1st May 2022 It's a Sunday and we're logged into Board Game Arena for an evening of gaming. Azul; not a game about a villainous god-entity from Ghostbusters but actually a game about creating mosaic, decorative wall patterns with multi coloured tiles. My friend's a plasterer, wonder if he'd be good at this! Caveat: We've only ever played Azul digitally. What's in a game?
Azul doesn't make use of icons and the relationship between tokens and a player board is clear. How's it play? Setup
On to play In Azul, the player's objective is to place tokens on to their respective spots on the wall grid of their player board, which scores them VPs. This is done by filling in the horizontal lines in the pattern lines grid; players must collect tokens of the type they need and place them in the spaces on the respective horizontal line. Depending on the line, it will require 1-5 tokens to fill a line. When a line is filled, one of those tokens can be placed in the matching space on that line at the end of the round. All tokens will score 1 or more VPs when placed, tokens can also score again at the game end. Azul makes use of a traditional turn order, with the active player performing their action (Which will involve taking 1 or more tokens of the same type.) before play progresses to the player on the left.
Endgame When any horizontal line in the wall grid on any player's board has been filled, the endgame is triggered. The current end of round actions and scoring are completed and the game goes to final, bonus scoring. Bonus VPs can be scored scored by the following:
Points are tallied, highest score wins. Overall
On a rudimentary level, Azul's mechanics involve drafting handfuls of tokens and then placing them on to a board where their relative positioning scores varying amounts of VPs. It's a mechanic (Or a variation of that mechanic.) that have been employed in several other games and I'd say that Azul is a mid-weight iteration of it. As written the rules feel a little opaque and counter-intuitive but in application, they're pretty straightforward. Where Azul get its weightiness comes from two areas of the rules; how the drafting - particularly drafting from mats works and then where and when tiles should go on the grids. As a basic concept, collecting as many tokens as possible to fill out the pattern lines and consequently get tokens on the wall grid is the way to go. However, there's more to it than. For example, simply collecting too many tokens can sent the excess to the floor line and cost VPs, this is more important than it sounds, because as tokens are taken from the mats, it's inevitable that other tokens will build up in the centre and trying to predict this can be very important. Depending on circumstances, a lot of tokens of a particular type may well build up in the centre. A player may want 4 red tokens for example, should they try and take them in drips and drabs from several mats over several turns or wait for them to accumulate in the centre? Provided of that they do accumulate in the centre, what if too many go to the centre? There's definitely a higher level of play where watching what other players are doing is important. Quite often it's clear what they're prioritising, what they want or don't want in the next few turns. If they have a single token in the 5-space line on the left, it's likely they'll be looking to fill that out. Conversely, if they've already got 1 or more scoring tokens on the right side, they'll be unlikely or unable to use more of those tokens. Being able to predict other player's objectives will help when making decisions. It can also allow a player to try and deny tokens to other players and curiously, on some occasions force other players to take tokens they don't want. Players will also want to think about how and when to place their scoring tokens. Putting them down willy-nilly is a sure way to minimise points. Obviously in order to optimise points, tokens should ideally be put on to the wall adjacent to other tokens. Placing them vertically is a good way to go, since completed vertical lines earn an additional 7 VPs each, unless a player is looking to end the game, in which case they can go for the horizontal line! This brings me to an interesting facet in the mechanics, scoring the diagonal, i.e., putting all the tokens of 1 type on to the wall grid scores the biggest bonus; 10 VPs but as they are diagonal, they can't score off of each other! Additionally, once a diagonal of a type has been completed, the player can no longer score tokens of that type at all, collecting those tokens will now just incur penalty points in the floor line. Should a player hold off getting the diagonal until later which lowers the risk of sending tokens to the floor line or wait? Waiting will mean risking not completing it at all. I have to say I'm not fond of mechanics which lose players points especially if it can occur out of their control, it irritates like a unreachable itch and can be a little stress inducing. I find that's the case with Azul as well. However, having said that, the truth is; this is what makes Azul a good game and gives it depth. It means that collecting tokens either earns VPs (Or contributes towards acquiring VPs.) or loses VPs. It's always a meaningful decision. Other iterations of these mechanics are a little less stressful, brain-boiling and perhaps more accessible. But if depth is what you're looking along with a dollop indirect interaction between players, then Azul is worth a try.
