each of these wooden tokens in each of the 4 player colours.
• Wooden disks: Merv has a lot of tracks that need tracking and wooden disks are used to track those tracks! There are 10 in each colour.
• Meeples: Each player gets a Master Meeple and 8 worker meeples in their colour.

Merv has top-notch components; the cards and tiles are all good quality. cubes, tokens and meeples all look good, made of wood and feel solid, the walls are the standout components here and really look nice when set on the on the board and surrounding the city.
​
Despite its busyness, the game board is well illustrated and colourful, artwork on cards is also clear and colourful.

For the most part the iconography is clear and easy to understand.
Unfortunately, this does not extend to the symbols used to represent the game's 6 actions, these were a constant source of confusion and error.

​For example; the mosque action uses a minaret symbol but actually involves moving camel meeples along a track, but the symbols with camels on it is used to represent the caravansary! Why? Because the caravansary used camels to move spices! However, in game, the caravansary action only is used to get spices and has nothing to do with camels
This means that camels are used to represent spices and minarets are used to represent camels! It verges on the ridiculous.
It didn't help that all 6 symbols were the same colour so that it matched the colour theme of the board.

How's it play?
Setup

• City: Randomly choose one side of the camel market tile and place it at the centre of the 5x5 grid.
  Shuffle all of the build site tiles and randomly place them in the city, filling out all 24 spaces.
• Caravansary: shuffle the caravan cards into a face-down deck.
  Draw 8 cards and place them face-up in a row along the edge of the board close to the caravansary space. Then place camels on cards according to the number of players.
• Contract cards: Put the contract cards face-up into their 6 respective decks with the highest value card at the top and in descending order, making the earlier contracts more valuable.
• Library: Place the scroll and breakthrough tokens on their Library spaces.
• Mosque: The upgrade tokens go on to the mosque track, as do 4 camel meeples.
• Marketplace: Place a camel meeple on each of the 4 inner cities in the marketplace.
• Tokens: Give each player their meeples, disks and building tokens.
• Player order: Determine starting player.

I'm sure I've missed some steps, but it's pretty much covered.

On to play
Merv is played over 3 years and in each year there are 4 rounds, players have 1 action per round, thus 12 actions in total.
Taking actions in Merv are quite unusual, play takes place around the 5x5 grid and each round takes place across 1 side of the grid (Starting on the north side.), then in the subsequent round, play moves clockwise to the next side of the grid and so on, so by the 4th round, a complete circuit will have been completed.

• Place meeple: When a player takes their turn, they place their Master Meeple on one of the 5 spaces on the currently active side of the grid and activates one of the 5 building sites in that column/row. When this happens, the following occurs.
  Build: If there is no building on the activated site, then the active player must put one of their buildings there.
  Resources: The active player gains a resource in the colour indicated on the site they activated, furthermore they also gain resources from any sites of the same colour in the same column/row, provided those sites also have buildings. Thus it pays to position buildings in certain ways over turns to be able to generate multiple resources at a time as the game progresses.
  If those buildings belong to other players, then those players additionally acquire resources.
  Then one of the following is chosen.
  Deploy soldier: The active player may place one of their soldiers on to a tile with a building that is not already protected, this protects the building and earns them influence. What is protection for? More on this later.
  Gain favour: Move a space along the favour track at the palace.
  Action: The player use the action on the activated site, actions are the main staple of Merv and players will be using them most of the time.
  Camel market: If the active player has chosen the middle space of the 5, then they can access the camel market tile. The active player may use one of the tiles 4 special abilities by placing a camel meeple on the abilities' space, alternatively, they may collect all the camel meeples previously placed on the camel market tile.
• Actions: There are 6 types of action in Merv.
  Caravansary: This action allows the active player to purchase caravan cards by spending resource cubes, they will also acquire camel meeples if they're on the purchased caravan card.
  Caravan cards come in 4 types, the number of different types a player can hold at any time depends on how far they've travelled along the influence track.
  Every pair of caravan cards earns the player a bonus and sets earn victory points at the end of the game.
  Library: When a player takes the library action, they can spend resources to purchase scrolls. For every 2 scrolls a player acquires, they also acquire a breakthrough.
  Scrolls also have uses elsewhere.
  Marketplace: This grants the active player access to the marketplace which consists of 8 cities, this requires establishing a camp in one of the 4 inner cities. The first player to do this acquires the camel on the city.
  Once a camp has been built, the player can spend resources to buy goods from that city, they may also buy goods from adjacent cities by spending the required goods and a camel meeple. In later actions the player can expand their network of camps and thus do away with the need to spend camels to reach those cities.
  Camels spent this way are placed on caravan cards in the caravansary.
  Mosque: There are 4 camel meeples on the mosque track and taking this action allows the active player to move them. They may move as far as they want, provided they can pay the cost in resource cubes for each move. Every time a player advances along the track, it earns them a bonus; this might be a building upgrade, scoring upgrade and so on.
  Palace: The palace consists of 2 elements; the 4 halls and the favour track.
  Moving up the favour track scores victory points for the active player.
  Each of the 4 halls has 3 spaces and a cost, paying the associated cost allows the player to place meeples in these halls, which will score the player victory points at the end of every year for either scrolls, spices, good or buildings on mosque building sites. Points are earned by spending the advancements made on the favour track.
  Wall: This action allows the active player to build walls around the 5x5 grid, they can build as many segments in action as they can afford in resource points.
  Walls provide protection to the buildings they shield and also earn the player influence.
• Complete contract: If a player has the required mix of influence, resources cubes, goods, spices and scrolls, they may complete a contract in their turn and immediately score the contract's victory points.
  Completing a contract generally requires multiple actions, fortunately completing a contract itself is a free action.
• End of round: At the end of the round a new turn order may be established for the following round.
• End of year: Once the 4th round has been completed, the year has reached its end, but it's not quite over. There are still a couple matters to conclude.
  Invasion: In years 2 & 3, the Mongol horde invades and every unprotected building is destroyed! Although players may bribe the Mongols to leave a building alone with a resource cube matching the site's colour.
  End of year scoring: At the end of each year players score points, these come from several sources.
  Buildings: Each building scores the player a point.
  Scoring tiles: Scoring tiles acquired from the mosque track score points.

