My massive backlog of games to talk about didn't lessen in 2022, only got worse. 2022 was a big year for playing games, bigger than 2021, which I thought was big enough! Below is the breakdown of games I played in '22 versus '21. 2022 Number of different games played: 139. Of which were new (To me.): 68. Total number of gaming sessions: 541. 2021 Number of different games played: 78. Of which were new (To me.): 46. Total number of gaming sessions: 333. Why have the numbers gone up so much? Two factors, 2022 saw the end of lockdowns and a full year of playing on Board Game Arena where not only could 5 or 6 games be easily played in an evening, some games could be played multiple times per session. Most played games:
Lucky Numbers, with it's simple, unpredictable, luck based and strategy mechanics replaced Lover Letter as our regular 'finisher' on Sunday nights. Now on to the industry-defining, glittering, 3 Spellcasters & a Dwarf annual game awards.
These are for games I first played in 2022, not necessarily games that were published in 2022. Game of the year: Cascadia Cascadia is a tile-placement game with fairly simple rules but a wealth of options, strategies and approaches to scoring points. Players have to manage and optimise multiple scoring vectors that use tiles and tokens but rarely do they get to draft both the tiles and tokens they need, forcing them into meaningful, compromising decisions. What more could you want? Disappointment of the year: Terminator: Dark Fate The Card Game This co-operative deck-builder had some interesting ideas but also seemed broken, so much so that we struggled to make any headway into the game. It felt like the game needed more playtesting and balancing. Surprise of the year: Akropolis Another tile-laying game! This time one with actual figurative multiple levels of gameplay! Simple rules, lots of decision and a quick playtime make this game a cracking package. Honourable mention: Parks For a long stretch of 2022 I thought that this worker-placement, resource-management game was going to be the game of the year until Cascadia came along. With limited workers spaces along the hiking trail, players are faced with trying to anticipate their opponents actions while also prioritising their own and gather the resources to buy point scoring cards. Parks also has some of the best components and artwork I've seen in a game for a while.
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13th February 2022 It's Sunday night and we're logged into Board Game Arena for an evening of gaming. Shifting Stones is a light sort of puzzle-themed sliding tile game. Caveat: We've only ever played this game digitally. What's in a game?
There's not much to say about the components. The illustrations on the tiles are nicely detailed and distinctive. However, I found the colours somewhat muted in lower lighting and a little indistinguishable, particularly the orange/red combination. The same is true of the cards. The game has no iconography other than the tile illustrations. How's it play? Setup
On to play Shifting Stones uses a traditional turn order, the active player has their turn and when it finishes, play progress clockwise to the next. During their turn, the active player perform any number of the score/swap/flips actions in any order so long as they have the cards to perform them. Alternatively, they may skip their turn.
Endgame Play continues until any player has scored (Dependant on player count.) 7-10 cards, after which the current round is completed. Players add up the VPs of all the cards they've scored during the game. Additionally, whoever played the most 1 value cards earns a bonus 3 VPs. Points are tallied, highest score wins. Overall
As you can see from the brief write-up, Shifting Stones is a fairly straightforward and accessible game, it could make a good introduction to new players or crossover game. Despite the straightforward rules, there is actually a bit of depth to be found in Shifting Stones. The game makes use of a hand-as-currency mechanic to pay for actions and getting rid of cards that might prove useful is always a meaningful decision. Players will want to minimise this and find the most efficient way to swap/flip tiles to where they need them to be and hope to score at least 1 card per turn. At the same time, hanging on to cards too long can earn nothing and trying to plan ahead is likely to be futile, it's too risky leaving things for another round as it players will invariably change the tile positionings, players will need to be decisive and exploit the opportunities that present themselves during their turn. There's not much more else to say really, there's no noteworthy interaction between players and it's hard to gauge what others are doing, especially since whenever they refill their hand - which is every turn, they'll be presented with newer options. Other than I found the game a little bit of a frustrating experience. Watching other players inadvertently wrecking the positioning I was try to set up between turns wasn't what I'd call much fun. I also found having to remember what was on the flip side of the tiles something of a chore, having to refer to the reference card wasn't much better. If perhaps. there was more engaging core gameplay, maybe I'd would make the effort to remember what's on the other side of the tiles. But there wasn't, so I didn't. Shifting Stones is straightforward and clearly skews towards the lighter end of the complexity scale, it would possibly make a good filler game. I'm not sure there's enough here to appeal to me though and coupled with the frustrating experience means that this is not one for me. 9th February 2022 It's Wednesday night and we're round Simon's for some gaming fun. The evening's game was In the hall of the Mountain King. Ask yourself: What is it that trolls like to do? Live under bridges perhaps; no. Chase goats maybe; no. What about make trouble on the internet; no. What trolls really like to do is dig tunnels (The fancier the better.) and move statues! What's in a game?