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19th April 2022 It's a Tuesday and we're at The Sovereigns with the Woking Gaming Club. Mesopotamia; source of much history, a birthplace of the world's early civilisations. Also the source of many board games, one of them being Babylonia. Take on the role of a merchant dynasty and attempt to create the most lucrative trade routes. What's in a game?
Babylonia's components are all good. the cards are actually as chunky as the tokens. The remaining components. the tokens and ziggurats are all constructed of wood and feel high quality. The stands are a nice touch. The artwork used on the board is good and portrays what I imagine to be a suitably middle-eastern landscape for Mesopotamia. It is perhaps a little too busy and distracts the eye, however, the hexes help to make the layout clear. The cards all use the same illustration which is a little bland. For the most part, iconography is easily understood. Only some of the ziggurat cards are not immediately clear and will require looking up in the rule book but that only applies when and if the card comes into play. Nothing that would be a problem or approaching a dealbreaker. How's it play? Setup
On to play Babylonia uses a standard turn structure with the active player taking their turn before play moves to the left. In their turn, there are 3 phases active player must complete.
Endgame Play continues until 1 of the following 2 criteria are met: A player has no tokens on their stand. Or There are only 1 or 0 city tiles left on the board. In either case, the game ends immediately! Points are tallied, highest score wins. Overall
If you were to look at a game of Babylonia in progress, you'd be forgiven for thinking that with all these tokens in play at the same time that it's a complicated game but it's not. From the rules write up above there's not too much to learn but like all good games, there's a lot to think about. Right from the start Babylonia provides players with meaningful decisions to make and several paths to scoring VPs which can be prioritised. Often these will vary in value contextually and in relation to other decisions. There will be short term and long term goals. Take ziggurats for example, a player may put tokens next a number of different ziggurats to score points as efficiently as possible but may also choose to concentrate on a single one in order to secure a card. However, taking too long to gain majority on a Ziggurat may lose you some actions. Cards themselves will change in importance, those with continuous ability will be most exploitable in the early game and those with once-only bonuses will be important in the late game - provided of course, that someone else hasn't beaten you to the punch. Farms and cities have an interesting relationship, getting cities quicker than other players can earn a lot of VPs when some farms are scored or more city tiles are acquired. But city tiles need to be surrounded to score - unlike farms which can score immediately. Sometimes It may also take more actions to surround a city; if it looks like a player is going to get majority in a city (Or ziggurat actually.) other players wont be incentivised to complete it early for another player's benefit. Finally, there's the network of tokens that players will create, their trade routes. Finding ways to connect nobles to matching city tiles on other parts of the board can be a good source of points. Especially if a noble can be connect to multiple cities, a city can only be scored once so getting another use out of already played token is useful. It's here small token plays can have big outcomes. Sometimes players will want to put specific nobles into player or sometimes use farmers for rapid expansion. All of this is dependant on what tokens get drawn though. It's likely that something will not go to plan thanks to other players. Adapting to circumstances can also be important. Paying attention to what other players are doing is also vital since - apart from what's on a player's stand - everything is open. It means that it's likely that getting majority will eventually become a race as players' objectives clash and anticipating those objectives can make a difference. With straightforward rules and a brisk playing time, Babylonia is fairly accessible but also provides players with meaningful decisions. I enjoyed it and would recommend it. 20th February 2022 It's a Sunday and we're logged into Board Game Arena for some gaming fun. I don't know what Loco Momo means but I kind of hope it means crazy fun with cute animals. Hmm, that didn't sound right, how about wholesome crazy fun with animals. Loco Momo is actually about (I kid you not!) organising the disarrayed wildlife population of the forest for a group photo! Caveat: We've only ever played Loco Momo digitally. What's in a game?
It's good quality artwork though, a bright palette and bold cartoony style suit the game's light-hearted theme well. The game's only iconography appears on the player boards. It's not immediately apparent what they mean but quick read of the rules makes them clear. How's it play? Setup
On to play The objective of Loco Momo is for players to fill their boards with tiles to score VPs and the game provides various approaches to achieve this. Although this mostly involves collecting various kinds of sets. Loco Momo uses the traditional structure with the active player taking their 2 actions - a drafting action and placing action with play then moving to the player on the left.
Endgame Play continues until the 6th round is completed, then scoring occurs.