Endgame
Once the 3rd year is over and has been scored, there is there final scoring to calculate.
Sets of caravan cards score points.
Points are tallied, highest score wins.

Overall
Merv has several approaches to acquiring victory points but resource cubes is key to nearly all of them and the resource cube economy is very important. Acquiring cubes may conflict with choosing actions if the building site a player wants to activate produces cubes of a different colour, players will have to make choices and adapt.
Having said that, it pays to diversify but it also pays to pursue one one strategy such as the caravansary or mosque track.
Completing contracts feels like more of a bonus for sharp-eyed players than a long-term approach.
Players also need to consider palace actions, placing workers into the right spaces in halls and moving along the favour track can be a good source of points.

Players will need to also look towards defending Merv from attackers, losing buildings also loses the ability to gain resource cubes in later turns and of course loses victory points for the affected player(s).

Merv is definitely on the heavier side of board games, but to be honest it didn't feel deep, just fiddly.
I never got the feeling that I was making clever plays, instead I got the feeling that Merv was a heavy game made for the sake of being a heavy game.
When I took an action, it often felt like I was doing 2 half actions instead of 1 whole one and it took multiple different actions to achieve something.

E.g., I would undertake the marketplace action and acquire a good, Was I able to sell that good? No!
What about spices, what if I'd acquired spices? Can't sell them either.
To sell something, that is to complete a contract, I needed influence, which earned by building walls and also scrolls, which are acquired by visiting the library. Of course I also needed resources cubes.
​I know that some people will love this idea but I found it unengaging and a little dull and verging on tedious. Merv feels a little dry, unexciting and detached.

5th September 2021

Sunday night gaming on Board Game Arena continued with New Frontiers.

Galaxies: The New Frontier, these are the games of the website of 3 Spellcaster and a Dwarf.
Dodgy puns aside, New Frontiers is a sibling-game to Race for the Galaxy and Roll for the Galaxy and shares the same universe. Players will find many similarities between the 3.

Caveat: We have only ever played the digital version of New Frontiers

What's in a game?
Unlike the previously mentioned games, while New Frontiers is a board game, players of the other games will recognise many elements here.

• Player boards: Each player gets one of these double-sided, strangely shaped player boards. Roughly in the centre of each side of the board is a starting planet.
  Beneath the starting planet is a 3x4 grid with 12 spaces, but not a normal square spaces, instead each space on the grid is a sort of sideways chevron space.
  Finally, 3 of the 4 sides are lined with semi-circular indents, 8 in total. This is what gives the player boards their strange shape.
• Planet tiles: Planet tiles are double-sided and round - like planets and obviously slot into the indentations on the player boards. One side is grey and represents an explored planet, the other is coloured and represents a settled planet.
  Planets have a victory point value as well as a cost in money or military strength and colonists. Some planets are 'grey but most come in 1 of 4 colours which represents the type of goods they produce, most planets have some sort of special ability or bonus of some kind.
  Planets come in 3 types.
  Production worlds: These planets have a solid colour around their cost.
  Windfall worlds: These planets have a coloured nimbus around their cost. Windfall worlds start with 1 good in their respective colour when they enter the game.
  Military worlds: Military worlds can also be production and windfall worlds, however a military world are marked out by red lettering for the cost. Unlike the other types of planet which are paid for with money. Military worlds are settled by having military strength equal or greater than the planet's cost.
• Development tiles: These chevron shaped tiles are designed to fit on the player board's grid, all development tiles have a cost and confer some sort of benefit. Like planets, they are double-sided with different abilities on each side.
  Developments come in 2 types.
  Normal sized: Take up 1 space on the grid.
  Double width: These tiles take up 2 spaces on the grid and are more expensive but confer stronger abilities than the usual tiles.
• Goods: There are 4 types of good in New Frontiers, each type is pertinent to it's similarly coloured planets. Players of the earlier games will recognise them.
  Blue: Novelty goods.
  Tan: Rare elements.
  Green: Genes.
  Yellow: Alien artefacts.
• Action tiles: There are 7 action tiles, these determine player actions, more on them below.
• Priority tile: Used to determine player order.
• Player disks: Used in conjunction with the priority tile.
• Victory point tokens: These cards are made of card and are common to all Galaxies games
• Colonists meeples: These are one of the game's types of currency
• Credit tokens: The game's other type of currency.
• Bag: Used with planet tiles.

The art in New Frontiers is all of a good quality, I'm sure some of it has been reused from the previous games, as have the names of developments and planets. But that's no bad thing, since it gives all 3 games a unified look.
Like its siblings, New Frontiers uses an abundance of symbols and icons which can be daunting for new or inexperienced players.

How's it play?
Setup

• Action tiles: Set out the action tiles.
• Development tiles: Set out the 2 sets of development tiles.
• Victory points: Put out 12 VP per player.
• Colonists: Put out 12 colonist meeples per player.
• Planet tiles: Put the planet tiles into the bag and give it a good shake.
• ​Player order: Determine the player order and then set up the disks with the priority board accordingly.
• Player board: Randomly deal a player board to each player.
  Then, in turn order, each player choose a side and thus their starting planet.
  Give each player their starting credits.
  Finally give each player a colonist meeple.