There's certainly a good amount of wooden tokens and meeples here, the acrylic crystals are also a nice addition. None of the other components struck me as being poor quality and they're typical of what is expected in a modern game. There are a couple of minor quibbles though. The pedestal points tokens are a bit small and fiddly to handle The second is a bit of personal grumble - which is that all the carts are brown but depending on where the carts are acquired from will represent different colours. Carts in a player's central area can be used for any colour of statue. But carts from icons on troll cards can only be used to move statutes of a certain colour - which is indicated by the colour of the icon used to acquire the cart! Makes sense... right? Maybe not? Surely it would have been useful to include some carts of the relevant colours? There isn't a great deal of art in the game, mostly on on the spell and troll cards but it's all well illustrated with bold colours and and is fairly varied. There are 4 types (Or clans.) of troll cards and 3 types correspond to the blue/orange/white colour motif that runs through the game and I quite like how those trolls cards have a colour pallet to match it their types. Having said that; the starter cards all feature the same piece of artwork that has been coloured matched to each player colour which is a little disappointing. For the most, the game's iconography is actually straightforward and easily understood. Only the aforementioned issue with carts being a small problem. If the cart icon has a coloured background then a cart that is sourced from that icon can only be used for that colour of statue. Luckily it's not a gamebreaker although it's finicky rule to remember. How's it play? Setup
On to play Play during In the Hall of the Mountain King will have active player performing 4 actions before play moves clockwise to the next player.
Endgame The endgame is triggered when there no coronation tokens left to acquire. The current round is completed and 2 more rounds are played. Players then calculate VPs, a player's VPs may come from the following sources. Score tracker. Statues - depending on their position in the 5 zones and doubled if the player managed to place them on a pedestal. Great hall tokens in a player's network - with or without statues. Pedestal points for placing pedestals. Coronation tokens. Unspent resources; these can earn points. Every 3-of-a-kind scores an extra VP. Points are tallied, highest score wins. Overall
Despite having quite a few rule to remember and sounding quite complicated, In the Hall of the Mountain King is actually pretty straightforward in practice and many of the rules are obvious when in action. There's definitely a couple of finicky rules though, and again - it's to do with the carts and pedestals. It feels like an unnecessary complication to have these differently coloured carts to move statues. The rule that restrict pedestals to 1 per colour in each zone also feels a but cumbersome. I know why the rule is there: It encourages competition in a game that otherwise has little interaction between players. Players will want to be the first to get a pedestal as close to the Heart of the Mountain as possible. It locks out completing players and offers a big scoring opportunity. It means that players are put into a balancing act of needing build their tunnel network but also acquire resources to make this expansion happen. Clever placement of tiles will earn players some resources but recruiting trolls is the best way to get them and you'll note that digging and recruiting are pretty much the only 2 mutually exclusive actions in a turn. There's more to tunnel tile placement too, pedestals and thus statues have to go on anchor spots and it's these need to be as close to the centre of the board as possible, sometimes it'll be tricky to get it right, or it'll require not getting something else. Being able to avoid rubble spaces helps as well. Resource management also has more to it. Spending resources from troll cards first is prudent, as is using workshops to change them into other resources - because they go back on to the storage space and not the troll card. It does involve trying to think ahead about what resources can be acquired and what will be needed. This brings me neatly to the Trollmoot/Horde elements of the game, with their overlapping and cascading mechanics for both buying cards and acquiring resources they almost feel like a different game to the tile placement taking place on the game board. I have to say that I like the cascading mechanic, it's simple but provides some interesting decisions for players to make. Building up a Trollmoot, like much of In the Hall of the Mountain King requires a little forethought. If my calculations are correct, the cards in the centre columns will be activated the most. Players will want to identify and prioritise what resources they'll need in their Trollmoot setup. Additionally, deciding where to place a troll card will determine what resources the player immediately. I do also have some concerns about the game, I found using the tunnel tiles, creating pedestals and moving statues more of a chore than satisfying and the game it didn't quite gel with me. I'm also not sure how much value there is in replaying the game. The player and statue starting positions and workshops may vary but mostly the board's resources stay unchanged. And while the card mechanics are good, the cards themselves only vary in which resources they provide. In the Hall of the Mountain King is another one of these games that does nothing really wrong and I've got nothing against the game. If someone else wanted to play it I would happily join in but somehow it's missing that special something that makes me want to play it again. 8th February 2022 Tuesday night games with the Woking Gaming Club at The Sovereigns continued with Fantastic Factories. I don't know if factories are fantastic but I guess we're going to find out. What's in a game?