![]() The bottom row has 5 different animals, scoring 14. Row 2 above has 5 identical animals, also scoring 14. The matching eagles in the 1st column for rows 3 & 4 score 3, plus the eagle in the top row above scores an additional 4. The ducks in column 2 also score 7. The 2 rabbits in column 3, rows 3 & 4 score 3. The bear scores nothing. Finally, 2 rows have the same colour as does 1 column, scoring 15 more. Total score: 60. Overall
Loco Momo is a fairly straightforward game, the gameplay strategies are more or less obvious and there's not much to say about it. During drafting players will look for the optimal method to acquire the most tiles possible or, as will occur on occasion if there's little they want, try to avoid taking tiles. Then, when placing tiles, players may need to make some meaningful choices. Sure, it's easy putting down tiles when a player has got the ones they wanted but frequently, this won't be the case and dealing with those wayward tiles is very important. Players will want to keep scoring opportunities for other tiles/sets open and minimise the damage caused by having to place unwanted tiles. There's also a higher level of play that involves looking at what's available on the central board and what other players are working towards, then trying to anticipate what tiles they'll be looking to gain from themselves. It might be prudent to try and deny other players certain tiles. Or if they're not interested in tile of a particular colour, it might be safe take that tile in a later turn. This brings me to the one niggle I have about Loco Momo, which are the colour scoring rules. We've only played Loco Momo 3 player and because there are 3 colours of tile, we tend to gravitate towards one colour each with little 'stealing' of other players' colours. Which is understandable as completing columns/rows with the same colours confers nice bonuses and during the late-game completing sets scoring the colour instead of the animal gets more VPs. Consequently it also makes decisions 'easier'. I imagine with 4 players, this status quo would be shaken up and the game would become more interesting. Despite the criticism, the game ultimately generally does provide players with meaningful decisions to make. Games about about drafting sets of tiles and placing them on to a player board are pretty commonplace today. So does Loco Momo do anything to stand out from the crowd? I think the answer is... sort of. Loco Momo is a bit unremarkable but at the same time it's an enjoyably light, easily learnt and accessible example of this kind of game with a reasonable playing time. A good introduction or crossover game If this ticks your boxes, Loco Momo might be worth a look. 13th February 2022 It's Sunday night and we're logged into Board Game Arena for an evening of gaming. Shifting Stones is a light sort of puzzle-themed sliding tile game. Caveat: We've only ever played this game digitally. What's in a game?
There's not much to say about the components. The illustrations on the tiles are nicely detailed and distinctive. However, I found the colours somewhat muted in lower lighting and a little indistinguishable, particularly the orange/red combination. The same is true of the cards. The game has no iconography other than the tile illustrations. How's it play? Setup
On to play Shifting Stones uses a traditional turn order, the active player has their turn and when it finishes, play progress clockwise to the next. During their turn, the active player perform any number of the score/swap/flips actions in any order so long as they have the cards to perform them. Alternatively, they may skip their turn.
Endgame Play continues until any player has scored (Dependant on player count.) 7-10 cards, after which the current round is completed. Players add up the VPs of all the cards they've scored during the game. Additionally, whoever played the most 1 value cards earns a bonus 3 VPs. Points are tallied, highest score wins. Overall
As you can see from the brief write-up, Shifting Stones is a fairly straightforward and accessible game, it could make a good introduction to new players or crossover game. Despite the straightforward rules, there is actually a bit of depth to be found in Shifting Stones. The game makes use of a hand-as-currency mechanic to pay for actions and getting rid of cards that might prove useful is always a meaningful decision. Players will want to minimise this and find the most efficient way to swap/flip tiles to where they need them to be and hope to score at least 1 card per turn. At the same time, hanging on to cards too long can earn nothing and trying to plan ahead is likely to be futile, it's too risky leaving things for another round as it players will invariably change the tile positionings, players will need to be decisive and exploit the opportunities that present themselves during their turn. There's not much more else to say really, there's no noteworthy interaction between players and it's hard to gauge what others are doing, especially since whenever they refill their hand - which is every turn, they'll be presented with newer options. Other than I found the game a little bit of a frustrating experience. Watching other players inadvertently wrecking the positioning I was try to set up between turns wasn't what I'd call much fun. I also found having to remember what was on the flip side of the tiles something of a chore, having to refer to the reference card wasn't much better. If perhaps. there was more engaging core gameplay, maybe I'd would make the effort to remember what's on the other side of the tiles. But there wasn't, so I didn't. Shifting Stones is straightforward and clearly skews towards the lighter end of the complexity scale, it would possibly make a good filler game. I'm not sure there's enough here to appeal to me though and coupled with the frustrating experience means that this is not one for me. 9th February 2022 It's Wednesday night and we're round Simon's for some gaming fun. The evening's game was In the hall of the Mountain King. Ask yourself: What is it that trolls like to do? Live under bridges perhaps; no. Chase goats maybe; no. What about make trouble on the internet; no. What trolls really like to do is dig tunnels (The fancier the better.) and move statues! What's in a game?