On to play
In New Frontiers, turns are carried out according to the turn order as shown on the priority board. Actions are not simultaneous.
On their turn, the active player chooses a single action tile and performs the action on it, all other players may follow, in other words also perform that action. However, there is a bonus that only the active player gets for triggering a tile.
Each tile can only be used once per round, thus only 1 player benefits from the bonus a tile may confer. Furthermore, actions are actually performed in the order they are selected, there are no numbered phases in New Frontiers.
There are 7 actions that can be chosen, most of these will be familiar to players of Race for the Galaxy or Roll for the Galaxy.

• Explore: The active player draws 7 planet tiles and keeps 1, then in turn order, each other player also colonist takes a planet tile.
  Bonus: Once all other players have chosen their planets, the active player takes a 2nd planet. Remaining planets are returned to the bag.
  When acquired, planet tiles are placed grey-side-up in a circular indentation on the player's board. This planet has been explored but not colonised.
• Develop: The active player may purchase one of the available developments, then in turn order, so may the remaining players. Purchasing developments requires spending credits.
  Bonus: The active player pays 1 less credit when purchasing a development.
  Bonus tiles are placed on the grid on the player's board.
  
• Settle: The active player must either add 2 colonists to their reserve or settle on one of their explored planets. Other plays also must either take 2 colonists or settle a planet.
  Bonus: The active player gains a colonist before performing their action.
  Settling a planet requires a player to spend both relevant credits and also colonist meeples.
  Once a planet has been settled, it is flipped to the colour-side-up. The credits spent are returned to the supply, but colonist are placed on the planet they colonised and never returned to the supply. If it's a windfall world, it immediately acquires a goods token in its colour.
• Trade, Consume: Each player does the following 2 actions.
  Trade: Players may sell a single good on one of their planets for credits, the amount of credits gained depends on which one of the 4 types of good it is.
  Consume: If a player has goods in their tableau, they must use any and all consume powers they have at their disposal.
  Bonus: The player who triggered this action acquires 1 victory point.
• Produce: Players produce goods on all their production worlds.
  Bonus: There are 2 bonuses a play may get for triggering the Produce action. Firstly, the active player may produce a good on a windfall world. Secondly; in every round that Produce is not triggered, it acquire a credit, the active play may take all those credits when choosing Produce.
• Retreat Into Isolation: When this action is selected, nothing happens, no one gets anything!
  Bonus: This is the first of 2 actions 'unique' to New Frontiers.
  The player who activates this action gets 2 credits! Score!
  I guess a player may want to select this action to ensure other players don't benefit from their action... Or they really need 2 credits?
• Send Diplomatic Envoys: This is the other action unique to New Frontiers.
  Again, nobody gets anything when this action is selected.
  Bonus: Again this action has 2 bonuses, the active player acquires a victory point and then moves to the front of the priority board, this means they go first in the next round.

Round end: Once all players have had their turn, the round is over. If the Produce action wasn't selected this round, then add a credit to it.
Now a new round begins, possibly with a new player order and all the action tiles are now selectable again.
Rounds continue until the endgame conditions are met.

Endgame
Once the endgame is triggered, the current round ends and points are scored.
There are 4 ways to trigger the game end.
Settlements: A player adds a 7th settled worlds to the game board.
Developments: When the 11th or 12th development space on a player's board has been filled with a development.
Victory points: When the supply of victory points is depleted.
Colonists: When the supply of colonist meeples drops lower than 5.

Points come from settled planets and developments bought, some developments offer additional routes to earn point and finally, victory points are counted.
Points are tallied, highest score wins!

Overall
Players of the previous 2 games will find a lot here instantly familiar.
New Frontiers contains the same mix of intricate and mechanical interdependencies between planets and developments that feature in the other two games which allow players to create varied combinations of engine building and combinations.

There are a couple of mechanics New Frontiers does differently, particularly the action mechanic, firstly there's no set action order for actions to occur and more importantly, only 1 player can benefit from an action's bonus per round. If a player really needs a bonus action, it can make turn order very important. The existence of a turn order is new as well.

When playing New Frontiers, there are a couple of approaches always available to players, building their tableau or acquiring victory point tokens, or maybe getting one of the 9-point developments and working towards exploiting for points in the endgame. However, players will need to adapt to which planets become available to the, as unlike developments which use a drafting mechanic, planet acquisition will be to some degree, random.

But here's the thing; the additions New Frontiers brings to the table don't add anything to the game other than extra complexity, there's no extra depth or strategy, just extra resources to manage in place of the hand-as-money mechanic that makes Race for the Galaxy such a good game. ​Yet somehow, it even seems to have a shorter, less engaging play time?
You see, in Race for the Galaxy and Roll for the Galaxy, there are 2 ways to end a game; a player can complete their tableau or deplete the supply of victory tokens, both of which require players to play well or at least fast/better than other players. But in New Frontiers, it's possible to end the game by simply triggering the Settle action multiple times. It felt hugely unsatisfying way for the game to end.

Ultimately, New Frontiers is a good game, it has the pedigree of its predecessors, but it's also too familiar and too similar to Race for the Galaxy, which is in my opinion, hands down the better game. I would choose it over New Frontiers every time.

31st August 2021

We're at The Sovereigns in Woking with the Woking Gaming Club for some Tuesday evening gaming.

The first game of the night was Raids.
Raids is a game about Vikings going around doing what they do, which is raiding and pillaging.
What? You say, that's a cliché and Vikings were also explorers, traders, craftsmen and so on, well this game is called Raids, so raiding and pillaging it is; and all for glory!

