30th December 2021 Thursday afternoon gaming on Board Game Arena continued with Dice Hospital. Doctor, doctor, please Oh, the mess I'm in Doctor, doctor, please Oh, the mess I'm in Mismanaging your hospital in Dice Hospital will definitely lead to a big mess! What's in a game?
The component quality in Dice Hospital is all round good. The tiles are study and cards are of the expected quality. The game's 60 or so dice are plastic but with well rounded corners and satisfying to roll. Finally, all the meeples are stylised after medical staff, it's a nice touch and appreciated, they're made of wood too! Good stuff. All of the art for the different departments on the hex tiles is quite small but also well detailed and depicts a variety of different medical equipment and hospital furniture, I quite like it. The specialist cards have headshots of doctors, it's sort of average artwork but on the hand, they look like medical staff, what more could you want? Besides, how much more exciting could you make the portrait of a urologist look! We found the game's iconography initially a little confusing but after a couple of references to the rulebook, it was always sorted out. None if it's a dealbreaker. How's it play? Setup
On to play Dice Hospital is played over 6 phases, some of these phases are completed in turn order and some can be completed simultaneously.
Endgame Play continues until 8 rounds have been completed. Upon reaching the end, players calculate their final scores, this includes: VPs for discharging patients over the 8 rounds. +1 per unspent blood bag. -2 per fatality token acquired. Scores are tallied, highest score wins. Overall
As well as randomly determining which improvements appear, I like how the game makes use of dice as both a randomiser and a resource to be managed. Using dice value to gauge health levels and colours to represent different types of malady is innovative and great. There's a lot of good gameplay in Dice Hospital and a lot to like. Figuring out how to strike balance the hospital's different needs, requirements and aspects is a satisfying challenge. In this regard, the game's 2-tier drafting mechanics work well, drafting patients that are easier to heal means going later when drafting hospital improvements, that's a good balancing mechanic with meaningful decisions. There's also a higher level of play at work here, if you can anticipate which patients/improvements other players are looking to acquire, you can either try and either deny them what they want or make it easier to get what you want. For example, if no one else wants a red doctor, then going last in the improvement drafting phase is not a problem. Knowing what and when to draft is probably the single most important aspect of the game, using those combinations of special abilities to heal multiple patients at a time is vital. It's also contextual, depending on the colour of patients and improvements appear and what a player already has in their hospital. Players may find themselves having to reappraise their strategy from turn to turn. Willingness to trash an improvement for a blood bag can also be a powerful play, used right, blood bags can provide much more than a single VP. Luckily, the game provides fairly good opportunities to combo departments and specialists off each other, especially toward the latter half. However, getting that balance wrong leads to sub-optimal play, having to many departments leaves them unused and too many specialists means they just do nothing. Even though it's an abstract dice game, it genuinely feels a bit like you're running a hospital, having to try and find ways to treat and discharge patients before the next influx of unending patient. This is not a coincidence. Players start the game with 3 patients and acquire 3 more every round, this means by the end of the 3rd round, they'll have filled all their wards (Provided they haven't already discharged any patients.), as a consequence, players will need to discharge 3 patients a round just to avoid sending some to the morgue. Thanks to the scoring though, there's a wrinkle here. Discharging patients in drips and drabs doesn't score many VPs. Players will actually want their patient numbers to build up a bit and discharge as many of them at once as possible to optimise scoring. It's a another balancing act and it all combines to make Dice Hospital a good game. If you like worker placement mechanics, blended with a bit mid-complexity, light randomness, meaningful choices and almost engine building elements; then Dice Hospital is worth a try. One I found an enjoyable experience.
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29th December 2021 We're at Simon's for some Wednesday evening gaming goodness during the mid Christmas break. The game of the night was Lost Ruins of Arnak. "That belongs in a museum!" What does? Cliched old one liners! Lost Ruins of Arnak is a game about raiding temples of a long forgotten ancient civilisation on an uncharted island. What's in a game?