From an art perspective, the game makes good use of cheerfully bright colours. The art itself uses heavily stylised illustrations of both factories and contractors which is fine and suits the game's slightly light-hearted theme. When built, factories provide a varied amount of special actions, consequently the game makes use of quite a varied amount of iconography. For the most part it's straightforward, however, on occasion 2 cards may seem similar but they'll be a small difference between denominated by a single small icon or sometimes they'll just be something I wouldn't say it's any kind of a gamebreaker or that there's too much iconography but for a few turns players will probably end up referring to the rules. How's it play? Setup
On to play Broadly speaking, a round is broken into 2 phases; a market phase which occurs in turn order and a work phase, which can be performed simultaneously by all players.
Endgame Play continues until either a player has built their 10th card or acquired their 12th good. In either case, the current round ends and 1 more round is played. Players then total the VPs from their buildings and the goods they gained. Points are tallied, highest score wins. Overall
On a basic level, Fantastic Factories is mechanically pretty straightforward; acquire blueprints, acquire resources to build factories, use factories to acquire resources. It's a mid-weight engine building game that provides players with strong card synergy and offers a good selection of choices and avenues to follow for building that engine. I feel for the most part that players will want to focus on blueprints and building them, which is natural as this is what gets resources and VPs. Players shouldn't neglect the contractors who provide instant if transitory benefits for a relatively low cost. Applied at the right time, they can be game changers - provided they're available at the right time! Once again, it's a case of reacting to opportunities as they are revealed. There are a couple of there elements that make Fantastic Factories interesting. Firstly; dice rolling. Players will never be guaranteed getting the results and thus the resources they want. It means that players may not be able to build the card they originally wanted to and will need to adapt and react to the situation as it arises for optimal play. Of course it's always possible to play it safe and have all the required resources before getting a card, it's safer but it's also slower. Secondly; Fantastic Factories makes use of a hand-as currency mechanic. This forces players to think ahead, players may need to get blueprint cards just to discard for another building, or may be forced to discard a blueprint they still want in order to build another, it can be a tough decision. There's also some high level play, where it pays to watch what other players are working towards then wipe the marketplace to deny another a player a card they want. Fantastic Factories is a well balanced game, it's rules aren't particularly complicated and are easy to learn but also have depth that comes from recognising how to exploit the available cards that appear during the game to build their engine optimally and to maximum efficiency. The gameplay is solid and will appeal to fans of engine building games, which I am. so I guess factories can be fantastic! 8th February 2022 Tuesday evening is here and we're at The Sovereigns with the Woking Gaming Club for some gaming goodness. The 1st game of the night was Llamaland. A whole land full of llamas, they get everywhere, all over the fields, hills and mountains! What's in a game?
Most of Llamaland's components are good quality, the cards feel a little flimsy but unless they're abused, they should be fine. Otherwise it's all good, the tiles all feel suitability solid and chunky. The tokens are fine, I like how they're the different shaped. The most noteworthy component though, are the cute little llama meeples. The art in Llamaland is nice and colourful, all the tiles are bright and eye catching, the art for the character cards is heavily stylised but I like it. The illustrations used for the llama cards depict them as llama meeples. If you look carefully at several cards, you can see that some of them have slightly different expressions! It's a nice touch and I wonder how often these kinds of detail get noticed? Much of the game's iconography is easily comprehended, however, some of the icons on the character cards can be unclear, this generally applies to cards that confer bonuses for covering other icons because they show the relevant icons being covered and those icons are a little obscure. The blue objective cards will probably require referring to the rulebook to understand. None of this is a gamebreaker though. It's unlikely that players will need to look up anything more than once or twice. How's it play? Setup
On to play LLamaland is played using a traditional turn structure, with the active player taking a turn adding tiles to their estate. Once that's concluded, play moves to the player on the left.