There's certainly a good amount of wooden tokens and meeples here, the acrylic crystals are also a nice addition. None of the other components struck me as being poor quality and they're typical of what is expected in a modern game. There are a couple of minor quibbles though. The pedestal points tokens are a bit small and fiddly to handle The second is a bit of personal grumble - which is that all the carts are brown but depending on where the carts are acquired from will represent different colours. Carts in a player's central area can be used for any colour of statue. But carts from icons on troll cards can only be used to move statutes of a certain colour - which is indicated by the colour of the icon used to acquire the cart! Makes sense... right? Maybe not? Surely it would have been useful to include some carts of the relevant colours? There isn't a great deal of art in the game, mostly on on the spell and troll cards but it's all well illustrated with bold colours and and is fairly varied. There are 4 types (Or clans.) of troll cards and 3 types correspond to the blue/orange/white colour motif that runs through the game and I quite like how those trolls cards have a colour pallet to match it their types. Having said that; the starter cards all feature the same piece of artwork that has been coloured matched to each player colour which is a little disappointing. For the most, the game's iconography is actually straightforward and easily understood. Only the aforementioned issue with carts being a small problem. If the cart icon has a coloured background then a cart that is sourced from that icon can only be used for that colour of statue. Luckily it's not a gamebreaker although it's finicky rule to remember. How's it play? Setup
On to play Play during In the Hall of the Mountain King will have active player performing 4 actions before play moves clockwise to the next player.
Endgame The endgame is triggered when there no coronation tokens left to acquire. The current round is completed and 2 more rounds are played. Players then calculate VPs, a player's VPs may come from the following sources. Score tracker. Statues - depending on their position in the 5 zones and doubled if the player managed to place them on a pedestal. Great hall tokens in a player's network - with or without statues. Pedestal points for placing pedestals. Coronation tokens. Unspent resources; these can earn points. Every 3-of-a-kind scores an extra VP. Points are tallied, highest score wins. Overall
Despite having quite a few rule to remember and sounding quite complicated, In the Hall of the Mountain King is actually pretty straightforward in practice and many of the rules are obvious when in action. There's definitely a couple of finicky rules though, and again - it's to do with the carts and pedestals. It feels like an unnecessary complication to have these differently coloured carts to move statues. The rule that restrict pedestals to 1 per colour in each zone also feels a but cumbersome. I know why the rule is there: It encourages competition in a game that otherwise has little interaction between players. Players will want to be the first to get a pedestal as close to the Heart of the Mountain as possible. It locks out completing players and offers a big scoring opportunity. It means that players are put into a balancing act of needing build their tunnel network but also acquire resources to make this expansion happen. Clever placement of tiles will earn players some resources but recruiting trolls is the best way to get them and you'll note that digging and recruiting are pretty much the only 2 mutually exclusive actions in a turn. There's more to tunnel tile placement too, pedestals and thus statues have to go on anchor spots and it's these need to be as close to the centre of the board as possible, sometimes it'll be tricky to get it right, or it'll require not getting something else. Being able to avoid rubble spaces helps as well. Resource management also has more to it. Spending resources from troll cards first is prudent, as is using workshops to change them into other resources - because they go back on to the storage space and not the troll card. It does involve trying to think ahead about what resources can be acquired and what will be needed. This brings me neatly to the Trollmoot/Horde elements of the game, with their overlapping and cascading mechanics for both buying cards and acquiring resources they almost feel like a different game to the tile placement taking place on the game board. I have to say that I like the cascading mechanic, it's simple but provides some interesting decisions for players to make. Building up a Trollmoot, like much of In the Hall of the Mountain King requires a little forethought. If my calculations are correct, the cards in the centre columns will be activated the most. Players will want to identify and prioritise what resources they'll need in their Trollmoot setup. Additionally, deciding where to place a troll card will determine what resources the player immediately. I do also have some concerns about the game, I found using the tunnel tiles, creating pedestals and moving statues more of a chore than satisfying and the game it didn't quite gel with me. I'm also not sure how much value there is in replaying the game. The player and statue starting positions and workshops may vary but mostly the board's resources stay unchanged. And while the card mechanics are good, the cards themselves only vary in which resources they provide. In the Hall of the Mountain King is another one of these games that does nothing really wrong and I've got nothing against the game. If someone else wanted to play it I would happily join in but somehow it's missing that special something that makes me want to play it again. 8th February 2022 Tuesday evening is here and we're at The Sovereigns with the Woking Gaming Club for some gaming goodness. The 1st game of the night was Llamaland. A whole land full of llamas, they get everywhere, all over the fields, hills and mountains! What's in a game?