The game has really nice plastic pieces for arrowheads, tablets and jewels, along with wooden meeples, magnifying glasses and notebooks, you can never go wrong with wooden components and yet, makes use of unremarkable card tokens for coins and compasses. Yes it's a minor quibble but it's definitely noticeable. The game's cards and tiles are standard quality. From an art perspective, it's all pretty good, cards and tokens all have nice, clear and colourful thematic art. The standout however, is the board, with a pair of lovely landscape images, it's almost a shame that they'll mostly be covered with components during play. The game contains a fair amount of iconography, none of it was particularly unclear though. How's it play? Setup
On to play A round in Lost Ruins of Arnak continues until all players can no longer perform actions (Free actions don't count.) or have passed. The game features a pretty standard turn order that goes clockwise and in their turn, players will get 1 main action and any amount of free actions. A round proceeds as follows:
Endgame When the 5th round is completed, then so it the game and we go to scoring. There are a variety of opportunities to score. Research: Research tokens earn VPs depending where they finished on the research track. Temple tile: Players who reached the temple can score the VPs on these tiles: Idol tokens: each idol token acquired earns 3 VPs. Player board idol slots: Each empty slot on a player's player board earns the VPs it displayed. This means when an idol is slotted for a benefit, the VPs it covers are not scored. Guardian tiles: Each guardian defeated earns the player 5 VPs. Cards: Aretfact and item cards can also earn the owning player VPs. Fear cards: Finally; fear cards. Each fear card a player has deducts 1 VP from their total. Points are tallied, highest score wins! Overall
Hmmm, what to say about Lost Ruins of Arnak. It would only be a slight exaggeration to say that this game is sort of a jack of all trades and master of none. A little bit of deck building, a little bit of worker placement and a little bit of resource management, this game has it all! Joking aside, this, on a basic level represents 3 different approaches to accumulating VPs. That is; buying cards and using cards, visiting sites and moving up the research track. Card will get players useful special abilities and travel points, visiting sites will acquire players resources and going up the research track gets other benefits, including assistants. Players will not want to neglect any of these elements and there's fairly good synergy between different parts of the game, but generally players end up focusing on 1 of them during play. While the game isn't overly complex, there's quite a lot to consider. Personally, it felt like going up the research track was a good way to score big but it's hard to be sure. Another very important factor to think about is turn-economy, there's no set number of turns per round in Lost Ruins and finding ways to get extra main actions is vital. A player who gets 10 actions per round instead of 5 is going to just do better and I have to say, finding way to combo actions into more actions is pretty satisfying. For example, a player might use a card to get resources to move a worker to get different resources to spend on the research which would provide another benefit. Having said that, taking a single main action at a time can feel frustrating, yes it's a combo system, but it's a slow one - unless you're the only player still with actions. I found Lost Ruins of Arnak a fun game, but not a particularly compelling one; it's hard to put a finger on. The game's theme fits it's mechanics well and it has great presentation. I think maybe that all the game's systems, the worker placement and the deck building and so on are all on an individual level, a little uninspiring and bland. The deck building mechanic would never stand on its own for example, neither would the worker placement, on the other hand, they don't need to. So is the sum greater than the parts? The jury's out. When I encounter a game I like, I get the urge to buy a copy and I don't get that with Lost Ruins of Arnak. The game was entertaining but it wouldn't be first choice of mine to play but I happily play it if someone else wanted to. 16th December 2021 It's a Thursday and we're round Simon's for some gaming. The game of the night was Le Harve; have you ever had the urge to run a business on the French coast, construct buildings and ships, manage goods, feed your ever expanding workforce and avoid going into debt? If the answer is yes, then maybe, just maybe, Le Havre is the game you're lookng for. What's in a game? Le Havre uses a lot of components, I mean it, A LOT!