Endgame Play continues until one of the following criteria is met. There are 4 or less land tiles less, regardless of type. There is only 1 type of llama card left. In either instance the game goes into the endgame and play continues until all players have had an equal number of turns, then it goes to scoring. Every llama card acquired earns its listed VPs. A player marker on a objective card that the player has successfully completed earns that player its listed VPs. Unused crop tokens earn 1 VP each. Every 2 unused coins earns 1 VP. Points are tallied, highest score wins. Overall
Broadly speaking, Llamaland's gameplay is divided into 3 areas. I'd say that primarily the game is concerned with tile placing mechanics. Much of the gameplay here will be familiar ground. Players cannot predict exactly what tiles will be available when drafting tiles will be available in their turn and will need to adapt to circumstances and look for opportunities. Pretty standard stuff. The unusual element here is building upwards, it adds an extra axis (sic) to the gameplay. It's vital to build upwards efficiently, there's no other way to get resources and players will want cluster desired resources in such a way that it makes covering them quick and easy. The second element is acquiring and placing llama meeples. When placing them, players will not only have to think about completing blue objectives but also trying to not hinder the placement of later tiles. Chances are that players will have more than one objective for placing llama meeples and they'll want to maximise the placing and there's definitely some synergy going on between objectives. Many purple objectives require 4 of a kind llamas and some blue ones require placing 4 llama meeples on the estate in a certain, thus it's possible to work to both objectives together. The third mechanic and one I find interesting is placing markers on objectives. Placing markers later in the game is safer as players will have better idea on what they can achieve, or might already have achieved however, they end up having to put their markers lower value rows. Placing markers earlier though, means players can go for the bigger VP rewards - provided they can complete the objective. When a player puts one of their marker on an objective, they're essentially making a bet that they'll complete the objective. It's a classic risk and reward mechanic. It also makes individual objectives pretty apparent to all players, if someone's just put their marker on the collect 4 potato llamas objective card, it's safe to assume what they'll be going for and others can respond as they see appropriate. Llamaland is a cheerfully colourful game that manages to always provides players with meaningful choices to make and strategies to utilise which I found it an engaging and fun. Since I've managed to acquire a massive backlog of games to blog about, some of the games mentioned here won't have links or blogs yet. They'll be added as and when possible. At the start of 2021, I wondered whether my gaming would pick up in '21? The answer is a resounding yes! The breakdown is below. Number of different games played: 78. Of which were new (To me.): 46. Total number of gaming sessions: 333. 2020's numbers. Total number of different games played: 29. Of which were new (To me.): 13. Total number of gaming sessions: 49. Why have the numbers have significantly increased? Put simply, it's due to Board Game Arena: Around May 2021, we reconnected with an old friend who had moved abroad and we started playing games on BGA and playing games digitally is really quick! There's no unpacking and packing, or setup and clean up, there's even no need to tally scores, it's all done automatically. As a result, it's easily possible to play 4 or 5 games in a 3-4 hour window and this includes playing a game several times! Hence the six fold increase in game sessions. Which games were played the most?
Love Letter is a fairly quick game to complete and we probably play 2 or 3 games per session on BGA, so I don't doubt we've played it over a 100 times in 2021; not bad for a game that only consists of 16 cards. Over 2021, Love Letter became more of a ritual than a game, the calculating, the guessing and double-bluffing, twists of luck and reversal of fortune, along with the banter and bragging made it our mainstay over BGA. Enough of boring numbers; it's time to now talk about the highly coveted and still world-beating 3 Spellcaster and a Dwarf 2021 game awards!