• Game board: This board shows a number of landmasses surrounding a central sea area.
  Following the coastline is a dotted line that represents the voyages the Viking adventurers (The Players.) will undertake.
  Also along the coastline are a number of rectangular 'encounter' spaces and 3 square 'village' spaces.
  Finally, there's the start/finish harbour space.
• Voyage tiles: These rectangular tiles represent the various events and challenges the players will encounter during their voyages. On their backs they are numbered 1-4 for the 4 voyages that occur during the game.
  There are various different types of tile.
  Improvement tiles: This type of tile includes, Axes which grant a bonus when fighting monsters and Sails and Hammers, which respectively allow you to recruit more ​Vikings and earn Glory (Victory.) points for Vikings at the game end.
  Glory tiles: These come in 2 types. Pennants allow a player to straight up score Glory points and Goods tiles score Glory points if traded.
  Rune tiles: This is a set collection tile that scores at the game end.
  Port tiles: These can be used to sell Goods tiles. They come in single or double size!
  Event tiles: These tiles allow players Visit (Collect a Viking meeple.) or Pillage (Gain money.).
  Monster tiles: These tiles are a menace to all voyaging Vikings, defeating them earns Glory.
• Harbour tiles: These square tiles each have an objective and are used in conjunction with the Harbour space, players can earn money by completing these objectives.
  Usually these objectives are about collecting the most of something.
• Coins: These metal coins come in a denomination of 1, 3 & 6.

The components for Raids are all universally good, the board and tiles are nice and sturdy, the wooden longship and Viking meeples are great components and the metal coins are an nice touch.
Artwork on the game board is nice and colourful and the longship board are also good,  the art on the voyage tiles is a little drab, a little more colour would make them pop but it's only a very minor quibble.
There isn't too much iconography in the game and mostly it's very clear what it means.
All-in-all, excellent, top notch production values for Raids.

How's it play?
​Setup

• Sort the voyage tiles into 4 stacks according to their number and shuffle them into 4 face-down decks.
  Deal the '1' tiles face-up on to the rectangular spaces on the game board.
  ​Populate the village squares with the relevant number of Viking meeples.
• Put the starting harbour tile on to the harbour space on the board, shuffle the remaining harbour tiles and one face-up next to the remaining stacks of voyage tiles, dealing 3 in total.
• Give each player a longship board.
• Determine a starting order. then distribute Viking meeples to each player according to their position in the turn order.

On to play.
​Raids is played over 4 voyages which each involve journeying around the game board. During these voyages, the players will stop at the randomly placed voyage tiles and deal with those encounters.

• Active player: The active player is whoever is in last place on the current journey and they carry out the following actions.
  Collect: The active player collects the voyage tile for the location they are currently stopped at. Obviously this doesn't count for the first movement since all Longships start in the harbour. More on collecting tiles below.
  Discard: The active player must discard all voyage tiles between themselves and the next player. However, tiles displaying an orange arrow are never removed this way.
  This is clearly to stop a player in last place hopping from encounter to encounter when in last place.
  Movement: The active player must travel onwards, they can travel forward as far as they like and stop at any tile with only one stipulation; they cannot stop at a tile or space with an orange arrow, they can only move past orange arrows, although this may trigger an action. More on this below.
• Combat: If the active player's Longship stops at the same location as another player's, then battle ensues.
  Combat in Raids is essentially an auctioning mechanic.
  Whoever initiated combat must discard 1 Viking meeple.
  The other player may retaliate by discarding 2 Viking meeples.
  Now the initial player may retaliate by discarding 3 Viking meeples.
  This continues until one player chooses to or must flee, in which case they don not discard any Viking meeples and move forward to another encounter of their choice.
  If a player has no Viking meeples, they cannot initiate combat and cannot stop at the same encounter as another player's Longship.
• Collecting tiles: This is never done at the end of a player's movement, but before it on their following turn. It's an important distinction because it allows other players a chance to oust a player before they encounter the tile.
  After collecting a tile, it may go on to the player's Longship board or by the side of it.
  Improvement tiles: These are placed on to one of the spaces on the Longship board.
  Glory tiles: Are also placed on the game board.
  Rune tiles: When Rune tiles are collected, they are put to the side of the Longship board.
  Port tiles: These are also put to the side of the Longship board, furthermore, when collecting a Port tile, the active player may remove 1 or 2 Goods tile from their board and place it next to the Port tile. This means the Goods tile(s) will score at the game end. Additionally, collecting a Port tile gains the active player a Viking meeple.
• Passing tiles: Some voyage tiles and certain spaces on the game board are marked with an orange arrow, players cannot stop at these spaces. Instead they must stop before or after them. Unlike the tiles mentioned above, these tiles are resolved as the active player crosses it.
  Monster tiles: When encountering a monster tile, the active may sacrifice a poor hapless Viking meeple to sail past it or fight the monster. Fighting a monster requires sacrificing the requisite number of poor hapless Vikings to defeat it! However, this means the player can take the Monster tile, place it next to their Longship board and score it at the game end.
  If a player has no Vikings when they pass a Monster tile, then they simply move past it.
  Visit tile: The 1st player to pass a Visit tile acquires 2 Viking meeples, the 2nd player to pass it collects 1. Visit tiles are never collected.
  Pillage tile: The 1st player to pass a Pillage tile acquires 3 money, the 2nd player to pass it collects 1. Pillage tiles are never collected.
• Village spaces: When passing a Village space on the board, each player collects a single Viking meeple.​
• End of voyage: When a player completes a tour of the board and returns to the harbour space, they place their Longship token into the space for their finishing position and the starting order for the next voyage.
  ​Once all players have returned, cash is given out to the player who best meets the objective, then lesser amounts to the 2nd and 3rd best to meet the objective.
• New voyage: Any remaining tiles are removed.
  ​Tiles from the next voyage are placed on the gameboard, Populate the village spaces with more Viking meeples and begin the next voyage.