The art in Le Havre is a bit of a mixed bag. The game board uses fairly simplistic and colourful illustrations that I personally found clear, distinct and looked quite evocative, the same is true of illustrations on the cards. However, the tokens used monochromic artwork which is a little old school. Having said that, it was always clear what they represented. Which brings me to iconography. Between all the different actions on all the building cards in particular, Le Havre uses a fair amount of iconography. Much of it is straightforward and apparent but some of it will require looking up in the rules. none of it game-breaking though. How's it play? Setup
On to play Acquisition of wealth is goal in Le Havre and money becomes victory points at the game end. The game is played over a number rounds dependant on the number of players. In each round there are 7 turns, you will note that this means that players will not have an equal number of turns and this is by design. In their turn each player must perform the supply action and has a single main action they can also perform, in addition the active player can also perform buy/sell actions. When all 7 turns have been completed, there are some end of round actions to resolve before moving on to the next round. Free actions: These can be performed by the active player at any time.
Endgame When the final round is completed, all players have 1 final main action they can perform, after this, the game goes to scoring. Now each player calculates their wealth which are victory points. This is done by totting up the following: Value of all building and ships a player owns. Cash they possess. Every loan card a player still possess at the game end deducts from the total. Scores are tallied, highest score wins. Overall
When playing Le Havre players will need to pay attention to several areas of the game. Buildings are very important and players will probably spent a significant number of actions on them, not only do they have to think about to what they've built, what the town owns and what it available to build but what other players have built. Being able to make use of other player's building adds an interesting spin on the game. Players will need to adapt their strategy to the buildings that become available and while there is a ordering number for buildings, it's still no guarantee of the actual order they become available. That doesn't mean you can risk ignoring ships or acquiring resources of course, food is vital, probably the single most important thing in the game, you'll constantly need food otherwise you'll eventually be plunged into spiralling debt. Managing all the resources is also key and the game deliberately forces players to make the hard choice between using a building or taking a resource from an offer space. Resources tend to be relatively scarce at the start of the game and player's will want to optimise their strategies. Generally money can be used in place of some resources but it's essentially sucking up victory points and getting players closer to having to take a loan, something to avoid if you can. Players will need to also pay attention to the supply track and their position on it and when their turns will come up, as well as when resources will be moved into the offer spaces. Even though there were some more rules which I skipped over describing, I wouldn't call La Havre a very heavy game. I did find it a little fiddly with the occasional little rule popping up here or there and at the start I did find the game a little obtuse. Once you get over that hump Le Havre becomes a mostly straightforward game and proves a challenging game with meaningful decisions to make. I do have a criticism of Le Havre though - and that's the playtime, it's just too long! This is a known issue too as the rules contain a 'shortened' variant of the game! A 5-player game is expected to take 210 minutes over 20 rounds, that's 3 ½ hours and quite frankly, that's an underestimation. Think about it; 210 minutes over 20 rounds is 10 minutes 30 seconds per round and each round has 7 turns, that works out at 90 seconds per turn. Do you think that the kind of players that like this type of game spend just 90 seconds per turn? If every player spends 2 minutes taking their turn instead of 90 seconds, it would add 70 minutes to the playtime. 😭 It meant that the down time between turns felt like it lasted forever and at times was just more frustrating than fun or compelling, which was what I ultimately took away from it. If you like resource-management games that are slightly on the heavy side, then Le Havre might be worth a look, provided you can commit the time. To be honest, it's a game that rainy, chilled Sunday afternoons are perfect for. 30th November 2022 It's a Tuesday night and we're at The Sovereigns in Woking with the Woking Gaming Club. The main game of the evening was Atlantis Rising. Atlantis; the mythical civilisation swallowed by the seas and lost to time, how did this happen? Clearly it was caused by a band of bumbling table-top gamers! What's in a game?
The quality of the components is as you'd expect from modern games universally good, the game makes extensive use of wooden tokens for meeples, resources and even the Athenian ship, which I like. The addition of glass tokens is also a nice touch and appreciated. From the perspective of art direction, I'd call the art good but not exceptional, it is however, clear and functional when needed, the different terrains are always easily discernible. I'd be remiss if I didn't comment on the board. It genuinely looks unique and eye-catching. It's not a gimmick either and makes sense in relation to the game's mechanics. The game's iconography is straightforward and easy to understand. How's it play? Setup The setup for Atlantis Rising is relatively simple.