Most of Llamaland's components are good quality, the cards feel a little flimsy but unless they're abused, they should be fine. Otherwise it's all good, the tiles all feel suitability solid and chunky. The tokens are fine, I like how they're the different shaped. The most noteworthy component though, are the cute little llama meeples. The art in Llamaland is nice and colourful, all the tiles are bright and eye catching, the art for the character cards is heavily stylised but I like it. The illustrations used for the llama cards depict them as llama meeples. If you look carefully at several cards, you can see that some of them have slightly different expressions! It's a nice touch and I wonder how often these kinds of detail get noticed? Much of the game's iconography is easily comprehended, however, some of the icons on the character cards can be unclear, this generally applies to cards that confer bonuses for covering other icons because they show the relevant icons being covered and those icons are a little obscure. The blue objective cards will probably require referring to the rulebook to understand. None of this is a gamebreaker though. It's unlikely that players will need to look up anything more than once or twice. How's it play? Setup
On to play LLamaland is played using a traditional turn structure, with the active player taking a turn adding tiles to their estate. Once that's concluded, play moves to the player on the left.
Endgame Play continues until one of the following criteria is met. There are 4 or less land tiles less, regardless of type. There is only 1 type of llama card left. In either instance the game goes into the endgame and play continues until all players have had an equal number of turns, then it goes to scoring. Every llama card acquired earns its listed VPs. A player marker on a objective card that the player has successfully completed earns that player its listed VPs. Unused crop tokens earn 1 VP each. Every 2 unused coins earns 1 VP. Points are tallied, highest score wins. Overall
Broadly speaking, Llamaland's gameplay is divided into 3 areas. I'd say that primarily the game is concerned with tile placing mechanics. Much of the gameplay here will be familiar ground. Players cannot predict exactly what tiles will be available when drafting tiles will be available in their turn and will need to adapt to circumstances and look for opportunities. Pretty standard stuff. The unusual element here is building upwards, it adds an extra axis (sic) to the gameplay. It's vital to build upwards efficiently, there's no other way to get resources and players will want cluster desired resources in such a way that it makes covering them quick and easy. The second element is acquiring and placing llama meeples. When placing them, players will not only have to think about completing blue objectives but also trying to not hinder the placement of later tiles. Chances are that players will have more than one objective for placing llama meeples and they'll want to maximise the placing and there's definitely some synergy going on between objectives. Many purple objectives require 4 of a kind llamas and some blue ones require placing 4 llama meeples on the estate in a certain, thus it's possible to work to both objectives together. The third mechanic and one I find interesting is placing markers on objectives. Placing markers later in the game is safer as players will have better idea on what they can achieve, or might already have achieved however, they end up having to put their markers lower value rows. Placing markers earlier though, means players can go for the bigger VP rewards - provided they can complete the objective. When a player puts one of their marker on an objective, they're essentially making a bet that they'll complete the objective. It's a classic risk and reward mechanic. It also makes individual objectives pretty apparent to all players, if someone's just put their marker on the collect 4 potato llamas objective card, it's safe to assume what they'll be going for and others can respond as they see appropriate. Llamaland is a cheerfully colourful game that manages to always provides players with meaningful choices to make and strategies to utilise which I found it an engaging and fun. 15th January 2022 It's Wogglecon and the final game of the day was Ginkgopolis. What's a Ginkgopolis? Good question, I guess it means Ginkgo city but what does Ginkgo mean? It's a type of tree, so Ginkgopolis must mean tree-city. In Ginkgopolis, players take on the role city planners in tree-city and attempt to manage it's expansion, both outwards and upwards. What's in a game?