These are not necessarily new games, but they are games I first encountered in 2021. Game of the year: The Crew: Mission Deep Sea. What a game! It blends analytical, cooperative gameplay and whist-like trick-taking to pack so much longevity and replay value into a 40 card deck, a 96 card task deck and some tokens; it's almost mind boggling. Even after the final level has been completed it remains re-playable. We only started playing The Crew: Mission Deep Sea in late October and by the year's end had played 25 sessions. It was an instant hit. Disappointment of the year: New Frontiers. I find it hard to believe that I'm saying this about a game that shares DNA with the singular Race for the Galaxy, but I found New Frontiers just frustrating to play. It takes the core concepts of Race for the Galaxy and turns them into a board game, also adding 2 currencies (Money & colonists.) to the mix, this serves to add complexity to the game, yet somehow New Frontiers seems quicker to play and makes for a less satisfactory experience? So quick in fact, that often the game ended before I managed to do anything interesting. It's not bad because it's based on a great game, just.... disappointing. Surprise of the year: The Crew: Mission Deep Sea. I'm going have to give it to The Crew: Mission Deep Sea for the reasons above. Honourable mention: Railroad Ink. This roll-and-write, dice-rolling and route-building game is accessible, easy to learn and a pleasure to play. It throws a healthy dose of luck into the game, but because of the way the game plays, this luck affects all players equally, so if a player doesn't score well, they've only got their planning and themselves to blame. 3rd February 2022 Thursday night gaming at Simon's came to a conclusion with the 2nd and final game of the evening; Nidavellir. Google tells me that Nidavellir might mean the wane of the moon and is derived from Norse cosmology. Protect the dwarf kingdom from the ravages of a dragon by taking on the role of a Elvaland councillor and collecting sets of cards... err... gathering the bravest army of dwarves possible by trawling pubs (I kid you not.). Where's Sneezy when you need him eh? More like boozy! What's in a game?
The cards holders and especially the royal treasure are a nice touch too. However, since they can only be easily viewed from one side, it sort of forces the game to have a strange setup where the card holders and treasure rack are along one edge of the playing area instead of in the centre with all the players along the other edges. Nidavellir also makes good use of artwork, most of which appears on the cards, they contain well detailed, good quality illustrations of different dwarfish characters painted in a sort of monochromatic watercolour style along with a dash of a single colour. Usually I'd find this kind of art a bit dull, but here it works and gives the game a distinctive look. Much of the iconography is clear but some of the hero cards have symbols which are quite small and may also need looking up occasionally. How's it play? Setup
On to play Nidavellir is an auctioning game that has players simultaneously perform series of 3 blind bids during each round. Once bids are revealed, actions are resolved in an order determined by the bids.
Endgame Play continues until the Age 2 cards are also depleted, then the game goes to scoring. Each of the 5 classes has it's own way to score VPs, suffice to say; the more cards a player has in a class, the more that set scores. Bonus VPs which can come from various sources should then also be added in. Points are tallied, highest score wins. Overall
Nidavellir does a good job of mixing set collecting with auctioning. The set collecting element is about a mixture of getting the cards you want and sometimes collecting a card just to deny it to another player. Sometimes you'll be completing to build sets and sometimes you'll want to take a card no one else does on the cheap. Pretty standard stuff for set collecting and what you'd expect. The auction mechanics offer something a little different. I have to say I'm not the biggest fan of auctioning games, I don't dislike them and I've enjoyed some of them but they're not really my jam. I've often found bidding decisions could be a little stress inducing, which is probably why some people love them so much! Nidavellir cleverly bypasses some of this with it's auction system because players never lose their bids. Instead of trying to out bid someone or bluff a bid up, players will be trying to gauge how others will bid. This requires not only watching what cards others have been collecting and trying to anticipate what they will prioritise in each bid but also paying attention to how they've been upgrading their coins. If another player has a coin that's got a higher value, it will never be possible to simply outbid them and it might not be even worth going against them and could be a good time to play that 0 coin and get an upgrade instead. There may also be other times when players want to bid low such as when all the cards in a tavern are not valuable or if they're not valuable to other players. This means that Nidavellir has 3 avenues of strategy that the player must take into account. Not only do players have to keep an eye on which dwarf cards to try and acquire, they'll want to think about creating rows as well as columns to earn hero cards which cna prove very useful. Players will also need use that 0 coin to upgrade coins - which is essentially a form of arms race that can't be ignored - unless a player thinks they can win by being last in every auction! Nidavellir is a solid game and I can't find anything to fault about it. It isn't particularly complicated but there's definitely enough depth here to keep players engaged and generally give them meaningful decisions to make. If you like auctioning or set collecting games, it's probably worth a look. If you like auctioning and set collecting games, Nidavellir is definitely worth a look. 3rd February 2022 It's a Thursday and we're round Simon's for a night of gaming. The first game of the evening was My Little Scythe. My Little Pony What does does My Little Scythe have to do My Little Pony? Well... err... nothing... obviously... My Little Scythe is a reskinned iteration of Scythe that has been simplified and pared down to make it more accessible to younger players. I have played Scythe but it was some time ago, long before I started this blog in fact. What's in a game?