On to play Each round in Atlantis Rising consists in a number of phases.
Endgame Play continues until 1 of 2 conditions is met. If all the tiles on the Atlantis map are flooded - including the centre tile, then the players collectively lose. If the players manage to build all 10 cosmic gate blueprints, they immediately win. Overall
Just to clarify, it was the the 1st edition we played, there is a 2nd edition which has some notable changes. Despite its nifty, unorthodox board, Atlantis Rising's central premise will be familiar to players of cooperative games. That is; players will be faced with the choice of working towards completing objectives to win the game or firefighting whatever will cause them to lose, in the case of Atlantis Rising that's 2 sources, the misfortune deck and the Athenian attacks. What Atlantis Rising brings to the table though, is a push-you-luck element. Luck is an inherent part of cooperative games and is used to mitigate players' abilities to out-strategize a game, but these push-you-luck elements add something quite different. When picking an action, players will also have to decide how much they want the resource, card or whatever, playing it safe might not get you what you need or enough of what you need. The same is true when dealing with the Athenians, it requires a lot of meeples to be fully safe from them, but the true number required is never known due to the attack die roll. Sometimes it might better to put a meeple or 2 less, it might be riskier, but it gives you 2 workers that could have a vital use elsewhere. In both instances it's a solid use of risk/reward and it gave me the feeling that it's hard to win the game by playing cautiously and at some points players just have to take risks. Having said that, I do have an issue with the whole Athenian attack mechanic. I really don't like how the players have to collectively commit more and more workers to fighting the Athenians off. It can mean players are making effort to acquire workers simply for this purpose and feels like quite a negative mechanic. I'm not alone in this thought as this was revised for the 2nd edition. This also brings me to another element of the game; as it progress on and more tiles flood, players will get less and less choice where to place their workers. It feels counter to how games - especially worker placement games flow, typically a player's choices and options expand as a game goes on but Atlantis Rising does the opposite, I know that it's part of the game's challenge and players need to work to prevent this but still sort of feels off. Other than these two criticisms, Atlantis Rising is a perfectly acceptable game that cooperative gamers will be comfortable with. Atlantis Rising doesn't stand out from the crowd but neither does it do anything wrong. Personally, I like how it looks, especially watching Atlantis gradually sink! 12th November 2021 It's a Friday night and we're round Simon's for some impromptu evening gaming. “I beg your pardon,” said the Mole, pulling himself together with an effort. “You must think me very rude; but all this is so new to me." Well, Everdell is new to me, mixing various game mechanics and lush anthropomorphic artwork. What's in a game? Everdell is a game that has a big footprint and a lot components.
The components are well made and the attention to detail for the most part is excellent. In particular, the resources look great as do the individualised meeples. We didn't use the tree but it's a nice touch Even if the anthropomorphised artwork is not to your taste, it's hard to fault the quality of the artwork and rich, warm colour palettes used throughout on the board and all the cards. Iconography is where the game could be improved though. Sometimes, the text used on the critter and construction cards is perhaps a little too small as are the symbols and sometimes, to maintain the game's aesthetic, you'll encounter a small around of tiny writing surrounded by a lot of unused space. Having said that, it's a quibble, not a gamebreaker and doesn't really detract from the game's quality How's it play? Setup
On to play The objective in Everdell is to construct the best city, that is the city that scores the most victory points. Players achieve this by playing critters and constructions into their tableau. When somebody becomes the active player, they can perform 1 action from a choice of 3 and then player progresses to the player to the left. Players continue performing actions until they have to or choose to stop; in which case the season has ended for them. Everdell is played over 4 seasons.