Endgame
Play continues until all players have completed the 4th voyage, then scores are calculated. Players can earn Glory points from a number of sources.
Pennant tiles on a player's Longship earns straight up Glory points.
Hammer tiles on a Longship earn points per Viking also on the Longship.
Goods tiles that have been traded earn Glory Points.
Sets of Rune tiles collected earn points accordingly.
Monsters defeated earn points.
Finally, cash accumulated during the game earn Glory points on a 1-to-1 basis.
All points are tallied, Highest score wins.

Overall
Travelling around the map, players will faced with a central choice on deciding how far to move their Longship? Should a player move slowly to encounter more tiles or rush ahead to a tile they really want? This is of course contextual and players will have to identify what they need and prioritise accordingly.
They'll also have to keep an eye out for the behaviour of other players and want to gauge their motivations. The rule where players can only collect tiles at the start of their turn slots into this nicely, possibly allowing other players to fight for the tile and keeping the situation tense. A worker placement game that allows workers to drive off other workers!

I also like how the Longship board works, merging aesthetics and mechanics. It's a great visual representation of what players are carrying and crew limitations.

The game is in essence a mid-to-light worker placement game with a touch of auctioning and resource management mechanics.
Raids fits its Viking theme reasonably well as players sail around, trading and plundering while battling mythic beasts and each other.

Having said that, I found the game a little unengaging, maybe a little too abstract. I could sail pretty much anywhere I wanted with generally minimal risk, it never felt like epic adventuring. Combat was fairly rare, mostly players didn't complete too much for the same resources but it felt bland, a quick glance at other player's Viking meeples will tell you if you can be beat them or not and at what cost. 

I'm also a little uncertain of how much replayability Raids has. Even though it has random placement for the encounter tiles, because they're not really interdependent on each other, it felt like it didn't matter the order in which you might encounter them, especially since I could sail as far as I wanted.

I don't think Raids is a bad game, if someone wanted to play it, I'd have no problem joining in (But not too often!), but it's not a game I'd pick.

3rd August 2021

Tuesday is here and I'm in Woking with the Woking Gaming Club at The Sovereigns pub for gaming night.

The game of the night was Above and Below. Published by the same company who also produce a game  called Near and Far.
Left and right, up and down, in and out: wiggle it all about, here and there, out and about, Far and Away and Home and Away! Some great suggestions for naming more games!

As the name suggest, the players will concerning themselves with the above ground settlement and exploring the caves below the village.

What's in a game?

• ​Reputation board: This central game board shows an area above ground that displays a 5-space track for 'special villages' with a cost beneath each spaces that starts at 2 and rises to ​5.
  Below ground, the board depicts a series of caves which serves as a round tracker and what appears to be a tunnel, which is used as a reputation tracker.
  Additionally, on the left is an allotted space for a barrel token and a column that depicts the game's many goods in increasing rarity.
• Player board: This board depicts a grassy landscape dotted with a few buildings.
  The top left corner displays the player's colour as well as being a trading spot.
  Along the top it shows the different actions a player may perform. These are Explore, Harvest, Build, Train & Labour.
  The grassy landscape is divided into 3 areas by 2 vertical columns of trees. These 3 areas are the ready area, exhausted area and the injured area
  Finally, along the bottom is the goods advancement tracker which runs from left to right, as each space is filled with goods, it will increase the player's income as well as generating victory points at the game end.
• Player cubes: One each for every player in a colour that matches their player board.
• Starting villager tiles: There 4 copies of the 3 identical villagers. Villagers have a hammer (For building.), quill (For training.) or lantern (For exploring.) icon in their top left corner.
  All villagers will also have an icon in their top right corner, consisting of 1 or more lanterns along with associated die numbers above the lanterns, these are used in explore rolls.
• Villager tiles: Villagers that can be trained and recruited during play. As with starting villagers, they will come with come with icons for hammers, quills and exploring.
• Special villager tiles: Not just villagers, but special ones, one that come with special actions! Special villagers can only be found by exploring the caves.
• Starting house cards: There are 4 of these identical cards that each depict 3 beds along the bottom. Beds allow injured villagers to heal and exhausted ones to rest.
• House cards: These 25 cards can be bought during the game and list a cost in the top left corner and whatever special ability they confer along the bottoms; this may be extra beds or ways to earn victory points, or produce goods, increase reputation or money, etc.
• Star house cards: These 6 cards are rarer, more expensive but more useful houses.
• Key house cards: The rarest of house cards, there are 9 of them, but only 4 are used during a game.
• Cave cards: These cards are double sided. On the front is shows a small cave and the numbers 1-6, next to each of these numbers is a further number - which is used in conjunction with the encounter book.
  On the back of the card, a open cave is shown.
  There are 25 cave cards.
• Outpost cards: These are yet another type of house card, however, these can only be built underground as players explore. There are also 25 of these cards. As with other house cards, they may provide goods, victory points or other benefits.
• Goods tokens: These small round card tokens depict the game's 8 types of good. These are:
  Common: mushroom, fruit & fish.
  Uncommon; rope, clay pot & Paper.
  Rare: Ore & amethyst. 
• Barrel tokens: There 10 card tokens each depict a barrel and can be used to remove exhaustion from a villager without using a bed. Apparently those barrels are filled with cider, it must be pretty potent stuff considering what it does.
• Potion tokens: These smaller card tokens depict some sort of drinking jar, no doubt containing some suspect liquid? Using one will remove injury from a villager.
• Dice: Standard six-siders, there are 7 of them.
• Money tokens. Unusually, these card money tokens are rectangular.
• Encounter book: This book is a sort of 'choose your own adventure' book which contains a series of numbered and interlinked paragraphs which the players will encounter when they go exploring.

The components, which mostly consist of cards, tokens, tiles and dice are good quality and what you'd expect of a modern board game. It's nothing to write home about, but still solid.
The game makes good use of its cartoony artwork, particularly with the green, grassy landscapes and cloudy blue skies that appear on many of the cards. Buildings and villagers are also well illustrated. Finally, the underground cards have evocative, mildly forbidding artwork.
There is little iconography used throughout Above and Below and what there is of it, is easy to comprehend.