It's obviously that the game's art direction is meant to emulate the style of a Saturday morning kid's cartoon. It makes use of bright colours and features well illustrated cartoon styled art throughout. The game's iconography is clear, all of the symbols are easily understood. What's in a game? Setup
On to play My Little Scythe is all about victory conditions and the first player to achieve 4 of them will win. The turn structure in My Little Scythe is very traditional, with the active player having their turn and active play moving to the person on the left.
Endgame Play continues until a player has earned all 4 of their trophies which triggers the endgame. Each player who has not earned their 4 trophies now has a further single turn to do so. Additionally, the 1 trophy per turn restriction does not apply during the endgame. In the case of a tie (Which can be likely considering the small scoring range.), whoever has the highest friendship score wins, if the tie still isn't broken, whoever controls the most resources wins and if that's equal, victory is shared. Overall
My Little Scythe has done a good job of paring down the rules of Scythe without really diluting its game experience. Players of Scythe will find a lot here that is familiar. Like Scythe, My Little Scythe is a blend of doing your own thing and competing with other players. This is due to how the trophy mechanics work; players are attempting to complete any 4 objectives out of 8 which generates a lot of routes towards victory. Different players will naturally approach how they can go about winning individualistically. It means that player behaviour can generally be quite varied, players may simply ignore each other, compete for resources or even engage in outright conflict, or any amount of combination of those. However, I feel that acquiring apples and gems is perhaps the most important goal in the game maybe overimportant, they provide the most ways to earning most trophies, competition for them can be stiff, especially with higher player counts. Players in My Little Scythe will want to optimise there strategy dependant on a number of factors, including personality card and resource locations, they can also to pay attention to what other players, trying to predict what they're doing, react accordingly and may have to change their strategy. With it's colourful, cartoony presentation and relatively stripped down rules, it's obvious that My Little Scythe is at least in part aimed at younger players - that's not to say that it can't be enjoyed by adults or doesn't have some crossover appeal. Having said that, I don't think the rules are that simplified, I'd say they're still fairly intricate and could prove an obstacle to younger players, particularly if there isn't an older player present who's familiar with the rules. I'd say My Little Scythe is family-friendly more than kid-friendly. I think it's a fairly good family-friendly game as well and a good introduction for kids or 'non-gamers'. For me though; I'm not sure how I feel about My Little Scythe. It doesn't feel like my kin of game. There's nothing wrong with the game mechanically, nor do I think it's overly simplistic and I'm fine with the theme. I can see how other people enjoy it but I was just unenthused by it and found it unchallenging. To me, It felt like there was synergy lacking between actions I'd have no problem playing it again if others wanted to, but it's not one I'd choose to play. 2nd February 2022
It's a Wednesday afternoon and we're logged into Board Game Arena for some gaming fun. Caveat: We've only played Century: Golem Edition digitally. Strictly speaking Century: Golem Edition isn't a first play, the game is actually a reskinned version of Century: Spice Road. Gone is the loose historical setting of Century: Spice Road, replaced by Century: Golem Edition's fantasy theme. Mechanically, the 2 games are identical, you can read my blog on Century: Spice Road here. So the only difference between them are the components and Century: Golem Edition's artwork has had a major overhaul. The artwork in the original was pretty good; colourful with good artwork and a solid ancient world east-meets-west theme but I feel Century: Golem Edition's artwork is better. It's a more brash, more colourful, cartoony style with bold, imaginative designs for all the golems. I've always liked this kind of art style and I like in Century: Golem Edition. 30th January 2022
A long day of gaming had come to it's conclusion and we were logged into Board Game Arena for the final game of the evening; Love Letter. Read my thoughts on it here. |
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