Endgame When the 4th season is completed, then the game is over. Victory points can be scored from a variety or sources, including cards, tokens and events. Points are tallied, highest score wins. Overall
It's obvious that a lot of thought and care has gone into the game's presentation and charm. It's one of the best looking games I've seen in a while and I always appreciate the extra effort committed to a game. Hmmm, what else to say about Everdell; for the most part, it's initially a pretty solid, straightforward game, although it feels a like a bit of a slow burner. While the game's cards provide players with a variety of approaches choices and plays to make. Having said that, the game's action-economy is actually quite tight, almost too harsh. E.g, in the 1st season, players will only have 2 workers to gain resources in order to play cards, it means players will have to pay close attention to optimising their plays and actions. card synergy can make a big difference. It gave me the feeling that players will need to know what they're doing from their first action in order to play Everdell competitively. Additionally, in comparison to other tableau building games, it feels like the tableau in Everdell provides much more limited benefits that lacks the satisfaction putting together a good tableau. At best, production cards are reactivated once every other season - or round - but because players have multiple actions in a single season, it means a lengthy gap before those reactivations. This is something players will need to consider when playing cards. All of this makes the choices in Everdell important - which is the sign of a good game. Ultimately though, I just found it a little unexciting and unengaging and while it wouldn't be my first choice, I'd have no qualms about playing Everdell again. 19th October 2021 Tuesday evening has come around again and we're at The Sovereigns with the Woking Gaming Club. The first game of the night was Unearth; a dice-rolling, worker placement game set after a distant apocalypse where players command a band of 'delvers' searching for lost wonders of the long past age. Basically archaeologists sans the bullwhips and giant rock chases! What's in a game?
For the ruins cards, Unearth uses some distinct eye-catching colour palettes and isometric cuboid artwork to depict the long destroyed structures. For the delver cards, an almost cartoony style is used to illustrate the workers/dice. Overall, I like the art style. The game doesn't make much use of iconography, what there is of it is pretty simple to comprehend. How's it play? Setup
On to play In Unearth, players take turns and are attempting to use delvers to acquire sets of ruin cards, that is place rolled dice on ruins card and also build wonders by accumulating and placing stone. Broadly speaking there can be 2 phases that the active player acts in, the delving phase and the building phase.
Endgame Play continues until the end of age card is revealed, any instructions on that card are immediately resolved, then play continues until all ruins cards have been claimed. Players then score for each set of the same colour they've collected. Sets range from 1-5 cards and score 2-30 points per set. there are also points for sets of each colour collected. Players can then score points from the individual wonders they've built, they also score for building 3 or more wonders. Points are tallied, highest score wins. Overall
The sum of Unearth's parts make it a fairly unusual game. It provides 2 distinct paths to scoring points and neither can be entirely ignored. Set collecting is one way to earn victory points and the card collecting mechanics are quite solid, giving players who fail to acquire a card some sort of other benefit and the range of dice available to players that give them a couple of options is key to this. Players can play for the card or try and play for the stones - the eight-sided die has a slightly better chance of roll higher than a six-sider and four sided die has a 75% chance of rolling 3 or lower, they each give advantage but don't guaranteed success. The other path to victory points - building wonders requires players to both plan ahead and also adapt to opportunities and changes as they appear, collecting stones of a particular colour can always prove tricky, especially if another player is also on the hunt for stone tokens. There are also some restrictions on how stone tiles are placed and depending on what a stones a player is trying to get, placing them may require a small amount of planning and forethought. I found Unearth a little unengaging and I can't quite put my finger on why, maybe it's the game's slightly abstract nature or maybe that it feels like little is ever happening. Very little seems to occur in a player's turn, quite often a player rolls a dice and there's no immediate effect, sometimes they get a stone, sometimes they don't, occasionally they get a ruins card. Often it felt like that despite my decisions, little was in my control. All of this makes the game sort of light on decision making. Players choose which ruins card to gamble a doe on and when to use a delver card, or where to place a stone token when they gain one and that's about it. There's just not that much to it. I can't find much to fault Unearth but then I can't find much to praise it either. It's all a little unexciting. 7th September 2021 Tuesday evening is here and we're at The Sovereigns with the Woking Gaming Club. The first game of the night was Merv. What's in a game?