How's it play?
Setup

• Give each player a player board, a starting house, the 3 starting villagers and 7 currency. The villagers should be placed on the board, where exactly on the board depends on the number of players.
• Put out the reputation board, shuffle the villager tiles into a face-down stack and deal 5 into the tracks on the board.
  Place a barrel token on to its allotted space on the board.
  Place the round marker at the start and each player's cube on the reputation track's starting spot.
  Put the special villagers to one side.
• Shuffle the house cards into a face-down deck and deal 4 face-up
• Put out all 6 star house cards face-up.
• Shuffle the key house cards and deal 4 face-up into the central area, the remaining 5 cards will not be used in this game.
• Shuffle the outpost cards into a deck and deal 4 face-up.
• Shuffle the cave cards into a face-up deck.
• Determine a starting player.

On to play.
Beginning with the starting player and going clockwise, each player performs a single action using 1 or more of their villagers, play continues clockwise until all players have used all their available villagers or have passed. After this, the next round begins.

• Actions: In order to perform actions, the active player must have at least 1 villager in their board's ready area. When undertaking an action, the relevant number of villagers must be moved to the exhausted area, with the exception of exploration - see below for further information.
  Explore: It requires at least 2 villagers to explore the caves below the village (I guess it's a scary place!).
  First a cave card is drawn by the active player, who then places the villagers they intend to use for the explore action on the top part of that card.
  The active player then rolls a die, this will determine which encounter they experience and its pertinent paragraph number.
  The player to the left of the active player takes the encounter book, finds the relevant paragraph and reads the text out to the active player, this usually includes a choice for the active player to make and a difficulty associated with those choices, sometimes there will be multiple paragraphs to play through in the style of a choose-your-own-adventure book. The active player chooses the action they want to attempt and then generates an explore roll.
  This is done by rolling a die for each villager sent exploring, if the die result equals or exceeds the value above the lantern(s), then that number of lantern(s) is added to the explore roll. Additionally, the active player may choose to have villagers exert themselves, which adds a further lantern to the explore result but sends the villager to the injured area on their player board.
  If the total of the explore roll exceeds the difficulty of the action they chose, then they earn the associated reward, this always includes the cave card which was just used for the encounter, which is flipped over to the other side and added to the player's area as an empty cave.
  If the player's explore roll is lower than the difficulty, they fail, which may result in a penalty.
  Regardless of success or failure, any remaining villagers are sent to the exhausted area on the player board.

Overall
For the most part, mechanically speaking, Above and Below is a fairly straightforward, unremarkable game. Players use their workers to increase their resources to acquire more workers and buildings create a strategy to earn victory. Pretty standard stuff, not that there's anything wrong with that, no need to reinvent the wheel.
Even so, there's some depth here and quite a bit of balancing to perform. There's little good acquiring workers without the ability to rest them which means acquiring buildings with beds instead of other benefits, particularly to ability to acquire goods and so on.

This brings us neatly to the merchant track, which is one of the game's two interesting mechanics. Firstly, it more-or-less forces players to diversify in goods in order to reach the higher scoring spots.
Secondly, it does something unusual with the game's 8 goods; which is that the rarity of a good has no bearing of it's worth for victory points, position on the track determines a good's worth and this is likely to be different for each player, meaning they may have different priorities for different goods, regardless of rarity.
Finally, it gives players a conundrum to navigate: Logically, players will want to put the most common goods on the later, higher scoring spots because, well, there's more of the common goods available to stack up for more points. This means using rarer goods earlier in the track, but rarer goods are harder to come by. So should a player start filling out the merchant track as quickly as possible with whatever they get to reach the later spots? Or should they hold off, hoping to get the scarcer goods and use them to fill the earlier spots.
It's an interesting decision to consider.

The second interesting mechanic is exploring, Above and Below really stands out from the crowd when exploring the below. The inclusion of a 'lite storytelling' choose-your-own-adventure element with flavour text and all, is both fun and meaningful, presenting players with sometimes story-based choices and risks to take which directly affect what they earn from their exploration. It's cool and a great addition beyond the usual board game fare. It makes Above and Below worth trying.

13th July 2021

It's a Tuesday evening and I'm at The Sovereigns in Woking with the Woking Gaming Club. 

Where would eurogaming be without Renaissance Italy? The pageantry, the politics, the scheming and the vying for power, you know how it goes: A seemingly limitless mine of game design opportunities.
This is where Lorenzo il Magnificio comes in, a game where players control noble families in Florence competing to be the most prestigious, famous and of course.... most pious!

The boards and tiles are suitably thick, the resource cards are of a standard quality as you'd expect.
Tokens are all made of wood, which I always like, including the nicely rounded dice. The standout components however, are the family workers, instead of discs, they're these tall cylinder shapes that are easy to pick up. It makes sense as I'm sure they're going to be the components that get handled the most; practical and appealing.
Lorenzo il Magnificio features attractive artwork throughout, the boards all display pretty, somewhat stylised art work cleverly produced to incorporate all the game's worker spaces.
Art on the cards is little pared back to make room for iconography. Talking of which, all the game's symbols and text was easy to read. Lorenzo il Magnificio has good, solid components and presentation.

How's it play?
​Setup

• Development cards: Sort the development cards by colour and then by period, there should now be 12 decks of 8 cards in total, then shuffle each deck.
  Next create 4 face-down decks, one for each colour. For all decks, the period 3 cards form the bottom of the deck, period 2 the middle and period 1 the top. Place each of the 4 decks above the tower with the corresponding colour.
• Excommunication tiles: Sort the tiles by period and deal one from each on the pertinent excommunication spot on the board.
• Leader cards: Deal 4 leader cards to each player face-down. Now each player chooses a card to keep and passes the remainder to the left. Repeat this until all players have drafted 4 leader cards.
• Personal board: Give each player a personal board, bonus tile and workers in their colour, as well as starting resources.
• Determine starting order: All players then receive starting funds according to their starting position.