Ginkgopolis has solid components, the tiles and tokens are constructed from suitability thick, chunky card as are the screens, while the meeples and resources are wooden which is always appreciated. The game makes good use of colour, effectively mixing primary colours with green and emphasising the ginkgo tree motif employed throughout. Ginkgopolis' artwork is high quality, character cards are well illustrated with slightly cartoonish, colourful individuals that follow the game's red-yellow-blue and green theme, the same is true of the building cards/tiles which depict various different types of structures. The iconography in Ginkgopolis is a bit strange, there's not too much of it and it's fairly simple to understand. However, due to Ginkgopolis' almost counter-intuitive rules, getting to grips with it took a little time. Nothing too bad though. How's it play? Setup
In the basic flow of actions in Ginkgopolis, players simultaneously put down cards and then resolve them in turn order.
There are 2 ways in which Ginkgopolis can end. If the building tile supply is depleted a second time or if a player has put all resource tokens on to the city. In either case, the current round is resolved and the game goes to scoring. VPs come from various sources in Ginkgopolis.
Points are tallied, highest score wins. Overall
Firstly, one small fascinating thing about Ginkgopolis is how the game almost operates like a machine! Cards played to build something must not be put into the discard pile, otherwise they'll end up going back into circulation and later, players will end with cards in their hands that can't be used to either get currencies or build upwards. Further to this, new buildings must be given a meeple so that players can track which new cards must be added to the building deck as again, it would leave players without cards to gain currencies or build. Get this wrong and like a machine losing cogs, the game will begin grinding to a halt! I don't know what kind of fevered imagination dreamt up this mechanic but it's both convoluted and brilliant! Ginkgopolis' rules are definitely a little counter-intuitive. For example; when you play a card, that's not what you're building but what you're building on top of. Or after building something, getting to keep the card you used to build something. Additionally; it took a little bit for me to wrap my head around the game. Remember: Playing a card without a tile earns currencies. Playing a card with a tile allows a player to build a tile. I would also say Ginkgopolis is little fiddly for beginning player but none of this a dealbreaker, it's more an indicator of how Ginkgopolis feels a little unusual compared to other games I've played and I don't consider this a bad thing. While there are various avenues to follow for scoring, I feel that the biggest source of VPs would come from controlling districts because it's possible to not only score your own resources but those of other players' too! It can be quite hard to plan ahead though due to the card drafting and they'll be times when you'll want to play more than 1 card from your hand. It pushes you to make hard decisions (And hope the other cards come back around.), it means you have to adapt and spot situations you can exploit. It also means watching your neighbours and trying to gauge their objectives. There's quite a lot of player interaction that goes on and putting the right tile into play at the right time can dramatically alter the landscape. There's also an interesting strategy when deciding which tiles to put in the city. Putting a 20-value tile down makes it harder for other players to build over it, they'd have to pay VPs to build a lowered valued tile, or an extra resource to play a 20-value tile in a different colour. On the other hand, keeping a 20-value tile back can give a player the opportunity to build over other higher value tiles later in the game. The building outwards or upwards mechanics provide plenty of scope here. Expanding outwards can be easier (Provided a player gets the right urbanisation cards.) because a player need less resources and will also earn currencies when doing so. The downside is that it's easier for other players to build over your tiles. The opposite is also sort of true, building upwards tends to be costly, but it's also more costly for other players to build over them. Building tiles also puts the related card (And it's bonus action.) in to play in the player's personal area, creating the opportunity to combo actions into bonuses. Players will need to balance the need to acquire currencies with the need to build tiles. However, as the city landscape and a player hand changes, so can the options to do either of these. Adaptation is vital and every decision can be critical This made my choices feel meaningful when playing Ginkgopolis, which is always good. I'd say that Ginkgopolis is a mid-weight tile laying game with some fairly interactive area-control gameplay that gives players interesting and changing options. It took a little time to warm to Ginkgopolis but I enjoyed the game and think it's worth giving a try. 27th December 2021 Mid-Christmas gaming on Board Game Arena continued with Lucky Numbers. A good Friend Is Like A Four Leaf Clover, hard to find and lucky to have. Well, in Lucky Numbers; clovers make a game easy to learn and fun to play. Caveat: We've only ever played this game digitally. What's in a game?