Despite its busyness, the game board is well illustrated and colourful, artwork on cards is also clear and colourful. For the most part the iconography is clear and easy to understand. Unfortunately, this does not extend to the symbols used to represent the game's 6 actions, these were a constant source of confusion and error. For example; the mosque action uses a minaret symbol but actually involves moving camel meeples along a track, but the symbols with camels on it is used to represent the caravansary! Why? Because the caravansary used camels to move spices! However, in game, the caravansary action only is used to get spices and has nothing to do with camels This means that camels are used to represent spices and minarets are used to represent camels! It verges on the ridiculous. It didn't help that all 6 symbols were the same colour so that it matched the colour theme of the board. How's it play? Setup
On to play Merv is played over 3 years and in each year there are 4 rounds, players have 1 action per round, thus 12 actions in total. Taking actions in Merv are quite unusual, play takes place around the 5x5 grid and each round takes place across 1 side of the grid (Starting on the north side.), then in the subsequent round, play moves clockwise to the next side of the grid and so on, so by the 4th round, a complete circuit will have been completed.
Endgame Once the 3rd year is over and has been scored, there is there final scoring to calculate. Sets of caravan cards score points. Points are tallied, highest score wins. Overall
Merv has several approaches to acquiring victory points but resource cubes is key to nearly all of them and the resource cube economy is very important. Acquiring cubes may conflict with choosing actions if the building site a player wants to activate produces cubes of a different colour, players will have to make choices and adapt. Having said that, it pays to diversify but it also pays to pursue one one strategy such as the caravansary or mosque track. Completing contracts feels like more of a bonus for sharp-eyed players than a long-term approach. Players also need to consider palace actions, placing workers into the right spaces in halls and moving along the favour track can be a good source of points. Players will need to also look towards defending Merv from attackers, losing buildings also loses the ability to gain resource cubes in later turns and of course loses victory points for the affected player(s). Merv is definitely on the heavier side of board games, but to be honest it didn't feel deep, just fiddly. I never got the feeling that I was making clever plays, instead I got the feeling that Merv was a heavy game made for the sake of being a heavy game. When I took an action, it often felt like I was doing 2 half actions instead of 1 whole one and it took multiple different actions to achieve something. E.g., I would undertake the marketplace action and acquire a good, Was I able to sell that good? No! What about spices, what if I'd acquired spices? Can't sell them either. To sell something, that is to complete a contract, I needed influence, which earned by building walls and also scrolls, which are acquired by visiting the library. Of course I also needed resources cubes. I know that some people will love this idea but I found it unengaging and a little dull and verging on tedious. Merv feels a little dry, unexciting and detached. 31st August 2021 We're at The Sovereigns in Woking with the Woking Gaming Club for some Tuesday evening gaming. The first game of the night was Raids. Raids is a game about Vikings going around doing what they do, which is raiding and pillaging. What? You say, that's a cliché and Vikings were also explorers, traders, craftsmen and so on, well this game is called Raids, so raiding and pillaging it is; and all for glory! What's in a game?
Artwork on the game board is nice and colourful and the longship board are also good, the art on the voyage tiles is a little drab, a little more colour would make them pop but it's only a very minor quibble. There isn't too much iconography in the game and mostly it's very clear what it means. All-in-all, excellent, top notch production values for Raids. How's it play? Setup
Raids is played over 4 voyages which each involve journeying around the game board. During these voyages, the players will stop at the randomly placed voyage tiles and deal with those encounters.