On to play
Lorenzo il Magnificio is played over 3 periods, with 2 rounds per period, which equates to 6 rounds in total.
Each round has its own setup phase before the players act in turn order, additionally at the end of every period (2nd, 4th and 6th rounds.) there's an additional step; the Vatican report step.
A round progresses as follows:

• Development cards: Deal cards from the 4 different development decks on to their respective tower, starting at the bottom and working upwards.
• Roll the dice: Whoever is the starting player for the current round rolls the 3 dice and places them on to their allotted spot on the board. The dice will remain on those results until the following round.
• Actions: Beginning with the starting player, all players carry out their actions, i.e., places their workers on the board, how's that done? This is where the game starts to show its complexity.
  Value: Each worker has a value equal to the value of the die with the corresponding colour. If the white dice is showing 5, then white workers are worth 5 and so on. The neutral workers always has a value of 0. Players may temporarily raise the value of a worker for the round by spending servant meeples. Why are values so important? It may determine where a worker can be placed, speaking of which.
  Placing workers: Every space on the game board will have a minimum value which must be met by a worker in order to place it there.
  Development cards: Each tower has 4 development cards with rising costs of 1, 3, 5 & 7 the further up the tower they are positioned, thus the highest spot requires at least 1 servant acquire, the higher will also give players some resources.
  Most cards also have an additional cost in cash or resources, even more so if another player has put a worker somewhere in a tower first. Depending on the card, these costs might come from any of the resources.
  Additionally, only 1 worker of a colour can be used on a tower at a time, however, a neutral family worker does not have a colour and doesn't count towards this limit.
  Development cards provide a once-only benefit when acquired, this may resources or points, most also provide some sort of ongoing benefit. They're 4 types of development cards.
  Buildings: Generally buildings allow players to convert one kind of resource into another, like wood into cash, i.e. selling wood. Buildings have worker values that can be used to trigger their abilities (More on this below.).
  ​Territories: These cards produce goods such as wood or stone, like building cards, they come with worker values that can be triggered. Territory cards initially have no specific cost, however, after acquiring more than a couple, it will cost military points, as bonus though, they will confer victory points in the endgame.
  Characters: Character cards always cost cash generally provide a once-off benefit and then an ongoing benefit.
  Ventures: As well as once-only benefits, ventures also grant bonus points the game end. Ventures tend to cost military points or resources
  When building and territory cards are acquired, they are placed on their respective tracks on a player's personal board from left to right. Character and venture cards are placed to the right of a player's personal board.
  Wood/stone production: Players may use workers to gain these 2 types of resource. For the 1st worker used this way, the minimum value is 1, for workers placed after this, the value must be higher.
  When a worker triggers wood/stone production, it can also trigger the personal board and building/territory cards placed on it.
  Personal board bonus tile: When wood/stone production is triggered, the active player's bonus tile is also triggered and they gain those benefits. Additionally, buildings or territories may be activated.
  Wood production actives the active player's row of territories, however, only cards with a worker value equal or lower than the worker that was played on the wood production spot are triggered. Furthermore, they are activated in the order in which they were placed on the personal board.
  The same is true of stone production and building cards.
  Thus territories and buildings are key to building an engine to generate or change the game's many resources.
  Market: There are 4 market spaces, these confer, money, servants, military points or council favours, which in turn may provide some of the game's resources. Each of these spaces has a minimum value of 1, only one worker may be placed in a market space.
  Council Palace: A worker must have a minimum value of 1 to be placed here, doing so will change the turn order for the following round and also confer them a council favour.
  Leader cards: Each player will have a hand of leader cards, each one has a requirement to bring into play, once this is met, the card can be put into play, players don't need to spend the requirements. Leader cards have either permanent or once per turn benefits without needing a worker.
• Vatican Report: A Vatican report occurs at the end of a period, i.e. rounds 2, 4 & 6.
  At the end of these rounds, players must have faith points equal to a certain amount as specified by the round.
  A player who does not have enough faith points during a Vatican report is excommunicated and suffers the penalties listed on the current excommunication tile for the rest of the game, this is marked on the relevant tile with a cube in their colour.
  A player who has reached the current threshold for faith points may spend those points to avoid excommunication and earn some victory points along the way. However, they may choose to retain the faith points and instead suffer whatever excommunication penalty there is.
• Round end: At the end of every round, the following actions occur.
  Development cards: All unacquired development cards are discarded from the game. An entirely new set of cards are drawn and placed for all 4 towers.
  New turn order: A new turn order is established as per the workers positioned in the Council Workers.

Once all 3 periods are completed, it goes to the endgame.

Endgame
Calculate points from the following:
Current score plus points for acquired territory cards and character cards, end-of-game victory points for venture cards.
The player with the highest military score gains an additional 5 victory points, 2nd highest acquires 2 extra victory points.
Finally, every set of 5 combines resources scores an additional point.
All points are tallied, highest score wins.

Overall
​Lorenzo il Magnificio sits towards the heavier end of games in my opinion, mechanically speaking, at it's core it's not a particularly complex game, but there's a lot of exceptions and variations to consider when trying to buy those all-important development cards and managing faith and military scores and the resources required to do all this. Don't forget those 2 engines you'll need to build either in order to gain and change those resources, or the abilities that character cards confer or the endgame points that venture cards grant.
Like I said, a lot to think about.