There's not much to say about the art style, the game looks a little plain but is colourful with a lucky clover theme running throughout. The game's only iconography are the numbers 1-20. How's it play? Setup
On to play The objective in Lucky Numbers is to be the first player to fill in all empty spaces on their board with clover tiles in ascending order. Players take turns acquiring tiles and hopefully placing them on their player boards.
Endgame The first player to place clover tiles on all spaces on their player board, wins! Overall
There's no doubt about it, luck plays an important role in Lucky Numbers, which considering its name is... err... lucky? And that's not a bad thing either. Luck keeps the game fresh, acts as a fairly good balancing mechanic between players of differing experience levels and puts them on their toes. Despite the part that luck plays, there's also strategy to found in Lucky numbers. On a basic level, knowing where to place tiles is critical. After a couple of games players will learn the broad areas that are good placings for a tile but this is also contextual and players will need to pay close attention to the value of the tile in their hand in relation to the tiles already in play on their board. A physical gap between tiles also requires a numerical gap between them, how much of a numerical gap? That depends on those 2 numbers, numbers on nearby tiles, numbers in the central area and even numbers played by other players. Which brings me neatly to other players: There's a slightly deeper level of strategy and gameplay at work here. Players will invariably draw tiles they cannot use and will need to put them in the central area, sometimes though, it will just gift the tile to another player who can find a use for it on their turn. Sometimes it may be prudent to swap if for another tile on the your board to deny it to the other player. Or; if you notice another player swapping out a tile, it probably means they're making a play for something, they may be looking to use the tile they replaced or another tile from the central area in a different space and there may be a way of blocking that play. Even though players are working towards completing their own boards, it really pays to keep an eye on what others are doing and what empty spaces they have on their boards and they're looking for to win. If I had a couple of criticisms, it would be that despite the simple rules, there can be fiddly moments: We've only played the game digitally, but occasionally the game prevents me placing a tile incorrectly (Because I'm not paying attention!). If we were playing a physical, these kinds of mistakes might be missed. Secondly, quite often, if someone is lucky enough to get a good, even spread of 4 starting tiles, it can be too much of an edge, not always but definitely sometimes. None of this is a gamebreaker though. Lucky Numbers nails a sweet spot between replayability, rules-accessibility, randomness and a dollop of strategy. It's a great crossover game that will appeal to non-gamers as strategies utilised in the game are based on cunning and observation, not remembering rules. I wouldn't want to play it too much, but Lucky Numbers is a fun game in short bursts. If you don't mind games where luck can hold a lot of sway, then it's definitely work a look. 5th December 2021 Sunday evening gaming on Board Game Arena continued with Carcassonne. You too can wander this French Province, have a hand in building the legendary city, monastries and surrounding country side as well as populating the roads with... errr... highwaymen? What's in a game?
What few components the game possesses, are all solidly manufactured. The tiles and scoreboard are constructed of suitably thick card and the meeples are nice wooden tokens. The artwork found the tiles is for the most fairly small but are well detailed with colourful illustrations, the meeples are also brightly coloured. As the game area is built up over play, it actually looks quite good. In a game all about joining up tiles, the artwork is universally clear and there's never any confusion on how they connect. How's it play? Setup
On to play Broadly speaking, Carcassonne is about about building up the central playing area and connecting the game's features, it begins with the opening player taking and playing a land tile into the central play area next to the starting tile, then continues with the player on the left and so on until the stack of face-down tiles has been depleted.