Endgame Play continues until all players have completed the 4th voyage, then scores are calculated. Players can earn Glory points from a number of sources. Pennant tiles on a player's Longship earns straight up Glory points. Hammer tiles on a Longship earn points per Viking also on the Longship. Goods tiles that have been traded earn Glory Points. Sets of Rune tiles collected earn points accordingly. Monsters defeated earn points. Finally, cash accumulated during the game earn Glory points on a 1-to-1 basis. All points are tallied, Highest score wins. Overall
Travelling around the map, players will faced with a central choice on deciding how far to move their Longship? Should a player move slowly to encounter more tiles or rush ahead to a tile they really want? This is of course contextual and players will have to identify what they need and prioritise accordingly. They'll also have to keep an eye out for the behaviour of other players and want to gauge their motivations. The rule where players can only collect tiles at the start of their turn slots into this nicely, possibly allowing other players to fight for the tile and keeping the situation tense. A worker placement game that allows workers to drive off other workers! I also like how the Longship board works, merging aesthetics and mechanics. It's a great visual representation of what players are carrying and crew limitations. The game is in essence a mid-to-light worker placement game with a touch of auctioning and resource management mechanics. Raids fits its Viking theme reasonably well as players sail around, trading and plundering while battling mythic beasts and each other. Having said that, I found the game a little unengaging, maybe a little too abstract. I could sail pretty much anywhere I wanted with generally minimal risk, it never felt like epic adventuring. Combat was fairly rare, mostly players didn't complete too much for the same resources but it felt bland, a quick glance at other player's Viking meeples will tell you if you can be beat them or not and at what cost. I'm also a little uncertain of how much replayability Raids has. Even though it has random placement for the encounter tiles, because they're not really interdependent on each other, it felt like it didn't matter the order in which you might encounter them, especially since I could sail as far as I wanted. I don't think Raids is a bad game, if someone wanted to play it, I'd have no problem joining in (But not too often!), but it's not a game I'd pick. 13th July 2021 It's a Tuesday evening and I'm at The Sovereigns in Woking with the Woking Gaming Club. Where would eurogaming be without Renaissance Italy? The pageantry, the politics, the scheming and the vying for power, you know how it goes: A seemingly limitless mine of game design opportunities. This is where Lorenzo il Magnificio comes in, a game where players control noble families in Florence competing to be the most prestigious, famous and of course.... most pious! What's in a game?
The boards and tiles are suitably thick, the resource cards are of a standard quality as you'd expect. Tokens are all made of wood, which I always like, including the nicely rounded dice. The standout components however, are the family workers, instead of discs, they're these tall cylinder shapes that are easy to pick up. It makes sense as I'm sure they're going to be the components that get handled the most; practical and appealing. Lorenzo il Magnificio features attractive artwork throughout, the boards all display pretty, somewhat stylised art work cleverly produced to incorporate all the game's worker spaces. Art on the cards is little pared back to make room for iconography. Talking of which, all the game's symbols and text was easy to read. Lorenzo il Magnificio has good, solid components and presentation. How's it play? Setup
Lorenzo il Magnificio is played over 3 periods, with 2 rounds per period, which equates to 6 rounds in total. Each round has its own setup phase before the players act in turn order, additionally at the end of every period (2nd, 4th and 6th rounds.) there's an additional step; the Vatican report step. A round progresses as follows:
Endgame Calculate points from the following: Current score plus points for acquired territory cards and character cards, end-of-game victory points for venture cards. The player with the highest military score gains an additional 5 victory points, 2nd highest acquires 2 extra victory points. Finally, every set of 5 combines resources scores an additional point. All points are tallied, highest score wins. Overall
Lorenzo il Magnificio sits towards the heavier end of games in my opinion, mechanically speaking, at it's core it's not a particularly complex game, but there's a lot of exceptions and variations to consider when trying to buy those all-important development cards and managing faith and military scores and the resources required to do all this. Don't forget those 2 engines you'll need to build either in order to gain and change those resources, or the abilities that character cards confer or the endgame points that venture cards grant. Like I said, a lot to think about. The game uses 4 types of resource and 3 types of score (Two of which can also be spent at times.) and mixes a few types of game mechanics; there's a bit of worker placement, a bit of engine building and a bit of resource management. Where it throws a spanner in the works though, is the use of dice to randomise the value of workers. A couple of low rolls can force