The game uses 4 types of resource and 3 types of score (Two of which can also be spent at times.) and mixes a few types of game mechanics; there's a bit of worker placement, a bit of engine building and a bit of resource management. Where it throws a spanner in the works though, is the use of dice to randomise the value of workers. A couple of low rolls can force players to change their strategies, particularly when competing for development cards, however, the use of servants can potentially mitigate low rolls, even so, players will have to adapt to circumstances.
Furthermore, players have relatively limited moves to play with, each player has 4 workers they can use over 6 turns, giving 24 placements in total, which is why building the engines that essentially get triggered for free is so vital. Synergy and move optimisation are also key to this game.

There are several approaches to scoring points in Lorenzo il Magnifcio, although these strategies are down to which development cards are acquired, development cards are the game's most vital element to winning and most actions are in service of getting those cards. However, the game seems a fairly well balanced, nothing felt overpowered or unimportant, decisions always felt meaningful and because of limited moves, these decisions generally felt tricky.
​If I had one criticism of the game; it's the excommunication tiles, they feel negative, but I guess that's the point of them.

If someone wanted to play this, I'd have no qualms joining in. It's not one of my favourites, but it's still enjoyable.

If you have a hankering for a heavy-ish worker placement game set in Renaissance Italy, you'll probably like this.

4th July 2021

It's a Sunday evening and I'm logged into Board Game Arena. the next game of the night is Railroad Ink. Do you spend a lot of time coming and going? Because that's what you'll be doing in Railroad Ink.

Caveat: we've only ever played Railroad Ink digitally online. Additionally, we've only played the basic version of Railroad Ink Blue without the rives and lakes dice.

What's in a game?

• Game board: Railroad Ink has a game board for each player.
  Most of the game board is taken up with a 7x7 square grid, along each of the 4 outside edges of the grid are 3 exits, 12 in total and they alternate between railway lines and roads.
  Above that is some space for calculating and tracking scores.
  Up further are illustrations of all the possible results on the standard route dice.
  Finally, at the top are depictions of the game's 6 special routes. These are not actually dice that are rolled in game, but represent different types of routes and stations that a player can make use of.
• Route dice: These six-siders don't have numbers, instead each face shows one of various different types of rail and road routes. Railroad Ink has 2 different types of route dice, 3 of one kind and 1 of the other, which makes 4 route dice in total.
  Type 1: These dice depict the following different routes that players can use on their board:
  A straight.
  A 90' turn
  A T-junction.
  They are depicted once each for both railways and roads, thus six times in total.
  Type 2: This die only has 3 symbols, each of which is printed on 2 of the die's faces. The routes depicted here are a little more specialised.
  Overpass: This allows a railway and a road to cross over each other (They do not connect.).
  Straight station: A station allows a route to change from a railway to a road or vice-versa.
  Curved station: A 90' turn that's also a station which allows transfers between railways and roads across the turn.
• Rivers and lakes dice: These special dice can be introduced into games to add some extra complexity. We never made use of them.

That's pretty much it for the components.
Since we only played railroad Ink digitally, there's not much that can be said about the quality of the components.
Neither does the game have any significant artwork to speak of, the boards look bright and cheery, but that's about it.

How's it play?
​Setup

• Each player is given a player board and well.... that's it!

On to play
​Railroad Ink is played simultaneously by all players over 7 rounds.

• Roll: All 4 route dice all rolled and thus 4 routes will be shown.
• And Write: All players must draw all 4 routes on their game board according to the results of the dice roll. There are specific rules when doing this as explained below:
  Connection: At least 1 part of a route must connect to either; an exit at the edge of the grid, or a pre-existing route, this connection must be of the correct kind, i.e., rail-to-rail or road-to-road.
  When drawing the route, the dice result may be rotated into any orientation, or flipped/mirrored.
  ​Special routes: Each special route is a 4-way connection and can only be used once per game, furthermore, a player may only use 1 special route per round and total of 3 special routes in a game.

That's it for rules, pretty straightforward.

Endgame
Once all 7 rounds have been completed, the game goes to scoring.
Railway: Each player scores their single longest unbroken railway line, gaining 1 point per connected square.
Road: Each player scores their single longest unbroken road, also at 1 point per connected square.
Centre: Each of the 9 central squares on the grid scores the player an additional point for a railway or road that runs through it.
Exits: Each player scores their single biggest network of connected exits, it scores differently to railways and roads and there's a chart to calculate this. Generally each exit in the network scores 4 points, except if you manage to connect the 12th and final exit, which scores 5 instead!
Dead end: Each player loses a point for each route that is a dead-end, i.e. does not connect to anything or does not connect to the edge of the grid (does not necessarily need to be one of the 12 exits though.).
Final amounts are tallied, highest score wins!

Overall
Railroad Ink is a game that hits that sweet-spot between rules-simplicity and depth-of-choice that has good potential crossover appeal to non-gamers.
From the relatively short length of this blog, you can see that it's an easy game to learn, consisting mostly of; well, drawing what you see!

However, it also gives players lots of choices, all of which will have impact right from the start of the game. The game's grid has 49 spaces and the maximum that can be filled in (In a basic game!) is 31, enough room to manoeuvre and also enough room to commit error.
Players must try to maximise networks and connections and also minimise their potential losses. This involves equally trying to anticipate what they need and also adapting to rolls that don't give them that.
It's a game of shifting optimisation.

Railroad Ink has a lot of randomness and for gamers who like strategizing, this can be an anathema, but in Railroad Ink, the randomness is partially mitigated because it more or less affects everyone equally, i.e., everyone uses the same dice results.
Obviously one player may be luckier than another if the rolls go their way, but it never feels like the dice are treating you worse for you than any other player. Ultimately, despite the dice rolls, it feels like player decisions are still of paramount, finding a way to use a route die that initially seemed bad can be satisfying and it's this blend of randomness and decision-making is what I like about Railroad Ink.