Endgame Once play reaches the game end, final scores for uncompleted features are totted up. This means that an incomplete road (Which has a highwayman on it.) that goes over 2 tiles would score 2 points, monasteries score for partial completion as well at 1VP per. occupied surrounding tile. However, incomplete cities only score half, that is, each tile and coat-of-arms, score 1VP apiece. Finally, farmers are scored; each completed city that connects to a field that contains a farmer scores VPs for the owning player. Points are tallied, highest score wins. Overall
Carcassonne is a game that's been around for a while now and I have to admit that in the years since I last played it, my opinion on it has softened a little. Originally I found the randomness inherent to the game when getting a land tile irksome, it felt like it belied strategy and planning. Now however, I can see some mechanical benefit, it forces players to adapt, remain flexible and look for ways to exploit their situation and place tiles in the right places at the right time to gain points or even piggy-back off of other players. Having said that, my opinion on farmers hasn't changed at all! I still find them fiddly to track and score as well being somewhat unbalanced. A well placed farmer, especially early in the game can score the controlling player a lot of VPs, putting one down does lock a meeples out of the rest of the game, which can sometimes be detrimental later, but overall, the sacrifice is generally worth it. It's no surprise there's a 'no farmers' optional rule. One of the things I like about Carcassonne is how it manages to deliver quite a lot of gameplay for such a slim package, just some tiles and meeples - that's it! It means the game has a quick set up time a despite some perhaps fiddly rules, is still fairly straightforward to learn and pick-up-and-play. I think that this gives Carcassonne strong crossover appeal to 'non-gamers' who will quickly learn the game's basic strategies get up to speed. This has no doubt contributed to the game's continuing success and makes it a good introductory game for 'non-gamers'. Carcassonne is a lightweight game and isn't one I'd play too often, truth be told. But it can definitely be fun every once in a while, just don't worry about strategy too much and don't over-analyse it too much either. Play it for the lightweight enjoyment it can provide. 19th October 2021 Tuesday evening has come around again and we're at The Sovereigns with the Woking Gaming Club. The first game of the night was Unearth; a dice-rolling, worker placement game set after a distant apocalypse where players command a band of 'delvers' searching for lost wonders of the long past age. Basically archaeologists sans the bullwhips and giant rock chases! What's in a game?
For the ruins cards, Unearth uses some distinct eye-catching colour palettes and isometric cuboid artwork to depict the long destroyed structures. For the delver cards, an almost cartoony style is used to illustrate the workers/dice. Overall, I like the art style. The game doesn't make much use of iconography, what there is of it is pretty simple to comprehend. How's it play? Setup
On to play In Unearth, players take turns and are attempting to use delvers to acquire sets of ruin cards, that is place rolled dice on ruins card and also build wonders by accumulating and placing stone. Broadly speaking there can be 2 phases that the active player acts in, the delving phase and the building phase.
Endgame Play continues until the end of age card is revealed, any instructions on that card are immediately resolved, then play continues until all ruins cards have been claimed. Players then score for each set of the same colour they've collected. Sets range from 1-5 cards and score 2-30 points per set. there are also points for sets of each colour collected. Players can then score points from the individual wonders they've built, they also score for building 3 or more wonders. Points are tallied, highest score wins. Overall
The sum of Unearth's parts make it a fairly unusual game. It provides 2 distinct paths to scoring points and neither can be entirely ignored. Set collecting is one way to earn victory points and the card collecting mechanics are quite solid, giving players who fail to acquire a card some sort of other benefit and the range of dice available to players that give them a couple of options is key to this. Players can play for the card or try and play for the stones - the eight-sided die has a slightly better chance of roll higher than a six-sider and four sided die has a 75% chance of rolling 3 or lower, they each give advantage but don't guaranteed success. The other path to victory points - building wonders requires players to both plan ahead and also adapt to opportunities and changes as they appear, collecting stones of a particular colour can always prove tricky, especially if another player is also on the hunt for stone tokens. There are also some restrictions on how stone tiles are placed and depending on what a stones a player is trying to get, placing them may require a small amount of planning and forethought. I found Unearth a little unengaging and I can't quite put my finger on why, maybe it's the game's slightly abstract nature or maybe that it feels like little is ever happening. Very little seems to occur in a player's turn, quite often a player rolls a dice and there's no immediate effect, sometimes they get a stone, sometimes they don't, occasionally they get a ruins card. Often it felt like that despite my decisions, little was in my control. All of this makes the game sort of light on decision making. Players choose which ruins card to gamble a doe on and when to use a delver card, or where to place a stone token when they gain one and that's about it. There's just not that much to it. I can't find much to fault Unearth but then I can't find much to praise it either. It's all a little unexciting. |
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