players to change their strategies, particularly when competing for development cards, however, the use of servants can potentially mitigate low rolls, even so, players will have to adapt to circumstances. Furthermore, players have relatively limited moves to play with, each player has 4 workers they can use over 6 turns, giving 24 placements in total, which is why building the engines that essentially get triggered for free is so vital. Synergy and move optimisation are also key to this game. There are several approaches to scoring points in Lorenzo il Magnifcio, although these strategies are down to which development cards are acquired, development cards are the game's most vital element to winning and most actions are in service of getting those cards. However, the game seems a fairly well balanced, nothing felt overpowered or unimportant, decisions always felt meaningful and because of limited moves, these decisions generally felt tricky. If I had one criticism of the game; it's the excommunication tiles, they feel negative, but I guess that's the point of them. If someone wanted to play this, I'd have no qualms joining in. It's not one of my favourites, but it's still enjoyable. If you have a hankering for a heavy-ish worker placement game set in Renaissance Italy, you'll probably like this. 30th May 2021 It's a Sunday and I'm logged on to Board Game Arena on my PC, time for the first game of the night. Monk Tybor Kwelein had spent his life cataloguing the 4 kingdoms of plants, fungi, insects and animals in the pages of the titular Codex Naturalis. Now he is no longer with us, will one-to-four other people take up the mantle and carry on his work in the form of a neat little card game. What's in a game? Codex Naturalis is a card game and unsurprisingly, has a lot of cards. All the cards are about half the size of normal playing cards which is sensible, as otherwise the game would have a massive footprint, most of the cards share some similar features.
The scoring board and tokens are pretty standard quality game components and perfectly acceptable. The cards feel very thick and sturdy (Maybe because of the smaller size?) and seem to be made to a high standard, all the gold cards and numerous resource cards are embossed in actual gold foil, which is a really nice touch and despite their small size, most of the cards all have charming, highly detailed monochrome illustrations themed by their colour. Finally, all the cards are coated in a glossy finish. The only criticism I have is of the small symbols at the bottom of the gold cards, they are quite small and some players have complaint that it can be hard to discern between the symbols, particularly the blue and the green. Otherwise, these are some of the highest quality card components I've seen and it all comes wrapped up in a compact tin. How's it play? Setup
The objective in Codex Naturalis is to create an expanding spread of overlapping cards in their playing area. The basic process of actions to achieve this in Codex Naturalis is simple, a player plays a card, then draws a card, of course there's more to it than that.
points, this card probably scores the most if you can manage to fill the doughnut hole!
Play continues one player's score reaches 20 or more, then the endgame is triggered. Endgame After the endgame is triggered, the current round is completed, then one final round is played. After this, players count the score from the cards they've played and then calculates the score they get from completing both common objectives and their secret objective. Score are tallied and highest score wins! Overall
Codex Naturalis has simple rules, but also a fairly deep level of gameplay. Despite only having a hand of 3 cards, players are given a wide variety of choices and strategies to pursue when placing cards. A lot of this comes from the objectives, you'll obviously need to play gold cards to score but it's important not to ignore objectives, scoring from the gold cards will generally put your score into the low-to-mid 20s, but objectives which are scored after the end and can push your score higher, especially since they can be scored multiple times. That everyone has a secret objectives means that the final outcome is not known until the final scoring and keeps the stakes high. Players must also learn to manage their hands and objectives, there are 4 colours of card, but only 2 of each type of card is ever displayed face-up, it's likely that player's won't always see the cards they need. Codex Naturalis can also give players agonizing choices because they'll frequently be given the option to cover up a resource or objective symbol with the corner of another card. When that symbol is covered up, it's gone for the rest of the game, forcing players to choose which to prioritise. Only symbols that appear in the middle in of a card cannot be covered. Finally, because face-up cards never have more than 3 visible corners, players will need to think how to place cards with future placement in mind, the visible corner of a card can be 'locked' by placing another card with a hidden corner adjacent to it. This essentially ends that line of expansion, which can limit options later on. Codex Naturalis is a little too long for a filler and perhaps a little too short for a main game, which is only a minor quibble really. Otherwise, I found it to be a solid, easy-to-learn, mid-to-light game with good replay value and high production values. Definitely worth a try. |
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